An anthology of thrillers and chillers from 19th Century France. In Theophile Gautier's The Dead in Love, a man develops an obsessive passion for a woman who has returned from the grave, while Honore de Balzac's The Red Inn is on a crime which is committed by one person in thought and another in deed.

Demon's Kiss Maggie Shayne Maggie Shayne spreads her wings in this new novel of immortal love Even by vampire standards, Reaper is a loner, and his current mission to destroy a gang of rogue bloodsuckers is definitely a one–vamp job. Then fate takes a hand, and before he knows it, he's surrounded by a ragtag crew of misfit helpers: the newbie, the princess, the shape–shifter and the human healer. Seth is new to immortality, but he's sharp and strong – and he'll risk anything for the rogues' strange female captive, a secretive creature he doesn't understand but feels compelled to save. Vixen is confused by the emotions that swirl through her at the sight of her impulsive hero. She only hopes the brutal Gregor and his bloodthirsty renegades will leave her alive long enough to explore them. Or will Reaper himself be the one to destroy them all? “Maggie Shayne has a talent for taking characters born in fantasy and making them come alive.” – Romantic Times BOOK reviews

From the mists of prehistory to the present day, Japan has always had stories of fantastic monsters. There are women with extra mouths in the backs of their heads, water goblins whose favorite food is inside the human anus, elephant-dragons which feed solely on bad dreams, baby zombies, talking foxes, fire-breathing chickens, animated blobs of rotten flesh that run about the streets at night, and the dreaded "hyakki yagyo" "the night parade of one hundred demons"-when all of the yokai leave their homes and parade through the streets of Japan in one massive spectacle of utter pandemonium. What are yokai? Put simply, they are supernatural creatures of Japanese folklore. The word in Japanese is a combination of "yo," meaning "bewitching," and "kai," meaning "strange." The term encompasses monsters, demons, gods ("kami"), ghosts ("bakemono"), magical animals, transformed humans, urban legends, and other strange phenomena. It is a broad and vague term. Nothing exists in the English language that quite does the trick of capturing the essence of yokai. This field guide contains over 100 illustrated entries covering a wide variety of Japanese yokai. Each yokai is described in detail-including its habitat, diet, origin, and legends-based on translations from centuries-old Japanese texts. This book was first funded on Kickstarter in 2011 and then revised in 2015.

A thrilling epic fantasy adventure in the astonishing realm of Legend of the Five Rings, as two rival clans join forces to investigate a lethal supernatural mystery Chaos has broken out in the isolated Dragon Clan settlement of Seibo Mura. During the full moon, horrifying creatures rampage through the village, unleashing havoc and death. When the Dragon samurai Agasha no Isao Ryotora is sent to investigate, he faces even greater danger than expected. To save the village, he must confront his buried past – not to mention an unexpected Phoenix Clan visitor, Asako Sekken, who has his own secrets to hide. The quest to save Sebo Mura will take the two samurai into the depths of forgotten history and the shifting terrain of the Spirit Realms… and bring them face to face with an ancient, terrifying evil.

The film's troublesome production schedule is brought vividly to life through Tony Earnshaw's enthusiastic style - including new research and original interviews. Earnshaw's book tracks the film's development from the original ghost story Casting the Runes by M R James through the various shooting scripts, alternative titles, and the challenging production work, to the final theatrical release. Along the way there are anecdotes, analysis and fascinating insights into British movie making in the 1950s, as well as previously unseen production designs by Sir Ken Adam, who went on to create the gadgets and secret bases that helped make the Bond series an international phenomenon. With a comprehensive location guide and biographies of all the onstage and backstage players, Beating The Devil - the Making of Night of the Demon is the definitive book on what has been described as "The Casablanca of Horror Films".

An anthology of thrillers and chillers from 19th Century France. In Theophile Gautier's The Dead in Love, a man develops an obsessive passion for a woman who has returned from the grave, while Honore de Balzac's The Red Inn is on a crime which is committed by one person in thought and another in deed.

Secret, strange, dark, impure and dissonant...Enter the haunted landscapes of folk horror, a world of ­pagan ­village conspiracies, witch finders, and teenagers awakening to evil; of dark fairy tales, backwoods cults and obsolete technologies. Beginning with the classics Night of the Demon, Witchfinder General, The Wicker Man and Blood on Satan's Claw, We Don't Go Back surveys the genre of screen folk horror from across the world. Travelling from Watership Down to The Texas Chain Saw Massacre, with every stop inbetween, We Don't Go Back is a thoughtful, funny and essential overview of folk horror in TV and cinema."A beautiful rumination on the dark films and television that shaped me and a generation of odd children, for good or ill, worth a year of your time, because you won't just read the book, you'll feel a burning desire to watch everything mentioned within." - Robin Ince"A comprehensive, accessible and often riotously funny tome weaving together folk horror in all its forms, from British television to the American backwoods, from Eastern European fairytales to the vengeful ghosts of East Asia. Ingham explores uncanny landscapes haunted by things buried, old cultures converging with the reluctance of contemporary reason, that very tension that gives his book its name. He attempts to both define folk horror and free it from definition, creating the ultimate guide to the genre's manifestations on film and offering a convincing argument as to why the genre resonates so compellingly with people today." - Kier-La Janisse, author of House of Psychotic Women