The most celebrated detective in lesbian literature returns in the most fateful case of her career... "Kate," Detective Joe Cameron said, "there was always the possibility--" "--that like most threats they were just threats," Kate finished for him. She knew better. Had known from the start this was as real as death. Death is now on her doorstep. Not even her loyal LAPD colleagues can protect her from an attack that may come from anywhere, anytime. Four years retired, Kate Delafield has a twenty-year-old case roaring back on her, a case from which she had recoiled, withdrawn herself. A homophobic homicide far too reminiscent of a recent, haunting, life-changing investigation of the murder of a young lesbian at the Nightwood Bar. Now she suffers in secret, knowing she is personally culpable for the mishandling of evidence. She has also begun to understand how the roads she has traveled have led her to this day. The key decisions about the conduct of her life and her police career that have brought her directly to this time, this place in the high desert where she has taken herself. All she can do now, she resolves, is protect as best she can the people she loves most, especially Aimee, from this threat. And, until her time runs out, she can go back and investigate, determine who actually ended the life of fifteen-year-old April Shuster. But events, people, intervene. New people in her present life, some from her past. And they will take her in the most unexpected of directions.

"She could never, looking backwards, remember a time when she had not known that a woman's failure or success in life depended entirely upon whether or not she succeeded in getting a husband" When in the company of a young man a dutiful daughter should immediately assume an air of fresh, sparkling enjoyment. She should not speak of "being friends" with him-a young man is either eligible or he is not-and never, but never, should she get herself talked about, for a young girl who does so is doomed. "Men may dance with her, or flirt with her, but they don't propose." It would be quite a coup for a girl to find a husband during her first season, but if, God forbid, three seasons pass without success, she must join the ranks of those sad women who are a great embarrassment to society and, above all, to their disappointed mothers . . . With such thoughts in mind, how can Monica fail to look forward to her first ball?

Young Teddie Crawford is dead from multiple stab wounds in a restaurant kitchen awash with blood. LAPD homicide detective Kate Delafield is relentless in her pursuit and capture of his killer. But bringing that killer to trial imperils Kate’s professional standing and personal privacy—and her belief in the justice system to which she has devoted her life. The suspect claims self-defense—that Teddie Crawford made a homosexual advance and backed it up with a knife. Yet everything Kate learns about Teddie Crawford tells her that his murder was deliberate. And to develop proof of first degree murder, she must find clear answers to mystifying questions for the prosecuting attorney—a woman who has never before prosecuted a homicide case. Kate is increasingly isolated as she tries to shield her young lover from the brutal realities of this case and finds few allies among her LAPD brethren. Even her partner, Ed Taylor, is loathe to aggressively pursue a case involving a dead gay man and his gay associates. As the trial date looms, she discovers she has a personal stake: the defense attorney is a man from her past. A man with the power to expose the private life she has kept rigidly separate from her life as a police officer. Murder by Tradition reaches new heights in the powerful storytelling readers have come to expect from Katherine V. Forrest. Lambda Literary Award Winner.

Tough and demanding LAPD Detective Kate Delafield is the leader of the investigation into a highrise office building murder. The case is intriguing but routine—until Kate interviews the only witness, Ellen O’Neil. When Ellen O’Neil took her new job over the objections of her lover, she wasn’t expecting to become embroiled in murder. The curiosity that Kate Delafield rouses is equally unexpected. But it is never far from Ellen’s mind that she is merely a name on an interview sheet to the tight-lipped detective. Kate’s thin trail of clues are enough to convince her that she is looking for an amateur, and amateurs are notoriously unpredictable and dangerous. She finds her path increasingly intersecting with that of Ellen O’Neil, who is proving unpredictable and dangerous in a far more personal way. AMATEUR CITY is the first novel in the compelling Kate Delafield mystery series that has gripped readers all over the world.

Although historically underrated, the commission and the members' reports constituted an important step in the development of U.S. military professionalism. In The Delafield Commission and the American Military Profession, Matthew Moten is the first to explore in detail this connection between the commission and military professionalization.".

This story is set in England during World War I and revolves around Miss Vivian, a 29-year-old woman. In this novel, Miss Vivian is the Director of the Midland Supply Depôt. She lives with her parents at their rural estate 'Plessings'. It is to be admired that Vivian, who has never done a day's work in her life, has a tenacious spirit that propels her in organizing, supervising and directing the Midlands Supply Depot with great efficiency. Meanwhile across the street the 'war girls' live in a very overcrowded hostel, here they share rooms with hardly any hot water and pretty much unpalatable food.