A spirited defense of the vitality of contemporary poetry.

Mary Oliver, winner of the Pulitzer Prize, celebrates love in her new collection of poems "If I have any secret stash of poems, anywhere, it might be about love, not anger," Mary Oliver once said in an interview. Finally, in her stunning new collection, Felicity, we can immerse ourselves in Oliver’s love poems. Here, great happiness abounds. Our most delicate chronicler of physical landscape, Oliver has described her work as loving the world. With Felicity she examines what it means to love another person. She opens our eyes again to the territory within our own hearts; to the wild and to the quiet. In these poems, she describes—with joy—the strangeness and wonder of human connection. As in Blue Horses, Dog Songs, and A Thousand Mornings, with Felicity Oliver honors love, life, and beauty.

"A wonderful introduction the Japanese tradition of jisei, this volume is crammed with exquisite, spontaneous verse and pithy, often hilarious, descriptions of the eccentric and committed monastics who wrote the poems." --Tricycle: The Buddhist Review Although the consciousness of death is, in most cultures, very much a part of life, this is perhaps nowhere more true than in Japan, where the approach of death has given rise to a centuries-old tradition of writing jisei, or the "death poem." Such a poem is often written in the very last moments of the poet's life. Hundreds of Japanese death poems, many with a commentary describing the circumstances of the poet's death, have been translated into English here, the vast majority of them for the first time. Yoel Hoffmann explores the attitudes and customs surrounding death in historical and present-day Japan and gives examples of how these have been reflected in the nation's literature in general. The development of writing jisei is then examined--from the longing poems of the early nobility and the more "masculine" verses of the samurai to the satirical death poems of later centuries. Zen Buddhist ideas about death are also described as a preface to the collection of Chinese death poems by Zen monks that are also included. Finally, the last section contains three hundred twenty haiku, some of which have never been assembled before, in English translation and romanized in Japanese.

Kim Hyesoon’s poems “create a seething, imaginative under-and over-world where myth and politics, the everyday and the fabulous, bleed into each other” (Sean O’Brien, The Independent) *Winner of The Griffin International Poetry Prize and the Lucien Stryk Asian Translation Award* The title section of Kim Hyesoon’s powerful new book, Autobiography of Death, consists of forty-nine poems, each poem representing a single day during which the spirit roams after death before it enters the cycle of reincarnation. The poems not only give voice to those who met unjust deaths during Korea’s violent contemporary history, but also unveil what Kim calls “the structure of death, that we remain living in.” Autobiography of Death, Kim’s most compelling work to date, at once reenacts trauma and narrates our historical death—how we have died and how we survive within this cyclical structure. In this sea of mirrors, the plural “you” speaks as a body of multitudes that has been beaten, bombed, and buried many times over by history. The volume concludes on the other side of the mirror with “Face of Rhythm,” a poem about individual pain, illness, and meditation.

Kahlil Gibran considered The Prophet his greatest achievement. He said: "I think I've never been without The Prophet since I first conceived it in Mount Lebanon. It seems to have been a part of me....I kept the manuscript four years before I delivered it over to my publisher, because I wanted to be sure, I wanted to be very sure, that every word of it was the very best I had to offer." The Chicago Post said of The Prophet: "Cadenced and vibrant with feeling, the words of Kahlil Gibran bring to one's ears the majestic rhythm of Ecclesiastes....If there is a man or woman who can read this book without a quiet acceptance of a great man's philosophy and a singing in the heart as of music born within, that man or woman is indeed dead to life and truth."

From the author of Pulitzer-nominated The Devil’s Highway and national bestseller The Hummingbird’s Daughter comes an exquisitely composed collection of poetry on life at the border. Weaving English and Spanish languages as fluidly as he blends cultures of the southwest, Luis Urrea offers a tour of Tijuana, spanning from Skid Row, to the suburbs of East Los Angeles, to the stunning yet deadly Mojave Desert, to Mexico and the border fence itself. Mixing lyricism and colloquial voices, mysticism and the daily grind, Urrea explores duality and the concept of blurring borders in a melting pot society.

137 FUNERAL POEMS to COMFORT YOU, already being used by UK & US Funeral Directors & Civil Funeral Celebrants; 80 inspirational famous poems by SHAKESPEARE, TENNYSON, WORDSWORTH, BURNS, KEATS, SHELLEY, BYRON, DICKINSON, BROWNING, ROSSETTI, BROOKE... and 57 MODERN funeral poems including: "I AM NOT GONE", "A LONG CUP OF TEA", "RAINBOWS ON THE MOON", "MY MUM", "GRANDPA'S LOST HIS GR", "THE GOLF COURSE IN THE SKY" & "I WANT TO BE BURIED WITH MY MOBILE PHONE"... by Michael Ashby, one of the world's leading, modern funeral poets, whose poems have already touched the lives of millions in over 172 countries through Michael's website & facebook pages & moving, global Comments from these are included.