Cordelia Waldron has been living on the Côte d'Azur for ten years, posing as an English heiress. Now her money is gone and her luck is running out. Desperate to escape her grotty flat and grim reality, Cordelia spends a decadent night at the Negresco. But surrounded by the young, beautiful and privileged she feels her age and her poverty. As dawn breaks she stumbles home through the back streets. Even before she opens her door she can hear the flies buzzing. It hasn't taken long for the corpse in her bedroom to commence decomposing ... Liz Nugent's novel is the dark, twisted and shocking story of what takes Cordelia from an island childhood in Ireland to ruin in Nice.

For decades now tattoos have been potent symbols of the Los Angeles gang-life scene. The black and white tattoos with recognizable gang symbols appear on members' faces, necks and all over their bodies, making their gang affiliation immediately clear to whomever crosses their path. This can mean the difference between life and death on he streets, and just as often, in prison. What does this prominently placed imagery mean for those men and women who somehow extricate themselves from gang life or are released from prison or want to separate themselves from the gang and start life anew? The very tattoos which may have helped guard against the constant threat of rival gangs now bar many ex-gang members from employment, life without harassment, and the freedom to move on from a past they have worked hard to overcome. Skin Deep is a photography project that seeks to show the effects of this ongoing gang conflict in Los Angeles. Photographer Steven Burton set out to photograph realistic portraits of former gang members who are trying to escape the revolving door of death and prison. For these men and women, the aftermath of gang life is not only carried within--it is also scrawled across their faces and bodies. Skin Deep uniquely highlights the impact tattoos have on the way a person is perceived by showing what each participant might look like without them. Utilizing before and, thanks to the advantages of Photoshop, after photographs, these men and women got a chance to see what they'd look like without the inked visual armor. After the bare images were presented to each, they were asked to talk about themselves and their families, what tattoos represent to them, and their aspirations for the future. Seeing themselves without tattoos--many for the first time in decades--naturally brought about a wide range of emotions, recollections, hopes, and dreams, with responses such as: "I am shocked. I don't know what to say about this. I am going to give this to my mom, she is going to be so happy." "I think this guy in the pictures would judge the one with tattoos right off the top." "That's crazy, that looks real crazy. Those came out cool man! I think I like it better without the tattoos." Burton met his subjects thanks to Father Greg Boyle, the founder of Homeboy Industries in LA, and the entire project is inspired by his tireless work to help rehabilitate these former gang members and give them all a crucial second chance in life. Skin Deep offers a chance to expose the realities these individuals face when trying to rebuild their lives and re-enter society. As importantly, for the public, the project provokes consideration regarding how society perceives and judges people with tattoos and violent pasts and seeks to garner empathy for those caught in the crosshairs of gang life as they try to change their futures.

The New York Times beauty writer gets the world’s most photographed people to share their intimate rituals in “the utmost authority on all things beauty” (Bobbi Brown). Skin Deep explores the surprising role that beauty plays in the lives of everyone from ballet dancers to musicians, models to powerful entrepreneurs. Beauty writer Bee Shapiro reveals the secrets of more than forty beauty icons, including their daily skin care regimens, opinions on makeup, hair care, diet and exercise, and the way beauty has evolved for each person over the course of his or her life. You’ll learn how Kylie Jenner gets Instagram-ready; the preferred face mask of supermodel Natalia Vodianova; what beauty staples Olympian Allyson Felix uses off the track; and exactly what makes Martha Stewart’s skin-care regimen cost $2,000. Including ten new subjects, alongside favorites like Gwyneth Paltrow, Priyanka Chopra, and Anna Kendrick, plus sidebars and photography, Skin Deep takes an intriguing look at contemporary beauty, not only through entertaining celebrity interviews, but with in-depth guidance from experts like Christophe Robin and Patrick Ta.

Why do Latinos with light skin complexions earn more than those with darker complexions? Why do African American women with darker complexions take longer to get married than their lighter counterparts? Why did Michael Jackson become lighter as he became wealthier and O.J. Simpson became darker when he was accused of murder? Why is Halle Berry considered a beautiful sex symbol, while Whoopi Goldberg is not? Skin Deep provides answers to these intriguing questions. It shows that although most white Americans maintain that they do not judge others on the basis of skin color, skin tone remains a determining factor in educational attainment, occupational status, income, and other quality of life indicators. Shattering the myth of the color-blind society, Skin Deep is a revealing examination of the ways skin tone inequality operates in America. The essays in this collection-by some of the nation's leading thinkers on race and colorism-examine these phenomena, asking whether skin tone differentiation is imposed upon communities of color from the outside or is an internally-driven process aided and abetted by community members themselves. The essays also question whether the stratification process is the same for African Americans, Hispanics, and Asian Americans. Skin Deep addresses such issues as the relationship between skin tone and self esteem, marital patterns, interracial relationships, socioeconomic attainment, and family racial identity and composition. The essays in this accessible book also grapple with emerging issues such as biracialism, color-blind racism, and 21st century notions of race in the U.S. and in other countries.

Elizabeth Bishop, who constructed poems of crystalline visual accuracy, is often regarded as the most painterly of twentieth-century American poets. In Deep Skin, Peggy Samuels explores Bishop's attraction to painters who experimented with dynamic interactions between surface and depth. She tells the story of the development of Bishop's poetics in relation to her engagement with mid-century art, particularly the work of Paul Klee, Kurt Schwitters, and Alexander Calder.Contemporary conversations about the visual arts circulating among art historians and reviewers shaped Bishop's experience and illuminated aesthetic problems for which she needed to find solutions. The book explores in particular the closest intellectual context for Bishop, her friend Margaret Miller, who worked as a research associate and later associate curator at the Museum of Modern Art. Samuels traces a complex and rich four-way metaphor in her portrait of Bishop's methods: surface of verse, surface of painting, skin, and interface between mind and world.The visual arts helped Bishop to develop a new model for lyric: the surface of verse becomes a threshold that opens in two directions--to nature and to the interior of the poet. Bishop's poetics is very much about the touch of the materials of the mind and world inside the materiality of verse. Translating and revising some of the concepts from the visual arts in her own linguistic medium, she begins to experiment with modulation, absorption, and incorporation across multiple registers of experience.

As a spy for a fey intelligence agency, Laura Blackstone uses her magical abilities to create disguises that are skin deep. But when Laura's worlds collide she'll have more to worry about than retiring an identity; she may just lose her life. Original.

The dark heart of race science… and why it’s nonsense. Racial differences are rooted in biological reality, right? That’s certainly what a small group of anthropologists, psychologists and pundits would have you believe. Portraying themselves as brave defenders of the inconvenient truth, this group took the revival of ‘race science’ from alt-right online message boards into mainstream academic journals. They seek to justify raging social inequalities from poverty to incarceration rates with a simple message: some people are just born to be poor. There’s just one problem… race science isn’t real. The first Europeans had dark skin and black curly hair. Culture was born in Africa, not Western Europe. Gavin Evans examines the latest research on how intelligence develops and laying out new discoveries in genetics, palaeontology, archaeology and anthropology to unearth the truth about our shared past. Skin Deep stands up to the pseudo-science deployed to justify colonial rule, the apartheid regime and the vast inequalities that persist today. As race dominates the political agenda, it’s time to put the hateful myths about it to bed.