Death on the Prairie is a sweeping narrative history of the Indian wars on the western plains that never loses sight of the individual actors. Beginning with the Minnesota Sioux Uprising in 1862, Paul I. Wellman shifts to conflicts in present-day Wyoming, Montana, Idaho, Oklahoma, the Texas Panhandle, and South Dakota, involving, most spectacularly, the Sioux, but also the Cheyennes, Arapahos, Comanches, Kiowas, Utes, and Nez Perces—all being ezed out of their hunting grounds by white settlers. There is never a quiet page as Wellman describes the Sand Creek Massacre (1864), the Fetterman Massacre (1866), the Battle of the Washita (1868), the Battle of Adobe Walls (1874), the Battle of the Little Big Horn (1876), the Nez Perce War (1877), the Meeker Massacre (1879), and the tragedy at wounded Knee (1890) that ended the fighting on the plains. Celebrated chiefs (Red Cloud, Crazy Horse, Black Kettle, Satanta, Joseph, Ouray, Sitting Bull) clash with army officers (notably Custer, Sheridan, Miles, and Crook), and uncounted men, women, and children on both sides are cast in roles of fatal consequence.

Chloe Ellefson and her sister, Kari, have long dreamed of visiting each historic site dedicated to Laura Ingalls Wilder. When Chloe takes custody of a quilt once owned by the beloved author, the sisters set out on the trip of a lifetime, hoping to prove that Wilder stitched it herself. But death strikes as the journey begins, and trouble stalks their fellow travelers. Among the "Little House" devotees are academic critics, greedy collectors, and obsessive fans. Kari is distracted by family problems, and unexpected news from Chloe's boyfriend jeopardizes her own future. As the sisters travel deeper into Wilder territory, Chloe races to discover the truth about a precious artifact—and her own heart—before a killer can strike again.

The most pivotal and yet least understood event of Frank Lloyd Wright’s celebrated life involves the brutal murders in 1914 of seven adults and children dear to the architect and the destruction by fire of Taliesin, his landmark residence, near Spring Green, Wisconsin. Unaccountably, the details of that shocking crime have been largely ignored by Wright’s legion of biographers—a historical and cultural gap that is finally addressed in William Drennan’s exhaustively researched Death in a Prairie House: Frank Lloyd Wright and the Taliesin Murders. In response to the scandal generated by his open affair with the proto-feminist and free love advocate Mamah Borthwick Cheney, Wright had begun to build Taliesin as a refuge and "love cottage" for himself and his mistress (both married at the time to others). Conceived as the apotheosis of Wright’s prairie house style, the original Taliesin would stand in all its isolated glory for only a few months before the bloody slayings that rocked the nation and reduced the structure itself to a smoking hull. Supplying both a gripping mystery story and an authoritative portrait of the artist as a young man, Drennan wades through the myths surrounding Wright and the massacre, casting fresh light on the formulation of Wright’s architectural ideology and the cataclysmic effects that the Taliesin murders exerted on the fabled architect and on his subsequent designs. Best Books for General Audiences, selected by the American Association of School Librarians, and Outstanding Book, selected by the Public Library Association

Iowa's Rochester Cemetery is one of the most unusual and biodiverse prairies left in America, boasting more than 400 species of plants--337 of them native to the region--on its thirteen-and-a-half acres. Among them are fifteen massive white oaks that stood watch as the surrounding landscape was converted into farmland after Euro-American settlers arrived in the 1830s. The cemetery is the last resting place of these pioneers and their descendants, down to the present. Graves and wildflowers are scattered across the hills that geologists consider sand dunes; these are held in place by the deep roots of the plants and people. Pioneer cemeteries have been recognized as important prairie remnants and seed banks ever since Aldo Leopold, another Iowa native, called attention to them in his landmark essays of the 1940s, as he developed the new field of ecological restoration. At Rochester Cemetery, the drama of the prairie's survival continues to this day, in a controversy that flares up as reliably as spring's shooting stars. To botanists across the country, this place is a pilgrimage site. To local residents, it is either a source of pride or a shameful weed lot (some feel regular mowing would show more respect for the dead). To the photographer and writer Stephen Longmire, it is a place where the stories of the rural Midwest are written on the land--a long exposure, extending back to the days when Meskwaki Indians camped nearby and wildfire held back the forest. In the creative tension between people and place, Rochester's prairie holds its native ground. Historic cemetery plantings grow wild among the native wildflowers, and bright plastic flowers decorate modern graves. In compelling photographs and prose, Longmire shows this patch of original Iowa to be a living record of all the land's uses since its settlement.

Dora Hand was in a deep sleep. Her bare legs were exposed despite her thick blankets, and a mass of long, auburn hair stretched over her pillow and flowed off the side of her flimsy mattress. A framed, charcoal portrait of an elderly couple hung above her bed on the faded wallpaper and kept company with her slumber. The air outside the window next to the picture was still and cold. The distant sound of voices, back-slapping laughter, profanity, and a piano's tinny, repetitious melody wafted down the main thoroughfare in Dodge City, Kansas, and into the small room. Dodge was an all-night town, "the wickedest little city in America." The streets and saloons were always busy. Residents learned to sleep through the giggling, growling, and gunplay of the cowboys and their paramours for hire. Dora’s dreams were seldom disturbed by the commotion, but the smack of a pair of bullets cutting through the walls of the tiny room cut through the routine nightly noises. The first bullet stuck in the dense plaster partition. The second struck Dora on the right side, just under her arm. There was no time for her to object to the injury; no moment for her to cry out or recoil in pain. In the near distance, a horse squealed and its galloping hooves echoed off the street and faded away. Future legends of the Old West, Charlie Bassett, Bat Masterson, Wyatt Earp, and Bill Tilghman were the lawmen who patrolled the unruly streets. When a cattle baron’s son fled town after the shooting of the popular saloon singer named Dora Hand, the four men--all experts with a gun who knew the harsh, desertlike surrounding terrain--hunted him down like "Thunder Over the Prairie." The posse's ride across the desolate landscape to seek justice influenced the men's friendship, their careers, and their feelings about the justice system. This account of that event is a fast-paced, cinematic glimpse into the Old West that was.

The author covers conflicts from 1837 through 1886 in Arizona, New Mexico, and California. Important chiefs covered include Mangas Coloradas, Cochise, Victorio, Geronimo, and Captain Jack. Army officers covered include George Crook and Nelson Miles.

It was the safest state in America, where a single murder in a year was the usual. People there descended from hearty settlers who had withstood a challenging life by cooperating. When a growing young town with recently paved streets was struck by annual murders for three consecutive years, something had changed. Each crime was more violent and heinous than its predecessor, beginning when one of the towns favorites, a personable high school cheerleader, was murdered in her familys home in a sex-related attack. Within months came the bloody bludgeoning to death of a young mother in her own home. As one homicide was prosecuted and investigation moved forward on the second, a young mans body was found bisected, with the halves floating in bags in a river.