This book describes the principles of Baconian science, and their influence on the thought and writing of Daniel Defoe.

Defoe and Fictional Time shows Defoe's relevance to issues now central to criticism of the novel; relationships between narrative time and clock time, the influence of time concepts shared by writers and their audience, and above all the questions of how fiction shapes the phenomenal time of reading. Paul K. Alkon offers first a study of time in Defoe's fiction, with glances at Richardson, Fielding, and Sterne; and second a theoretical discussion of time in fiction. Arguing that eighteenth-century views of history account for the strange chronologies in Captain Singleton, Colonel Jack, Moll Flanders, and Roxana, Alkon explores Defoe's innovative use of narrative sequences, frequency, spatial form, chronology, settings, tempo, and the reader's cumulative memories of a text. Defoe's Journal of the Plague Year is the first portrayal of a public duration—passing time shared by an entire population during a crisis—ranking Defoe among the most creative writers who have explored the way in which fictional time may influence reading time.

The publication of the 44-volume Works of Daniel Defoe continues with this collection of Defoe's satirical poetry and fantasy writings, and writings on the supernatural.

A highly conscious wordsmith, Daniel Defoe used expository styles in his fiction and non-fiction that reflected his ability to perceive material and intellectual phenomena from opposing, but not contradictory perspectives. Moreover, the boundaries of genre within his wide-ranging oeuvre can prove highly fluid. In this study, Robert James Merrett approaches Defoe's body of work using interdisciplinary methods that recognize dialectic in his verbal creativity and cognitive awareness. Examining more than ninety of Defoe's works, Merrett contends that this author's literariness exploits a conscious dialogue that fosters the reciprocity of traditional and progressive authorial procedures. Along the way, he discusses Defoe's lexical and semantic sensibility, his rhetorical and aesthetic theories, his contrarian theology, and more. Merrett proposes that Defoe's contrarian outlook celebrates a view of consciousness that acknowledges the brain's bipartite structure, and in so doing illustrates how cognitive science may be applied to further explorations of narrative art.

The publication of the 44-volume Works of Daniel Defoe continues with this collection of Defoe's satirical poetry and fantasy writings, and writings on the supernatural.

The Oxford Handbook of Daniel Defoe is the most comprehensive overview available of the author's life, times, writings, and reception. Daniel Defoe (1660-1731) is a major author in world literature, renowned for a succession of novels including Robinson Crusoe, Moll Flanders, and A Journal of the Plague Year, but more famous in his lifetime as a poet, journalist, and political agent. Across his vast oeuvre, which includes books, pamphlets, and periodicals, Defoe commented on virtually every development and issue of his lifetime, a turbulent and transformative period in British and global history. Defoe has proven challenging to position--in some respects he is a traditional and conservative thinker, but in other ways he is a progressive and innovative writer. He therefore benefits from the range of critical appraisals offered in this Handbook. The Handbook ranges from concerns of gender, class, and race to those of politics, religion, and economics. In accessible but learned chapters, contributors explore salient contexts in ways that show how they overlap and intersect, such as in chapters on science, environment, and empire. The Handbook provides both a thorough introduction to Defoe and to early eighteenth-century society, culture, and literature more broadly. Thirty-six chapters by leading literary scholars and historians explore the various genres in which Defoe wrote; the sociocultural contexts that inform his works; his writings on different locales, from the local to the global; and the posthumous reception and creative responses to his works.

Brings together three parts of "Robinson Crusoe" and examines their relationship. This work contains editorial material that includes a substantial introduction to each novel, explanatory endnotes, textual notes, and a consolidated index.