Deep Space and Sacred Time examines for the first time in book-length form the many ways Star Trek has served as a mythic reference point for American society--and suggests that an understanding of this phenomenon can help us to see ourselves more clearly as a culture.

Deep Space and Sacred Time examines for the first time in book-length form the many ways Star Trek has served as a mythic reference point for American society--and suggests that an understanding of this phenomenon can help us to see ourselves more clearly as a culture.

Theologian Harry Lee Poe and chemist Jimmy H. Davis argue that God's interaction with our world is a possibility affirmed equally by the Bible and the contemporary scientific record. Rather than confirming that the cosmos is closed to the actions of the divine, advancing scientific knowledge seems to indicate that the nature of the universe is actually open to the unique type of divine activity portrayed in the Bible.

Drawing on a number of methodologies and disciplinary perspectives, this book boldly goes where none has gone before by focusing on the interplay between Star Trek, religion, and American culture as revealed in the four different Trek television series, and the major motion pictures as well. Explored from a Trek perspective are the portrayal and treatment of religion; the religious and mythic elements; the ritual aspects of the fan following; and the relationship between religion and other issues of contemporary concern. Divided into three sections, this detailed study of religion, myth, and ritual in the Star Trek context extends the boundaries of the traditional categories of religious studies, and explores the process of the (re)creation of culture. The first section explores the ways in which religion has primarily been understood in the Star Trek franchise in relationship to science, technology, scientism, and 'secular humanism.' What do Star Trek and its creator Gene Roddenberry have to say about religion, and what does this reveal about changing American perceptions about the role, value, and place of religion in everyday life? Section Two examines the mythic power and appeal of Star Trek, and highlights the mythic and symbolic parallels between the series' story lines and themes taken from both western religious tradition and the scientific and technological components of contemporary North American Society. In the final section, contributors discuss the mythic and ritual aspects of Star Trek fandom. How have Star Trek fans found meaning and value in the television programs, and how do they express that meaning in their lives? Contributors include Robert Asa, Michael Jindra, Larry Kreitzer, Jeffrey S. Lamp, Peter Linford, Ian Maher, Anne Pearson, Gregory Peterson, and Jon Wagner.

Today's media, cinema and TV screens are host to new manifestations of myth, their modes of storytelling radically transformed from those of ancient Greece. They present us with narratives of contemporary customs and belief systems: our modern-day myths. This book argues that the tools of transmedia merchandising and promotional material shape viewers' experiences of the hit television series Star Trek, to reinforce the mythology of the gargantuan franchise. Media marketing utilises the show's method of recycling the narratives of classical heritage, yet it also looks forward to the future. In this way, it reminds consumers of the Star Trek story's ongoing centrality within popular culture, whether in the form of the original 1960s series, the later additions such as Voyager and Discovery or J. J. Abrams' `reboot' films. Chapters examine how oral and literary traditions have influenced the series structure and its commercial image, how the cosmological role of humanity and the Earth are explored in title sequences across various Star Trek media platforms, and the multi-faceted way in which Internet, video game and event spin-offs create rituals to consolidate the space opera's fan base. Fusing key theory from film, TV, media and folklore studies, as well as anthropology and other specialisms, To Boldly Go is an authoritative guide to the function of myth across the whole Star Trek enterprise.

Despite the fact that Star Trek: Deep Space Nine ended over twenty-five years ago, there has yet to be a stand-alone assessment of the series. This collection corrects that omission, examining what made Deep Space Nine so unique within the Star Trek universe, and how that uniqueness paved the way for an altogether new, entirely different vision for Star Trek. If the Star Trek slogan has always been "to boldly go where no one has gone before," then Deep Space Nine helped to bring in a new renaissance of serialized television that has become normal practice. Furthermore, Deep Space Nine ushered in critical discussions on race, gender, and faith for the franchise, science fiction television and American lives. It relished in a vast cast of supporting characters that allowed for the investigation of psychosocial relationships--from familial issues to interpersonal and interspecies conflict to regional strife--that the previous Star Trek series largely overlooked. Essays explore how Deep Space Nine became the most richly complicated "sci-fi" series in the entire Star Trek pantheon.

Film and cinema.