"Democritus Platonissans" by Henry More. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

This is the first complete modern edition of Henry More's long philosophical poem, A Platonick Song of the Soul (1647). This early work, written in Spenserian stanzas, is a sustained literary presentation of the Neoplatonic doctrine of the immateriality and immortality of the soul. The Introduction to this book discusses both the literary background of the work and its varied philosophical and scientific sources, from Plotinus to Ficino and Galileo.

This book analyses the debate over extraterrestrial life from Aristotle to Kant.

With The Lucretian Renaissance, Gerard Passannante offers a radical rethinking of a familiar narrative: the rise of materialism in early modern Europe. Passannante begins by taking up the ancient philosophical notion that the world is composed of two fundamental opposites: atoms, as the philosopher Epicurus theorized, intrinsically unchangeable and moving about the void; and the void itself, or nothingness. Passannante considers the fact that this strain of ancient Greek philosophy survived and was transmitted to the Renaissance primarily by means of a poem that had seemingly been lost—a poem insisting that the letters of the alphabet are like the atoms that make up the universe. By tracing this elemental analogy through the fortunes of Lucretius’s On the Nature of Things, Passannante argues that, long before it took on its familiar shape during the Scientific Revolution, the philosophy of atoms and the void reemerged in the Renaissance as a story about reading and letters—a story that materialized in texts, in their physical recomposition, and in their scattering. From the works of Virgil and Macrobius to those of Petrarch, Poliziano, Lambin, Montaigne, Bacon, Spenser, Gassendi, Henry More, and Newton, The Lucretian Renaissance recovers a forgotten history of materialism in humanist thought and scholarly practice and asks us to reconsider one of the most enduring questions of the period: what does it mean for a text, a poem, and philosophy to be “reborn”?

What is time? This is one of the most fundamental questions we can ask. Traditionally, the answer was that time is a product of the human mind, or of the motion of celestial bodies. In the mid-seventeenth century, a new kind of answer emerged: time or eternal duration is 'absolute', in the sense that it is independent of human minds and material bodies. Emily Thomas explores the development of absolute time or eternal duration during one of Britain's richest and most creative metaphysical periods, from the 1640s to the 1730s. She introduces an interconnected set of main characters - Henry More, Walter Charleton, Isaac Barrow, Isaac Newton, John Locke, Samuel Clarke, and John Jackson - alongside a large and varied supporting cast, whose metaphysical views are all read in their historical context and given a place in the seventeenth- and eighteenth-century development of thought about time.

The Cambridge Platonists were defenders of tolerance in the political as well as the moral sphere ; they held that practical j u d g e m e n t came down in the last instance to individual conscience ; and they laid the foundations of our modern conceptions of conscience and liberty. But at the same time they ma intained the existence of eternal truths , and of a Good-in-itself , identical with Truth and Being, refusing to admit that freedom of conscience i m p li e d moral relativism. They were critics of dogmatism, and of the sectarian notion of "enthusiasm" as a source of illumination , on the grounds that both were disruptive of social harmony; they pleaded the cause of reason , in the hope that it could become the foundation of all human knowledge . Yet , for all that , they ma intained that a certain sort of mystical illumination lay at the heart of all true thought , and that human reason had validity only in virtue of i t s divine origin . They debated with Des cartes and took a keen interest in his mech- ism and his dualism ; they brought the atomistic theories of Democritus back into repute; and they sought to provide a detailed account of the causality link ing all phenomena.

This volume examines the role of the Cambridge Platonist, Henry More, in discrediting certain religious and philosophical movements of the seventeenth century by branding them as "enthusiastical" (the result of psychological imbalance issuing in impaired judgement and cognition). More's views are distinguished from his "enthusiastical" opponents — Alchemists, Quakers, and Mechanical Philosophers — by looking at the way in which he dialectically employs various speech genres to describe religious meaning and to evoke in his readers attitudes and feelings confirming that meaning. More is presented as offering a consistent ideal of the religiously meaningful life, protecting it from various forms of intellectual corruption. More's paradoxical ways of polemicizing are explained while at the same time the author provides insight into such diverse themes as the connection between Hermeticism, Cartesianism, and religious radicalism.