This breakthrough book brings science into history to offer a dazzling new vision of humanity across time. Team-written by leading experts in a variety of fields, it maps events, cultures, and eras across millions of years to present a new scale for understanding the human body, energy and ecosystems, language, food, kinship, migration, and more.

Deep hiStories represents the first substantial publication on gender and colonialism in Southern Africa in recent years, and suggests methodological ways forward for a post-apartheid and postcolonial generation of scholars. The volume’s theorizing, which is based on Southern African regional material, is certain to impact on international debates on gender – debates which have shifted from earlier feminisms towards theorizations which include sexual difference, subjectivities, colonial (and postcolonial) discourses and the politics of representation. Deep hiStories goes beyond the dichotomies which have largely characterized the discussion of women and gender in Africa, and explores alternative models of interpretation such as ‘genealogies of voice’. These ‘genealogies’ transcend the conventional binaries of visibility and invisibility, speaking and silence. Works covering South Africa from the eighteenth to the twentieth century and Zimbabwe, Namibia and Cameroon in the twentieth include: • Colonial readings of Foucault • Ideologies of domesticity • Torture and testimony of slave women • Women as missionary targets • Gender and the public sphere • Race, science and spectacle • Male nursing on mines • Infanticide, insanity and social control • Fertility and the postcolonial state • Literary reconstructions of the past • Gender-blending and code-switching • De/colonizing the queer The collection includes diverse research on the body in Southern Africa for the first time. It brings new subtleties to the ongoing debates on culture, civility and sexuality, dealing centrally with constructions of race and whiteness in history and literature. It is an important resource for teachers and students of gender and colonial studies.

Natural history, the deliberate observation of the environment, is arguably the oldest science. From purely practical beginnings as a way of finding food and shelter, natural history evolved into the holistic, systematic study of plants, animals, and the landscape. This book chronicles the rise, decline, and ultimate revival of natural history within the realms of science and public discourse. It charts the journey of the naturalist's endeavour from prehistory to the present, underscoring the need for natural history in an era of dynamic environmental change.

“Tells the story . . . of how ‘natural philosophers’ developed the ideas of geology accepted today . . . Fascinating.” —San Francisco Book Review Earth has been witness to dinosaurs, global ice ages, continents colliding or splitting apart, and comets and asteroids crashing, as well as the birth of humans who are curious to understand it. But how was all this discovered? How was the evidence for it collected and interpreted? In this sweeping and accessible book, Martin J. S. Rudwick, the premier historian of the Earth sciences, tells the gripping human story of the gradual realization that the Earth’s history has not only been long but also astonishingly eventful. Rudwick begins in the seventeenth century with Archbishop James Ussher, who famously dated the creation of the cosmos to 4004 BC. His narrative later turns to the late eighteenth and early nineteenth centuries, when geological evidence was used—and is still being used—to reconstruct a history of the Earth that is as varied and unpredictable as human history. itself. Along the way, Rudwick rejects the popular view of this story as a conflict between science and religion and shows how the modern scientific account of the Earth’s deep history retains strong roots in Judeo-Christian ideas. Extensively illustrated, Earth’s Deep History is an engaging and impressive capstone to Rudwick’s distinguished career. “Deftly explains how ideas of natural history were embedded in cultural history.” —Nature “An engaging read for nonscientists and specialists alike.” —Library Journal “Wonderfully erudite and absorbing.” —Times Literary Supplement “Fascinating, well written, and novel . . . Essential.” —Choice “Thrilling.” —London Review of Books

When does history begin? What characterizes it? This book dissolves the logic of a beginning based on writing, civilization, or historical consciousness and offers a model for a history that escapes the continuing grip of the Judeo-Christian time frame. It lays out a new case for bringing neuroscience and neurobiology into the realm of history.

Surface in architecture has had a deeper and a more pervasive presence in the practice and theory of the discipline than is commonly supposed. Orientations to the surface emerge, collapse, and reappear, sustaining it as a legitimate theoretical and artefactual entity, despite the (twentieth-century) disciplinary definition of architecture as space, structure, and function. Even though surface is defended for its pervasiveness (Kurt Forster), its function as a theoretical motif with generative power (Andrew Benjamin), and in constituting the operative principles of modern architecture as a visual phenomenon (Mark Wigley), it occupies the interstice, or the space of the unconscious within architectural discourse, from where it defends its legitimacy as architecturally valuable or ‘functional,’ as opposed to merely visually pleasurable. Surface and Deep Histories positions surface within the scholarship of critical theory and design-based approaches, and invites academics and designers, and art and architectural historians based in Australia to consider the uses, figurations, scales, and typologies of surfaces. The collection choreographs contributions that focus on a variety of topics, such as montage and construction of colonial modernity and visual culture (Molly Duggins); wallpaper, rational space, and femininity (Anna Daly); the inter-constituted nature of bodies, clothes, and cities (Stella North); the reconstruction of the urban surface through a true integration of information and topology (M Hank Haeusler); James Fergusson’s theory of ornament (Peter Kohane); traditional and new verandahs in Australia (Chris Brisbin); contradictory effects of surface in Green architecture debates (Flavia Marcello and Ian Woodcock); and the thickness of thin curtain walls in contemporary Australian architecture (Anuradha Chatterjee). Surface and Deep Histories shows that surface is not thin — spatially or conceptually. It demonstrates that the practice of surface is simultaneously superficial and pervasive, symbol and space, meaningful and functional, static and transitory, and object and envelope.

Blends insights from several disciplines to offer a general theory of social evolution.