Abby Cooper?s betting the house on her inner eye... It took a while for Abby Cooper?s FBI agent boyfriend, Dutch Rivers, to accept her psychic gifts as the real deal. But these days he knows better than to question Abby?s visions. So when his favorite cousin Chase is kidnapped in Vegas, they both catch the next flight to Sin City. Abby?s inner eye insists that Chase is still alive, but nothing else about the case adds up?especially Dutch?s reluctance to involve his own Bureau. On top of everything, Dutch is battling a mysterious illness, and Abby keeps having disturbing dreams that predict his death. Dutch wants Abby to promise that if the investigation goes south, she?ll head home to safety. But when the chips are down, Abby won?t fold without a fight...

Abby Cooper?s betting the house on her inner eye... It took a while for Abby Cooper?s FBI agent boyfriend, Dutch Rivers, to accept her psychic gifts as the real deal. But these days he knows better than to question Abby?s visions. So when his favorite cousin Chase is kidnapped in Vegas, they both catch the next flight to Sin City. Abby?s inner eye insists that Chase is still alive, but nothing else about the case adds up?especially Dutch?s reluctance to involve his own Bureau. On top of everything, Dutch is battling a mysterious illness, and Abby keeps having disturbing dreams that predict his death. Dutch wants Abby to promise that if the investigation goes south, she?ll head home to safety. But when the chips are down, Abby won?t fold without a fight...

This fourth book of poems from award-winning author Robin Morgan has an almost-novelistic shape, with plot twists that are realizations of self, other, and the nature of change In this book of transitions, Robin Morgan’s poetry crosses the boundaries of age, race, culture, and gender. The lifelong love-hate passion between mother and daughter is here, as is a vivid, rhetoric-free depiction of the suffering and rage of women cross-culturally. Morgan also traces the slow dissolution of a marriage, parsed in poems of alternating hope and despair, humor and fury—and also in a tragicomic, two-character, one-act verse play, “The Duel: A Masque.” The play, which inverts the Orpheus-Eurydice myth, was performed at the Public Theater in New York City. Praised by the literary world for her technique, but dedicated to keeping her craft accessible and impassioned, Morgan takes us through inevitable deaths and resurrections of the self in pitch-perfect language shot through with dazzling imagery and irony.

In his first book, Dedrick ushers the reader into a space where only his deepest musings reside. From poems of love, anger, and spirituality - he makes sure to have something for everyone to grasp. In an endeavor to give life to the phrase "my life is an open book," join Dedrick as he explores his inner self, and find out just how deep he is in Depth Perception.

Some things it’s better not to know. In Louise Anderson’s terrifying debut thriller, a twisted killer brings to life a woman’s worst nightmare–a dark secret she hoped she’d never have to face again. Hardly ten A.M. and attorney Erin Paterson was already having the worst day of her life. One of Glasgow’s top litigation lawyers, her specialty was victim compensation, not criminal law. But in the next twenty-four hours, she’d assault her soon-to-be-ex boyfriend and become the chief suspect in the brutal murder of an old schoolmate. Erin hardly remembered Lucy Grant, so what were messages from the dead woman and her killer doing on her phone the day of the murder? It’s a question that will soon unravel Erin’s carefully wrapped life to uncover a family trauma she and her troubled sister have done their best to leave behind. Suddenly Erin’s on the verge of losing everything–her reputation, her family’s law firm, and her life. For she’s on the short list of a serial killer concealed in the one place she’d almost rather die than look….

The three-volume work Perceiving in Depth is a sequel to Binocular Vision and Stereopsis and to Seeing in Depth, both by Ian P. Howard and Brian J. Rogers. This work is much broader in scope than the previous books and includes mechanisms of depth perception by all senses, including aural, electrosensory organs, and the somatosensory system. Volume 1 reviews sensory coding, psychophysical and analytic procedures, and basic visual mechanisms. Volume 2 reviews stereoscopic vision. Volume 3 reviews all mechanisms of depth perception other than stereoscopic vision. The three volumes are extensively illustrated and referenced and provide the most detailed review of all aspects of perceiving the three-dimensional world. Volume 3 addresses all depth-perception mechanisms other than stereopsis. The book starts with an account of monocular cues to depth, including accommodation, vergence eye movements, perspective, interposition, shading, and motion parallax. A chapter on constancies in depth perception, such as the ability to perceive the sizes and shapes of objects as they move or rotate in depth, is followed by a chapter on the ways in which depth cues interact. The next chapter reviews sources of information, such as changing disparity, image looming, and vergence eye movements, used in the perception of objects moving in depth. Various pathologies of depth perception, including visual neglect, stereoanomalies, and albanism are reviewed. Visual depth-perception mechanisms through the animal kingdom are described, starting with insects and progressing through crustaceans, fish, amphibians, reptiles, birds, and mammals. The chapter includes a discussion of how stereoscopic vision may have evolved. The next chapter describes how visual depth perception is used to guide reaching movements of the hand, avoiding obstacles, and walking to a distant object. The next three chapters review non-visual mechanisms of depth perception. Auditory mechanisms include auditory localization, echolocation in bats and marine mammals, and the lateral-line system of fish. Some fish emit electric discharges and then use electric sense organs to detect distortions of the electric field produced by nearby objects. Some beetles and snakes use heat-sensitive sense organs to detect sources of heat. The volume ends with a discussion of mechanisms used by animals to navigate to a distant site. Ants find their way back to the nest by using landmarks and by integrating their walking movements. Several animals navigate by the stars or by polarized sunlight. It seems that animals in several phyla navigate by detecting the Earths magnetic field.

When Hannah Powers sustains a head injury, her prom queen world turns from white to black. During her best friend, Emily's funeral, she sees a white-gray ghost image radiating around Emily's casket, but no outline around Emily. This convinces Hannah that she is brain damaged even though her neuropsychologist tells her she is not. Then, she is plunged into a terrifying world of being able to predict death before it happens without being able to do anything about it.