"Graves finds new gold in dem hills by setting her tale in Oregon mining country and drawing upon personal experience to create a unique protagonist...a small, strong gem of a book."—Entertainment Weekly While recovering from breast cancer, journalist Jeneva Leopold seeks solitude and healing at her missing uncle's gold mine in the Eastern Oregon desert. As her interest in life returns, so do Jeneva's journalistic habits. She soon overcomes the distrust of miners, ranchers, a quirky artifact hunter and a host of other rich characters. They open her eyes to profound changes in the Old West. But the Oregon desert does not give up its secrets easily. The more Jeneva learns, the more she wonders about her uncle's disappearance and why he and her mother stopped talking so many years ago. Then a death on the creek sends her on a quest for answers. What she uncovers shocks the region and nearly claims her life.

“Finally back in print, Flash in the Pan is the original—and still the best—reportage on the life and death of an American restaurant, a ground level view of every phase of its life. From the early, hope filled planning stages to the last, humiliating moments, it's a tragi-comic epic of hubris and human folly. Painfully hilarious and even more painfully true. This is a welcome reissue of a restaurant classic that should be read by every culinary and food service student in America and sit comfortably next to Orwell's Down and Out on every shelf.” —Anthony Bourdain, author of Kitchen Confidential In 1990, journalist David Blum got backstage access to the life and death of The Falls, a downtown Manhattan restaurant that captured the 1980s in all its extravagant excess. Its owners—a tanned, Brahmin barkeep and a handsome Irish firefighter from Queens—partnered with movie star pal Matt Dillon to cater to New York's most glamorous models, actors, and writers. Flash in the Pan captured in hilarious detail the quick decline and disastrous fall of The Falls, and has become a classic cautionary tale for anyone who might harbor the fantasy of opening a restaurant. David Blum is the editor of Kindle Singles, the storefront for high quality longform writing on Kindle. He was previously the editor in chief of The Village Voice and has written for New York magazine, Esquire, Vanity Fair, The New Yorker, and The New York Times Magazine. Flash in the Pan, first published in 1992, was his first book.

When a seemingly routine medical procedure results in her mother's premature death, Anne Panning is left reeling. In her first full-length memoir, the celebrated essayist and short story writer draws on decades of memory and experience, piecing together hard truths about her own past and her mother's. We follow Panning's winding path from rural Minnesota to the riverbanks of Vietnam's Mekong Delta. A stark, poignant tale of two women deeply connected, yet forever apart, Dragonfly Notes is a testament to the prevailing nature of love, whether in the form of a rediscovered note, a sudden moment of unexpected recall, or sometimes, simply, the sight a dragonfly flitting past.

The homicide cop with a passion for justice returns in the captivating crime thriller series by the #1 New York Times bestselling author. It was a glittering event full of A-listers, hosted by Eliza Lane and Brant Fitzhugh, a celebrity couple who’d conquered both Hollywood and Broadway. And now Eve Dallas has made her entrance—but not as a guest. After raising a toast, Fitzhugh fell to the floor and died, with physical symptoms pointing to cyanide, and the police have crashed the party. From all accounts, he wasn’t the kind of star who made enemies. Everyone loved him—even his ex-wife. And since the champagne cocktail that killed him was originally intended for Eliza, it’s possible she was the real target, with a recently fired assistant, a bitter rival, and an obsessed fan in the picture. With so many attendees, staff, and servers, Eve has her work cut out determining who committed murder in the middle of the crowd—and what was their motivation. As one who’s not fond of the spotlight herself, she dreads the media circus surrounding a case like this. All she wants is to figure out who’s truly innocent, and who’s only acting that way...

From ancient myth to contemporary art and literature, a beguiling look at the many incarnations of the mischievous—and culturally immortal—god Pan, now in paperback. Pan—he of the cloven hoof and lustful grin, beckoning through the trees. From classical myth to modern literature, film, and music, the god Pan has long fascinated and terrified the western imagination. “Panic” is the name given to the peculiar feeling we experience in his presence. Still, the ways in which Pan has been imagined have varied wildly—fitting for a god whose very name the ancients confused with the Greek word meaning “all.” Part-goat, part-man, Pan bridges the divide between the human and animal worlds. In exquisite prose, Paul Robichaud explores how Pan has been imagined in mythology, art, literature, music, spirituality, and popular culture through the centuries. At times, Pan is a dangerous, destabilizing force; sometimes, a source of fertility and renewal. His portrayals reveal shifting anxieties about our own animal impulses and our relationship to nature. Always the outsider, he has been the god of choice for gay writers, occult practitioners, and New Age mystics. And although ancient sources announced his death, he has lived on through the work of Arthur Machen, Gustav Mahler, Kenneth Grahame, D. H. Lawrence, and countless others. Pan: The Great God’s Modern Return traces his intoxicating dance.

When a death is investigated by a coroner, what is the place of the family in that process? This accessibly written book develops a nuanced analysis of the contemporary inquest system in England and Wales.

Dirty Words in "Deadwood" showcases literary analyses of the Deadwood television series by leading western American literary critics. Whereas previous reaction to the series has largely addressed the question of historical accuracy rather than intertextuality or literary complexity, Melody Graulich and Nicolas S. Witschi's edited volume brings a much-needed perspective to Deadwood's representation of the frontier West. As Graulich observes in her introduction: "With its emotional coherence, compelling characterizations, compressed structural brilliance, moral ambiguity, language experiments, interpretation of the past, relevance to the present, and engagement with its literary forebears, Deadwood is an aesthetic triumph as historical fiction and, like much great literature, makes a case for the humanistic value of storytelling." From previously unpublished interviews with series creator David Milch to explorations of sexuality, disability, cinematic technique, and western narrative, this collection focuses on Deadwood as a series ultimately about the imagination, as a verbal and visual construct, and as a literary masterpiece that richly rewards close analysis and interpretation.