This study looks anew at one of the most popular books of the seventeenth century, Sir Thomas Brown's Religio Medici. Daniela Havenstein considers neglected seventeenth- and early eighteenth-century responses to this central work. Browne's style is reassessed in a fresh approach that combines traditional analysis with carefully developed quantitative methods.

Sir Thomas Browne: A Life is the first full-scale biography of the extraordinary prose artist, physician, and polymath. With the help of recent archival discoveries, the biography recasts each phase of Browne's life (1605-82) and situates his incomparable writings within the diverse intellectual and social contexts in which he lived, including London, Winchester, Oxford, Montpellier, Padua, Leiden, Halifax, and Norwich. The book makes the case that, as his contemporaries fervently believed, Browne influenced the intellectual and religious direction of seventeenth-century England in singularly rich and dynamic ways. Special attention is paid in the biography to Browne's medical vocation but also to his place within the scientific revolution. New information is offered regarding his childhood in London, his European travels and medical studies, the setting in which he first wrote Religio Medici, his impact on readers during the English civil wars, and the contemporary view of his medical practice. Overall, the image of Browne that emerges is far bolder and more cosmopolitan, less complacent and provincial, than biographers have assumed ever since Samuel Johnson doubted Browne's claim that his life up to age thirty resembled a romantic fiction filled with miracles and fables. The biography has extensive material for anyone interested in the histories of religion, education, science and medicine, seventeenth-century England, and early modern philosophy and literature.

For many years, scholarship on Thomas Browne (1605-1682) saw him as tangential to his period’s thought and writing: an obscure and quaint stylist, detached from the turbulence of mid-seventeenth century England. This volume contributes to the current reevalution of Browne’s involvement in his times: identifying his political commitments, milieu, reading, and readers. The essays collected in this volume place Browne’s works in unexpected contexts – in Holland, Poland and Germany, in Restoration politics, in publishing history and medical theory. It presents new research into his reputation in the later seventeenth century, his manuscripts, medical dissertation, association with the Hartlib circle and habits of revision. Essays on familiar works place them in new light, while readings of his letters, notebooks, and lesser works broaden our understanding of Browne as a writer. The result is a fuller picture of Browne’s significance in seventeenth-century European culture. Contributors include: Eric Achermann, Hugh Adlington, Reid Barbour, Harm Beukers, Siobhán Collins, Louise Denmead, Karen Edwards, Doris Einsiedel, Kevin Killeen, Mary Ann Lund, Philip Major, Antonia Moon, Kathryn Murphy, Brent Nelson, and Claire Preston.

Publisher Description

Kevin Killeen addresses one of the most enigmatic of seventeenth century writers, Thomas Browne (1605-1682), whose voracious intellectual pursuits provide an unparalleled insight into how early modern scholarly culture understood the relations between its disciplines. Browne's work encompasses biblical commentary, historiography, natural history, classical philology, artistic propriety and an encyclopaedic coverage of natural philosophy. This book traces the intellectual climate in which such disparate interests could cohere, locating Browne within the cultural and political matrices of his time. While Browne is most frequently remembered for the magnificence of his prose and his temperamental poise, qualities that knit well with the picture of a detached, apolitical figure, this work argues that Browne's significance emerges most fully in the context of contemporary battles over interpretative authority, within the intricately linked fields of biblical exegesis, scientific thought, and politics. Killeen's work centres on a reassessment of the scope and importance of Browne's most elaborate text, Pseudodoxia Epidemica, his vast encyclopaedia of error with its mazy series of investigations and through this explores the multivalent nature of early-modern enquiry.

This book explores literary culture in England between 1630 and 1700, focusing on connections between material, epistemic, and political conditions of literary writing and reading. In a number of case studies and close readings, it presents the seventeenth century as a period of change that saw a fundamental shift towards a new cultural configuration: neoclassicism. This shift affected a wide array of social practices and institutions, from poetry to politics and from epistemology to civility.

Digressive Voices in Early Modern English Literature looks afresh at major nondramatic texts by Donne, Marvell, Browne, Milton, and Dryden, whose digressive speakers are haunted by personal and public uncertainty. To digress in seventeenth-century England carried a range of meaning associated with deviation or departure from a course, subject, or standard. This book demonstrates that early modern writers trained in verbal contest developed richly labyrinthine voices thatcaptured the ambiguities of political occasion and aristocratic patronage while anatomizing enemies and mourning personal loss. Anne Cotterill turns current sensitivity toward the silenced voice to argue that rhetorical amplitude might suggest anxieties about speech and attack for men forced to be competitiveyet circumspect as they made their voices heard.