An analysis of the autonomy and leverage of modern professional groups - medicine, law, university teaching, engineering - in the US and Europe. Finding that each group has experienced a decline in its power, it considers the implications for professionals and those they serve.

"Guilds ruled many crafts and trades from the Middle Ages to the Industrial Revolution, and have always attracted debate and controversy. They were sometimes viewed as efficient institutions that guaranteed quality and skills. But they also excluded competitors, manipulated markets, and blocked innovations. Did the benefits of guilds outweigh their costs? Analyzing thousands of guilds that dominated European economies from 1000 to 1880, The European Guilds uses vivid examples and clear economic reasoning to answer that question. Sheilagh Ogilvie's book features the voices of honorable guild masters, underpaid journeymen, exploited apprentices, shady officials, and outraged customers, and follows the stories of the "vile encroachers"--Women, migrants, Jews, gypsies, bastards, and many others--desperate to work but hunted down by the guilds as illicit competitors. She investigates the benefits of guilds but also shines a light on their dark side. Guilds sometimes provided important services, but they also manipulated markets to profit their members. They regulated quality but prevented poor consumers from buying goods cheaply. They fostered work skills but denied apprenticeships to outsiders. They transmitted useful techniques but blocked innovations that posed a threat. Guilds existed widely not because they corrected market failures or served the common good but because they benefited two powerful groups--guild members and political elites."--Rabat de la jaquette.

A new exploration of the secular manuscripts and medieval medical texts associated with the York Guild and its members. Produced in 1486 and subsequently augmented, the Guild Book of the Barbers and Surgeons of York (British Library Egerton MS 2572) is a unique record of the knowledge, ambitions, activities and civic relationships maintained by the Barbers and Surgeons Guild over a period of 300 years. The manuscript's earliest folios contain images, astrological tracts, a plague treatise and a bloodletting poem. To these were added early modern ordinances and oaths, a series of royal portraits, and the names of the Guild's masters and apprentices. It is a rare survival of late medieval medical knowledge placed within a civic context. This new multi-disciplinary examination of the York Guild Book presents a comprehensive edition of its content and a detailed study of the creation and use of this fascinating manuscript. The York Guild Book was not owned by any one person but was intended to be representative of the types of manuscripts the Guild's members might have individually possessed. The Guild's commission elevated their manuscript's functional content into something which could be proudly owned and displayed, as is demonstrated by the stylishly executed pen and ink drawings, two of which are possibly unique. Through a contextualisation of the form and content of the manuscript, the book articulates ideas about material culture and the ceremonial role of secular manuscripts whilst shedding new light on the dissemination and status of medieval medical texts.

First full study devoted to the archery and crossbow guilds which grew up in Flanders in the middle ages.

Bringing together knowledge accumulated from historical, archaeological and literary sources, Daniell paints a vivid picture of the entire phenomenon of medieval death and burial. A big contribution to medieval and early modern studies.

Early Modern Histories of Time examines how a range of chronological modes intrinsic to the sixteenth and seventeenth centuries shaped the thought-worlds of those living during this time and explores how these temporally indigenous models can productively influence our own working concepts of historical period. This innovative approach thus moves beyond debates about where we should divide linear time (and what to call the ensuing segments) to reconsider the very concept of "period." Bringing together an eminent cast of literary scholars and historians, the volume develops productive historical models by drawing on the very texts and cultural contexts that are their objects of study. What happens to the idea of "period" when English literature is properly placed within the dynamic currents of pan-European literary phenomena? How might we think of historical period through the palimpsested nature of buildings, through the religious concept of the secular, through the demographic model of the life cycle, even through the repetitive labor of laundering? From theology to material culture to the temporal constructions of Shakespeare, and from the politics of space to the poetics of typology, the essays in this volume take up diverse, complex models of sixteenth- and seventeenth-century temporality and contemplate their current relevance for our own ideas of history. The volume thus embraces the ambiguity inherent in the word "contemporary," moving between our subjects' sense of self-emplacement and the historiographical need to address the questions and concerns that affect us today. Contributors: Douglas Bruster, Euan Cameron, Heather Dubrow, Kate Giles, Tim Harris, Natasha Korda, Julia Reinhard Lupton, Kristen Poole, Ethan H. Shagan, James Simpson, Nigel Smith, Mihoko Suzuki, Gordon Teskey, Julianne Werlin, Owen Williams, Steven N. Zwicker.