When Olga, the boss at Leprechaun Limos, becomes a suspect in the murder of an American who came to Ireland, believing herself to be an heir to an old Irish earldom, Megan attempts to clear Olga's name and find the real killer.

A heart-warming and hilarious family memoir of growing up as one of eleven siblings raised by a single dad in Northern Ireland at the end of the Troubles. Séamas O’Reilly’s mother died when he was five, leaving him, his ten (!) brothers and sisters, and their beloved father in their sprawling bungalow in rural Derry. It was the 1990s; the Troubles were a background rumble, but Séamas was more preoccupied with dinosaurs, Star Wars, and the actual location of heaven than the political climate. ­ An instant bestseller in Ireland, Did Ye Hear Mammy Died? is a book about a family of loud, argumentative, musical, sarcastic, grief-stricken siblings, shepherded into adulthood by a man whose foibles and reticence were matched only by his love for his children and his determination that they would flourish. “In this joyous, wildly unconventional memoir, Séamas O'Reilly tells the story of losing his mother as a child and growing up with ten siblings in Northern Ireland during the final years of the Troubles as a raucous comedy, a grand caper that is absolutely bursting with life.”―Patrick Radden Keefe, NYT bestselling author of Say Nothing and Empire of Pain One of NPR’s Best Books of the Year

Escape to Ireland with this charming whodunnit… Cozy fans will be entranced by the beautiful setting, the pair of adorable Jack Russell puppies, and of course—the deadly mystery at the heart of it all! In Dublin’s fair city, where the girls are so pretty, murder occurs at the feet of sweet Molly Malone . . . Ferrying tourists around Dublin for the Leprechaun Limo Service makes quite a change after years in the military. Still, Megan Malone is enjoying her life in Ireland. She likes the scenery, the easy pace, the quirky, quick-witted locals. Everything—except having one of her clients drop dead at the statue of fabled fishmonger, Molly Malone. Most restaurant critics notch up their share of enemies. Elizabeth Darr, however, was a well-loved international star. She and her husband, Simon, had just had dinner when Elizabeth collapsed, and spoiled seafood is the first suspect. The restaurant’s owner, worried her business is doomed, begs Megan to look into it. Between her irate boss and a handsome Garda who’s both amused and annoyed by her persistence, Megan has her hands full even before she’s cajoled into taking care of two adorable Jack Russell puppies (which she is almost definitely not keeping). But if cockles and mussels aren’t to blame, can Megan find the real culprit . . .before another fishy death occurs?

“There is so much to like about the cozy perfection that is Catie Murphy’s Death on the Green, from the lush Irish travelogue to the precise balance between comic relief and crime.” —Bookpage STARRED As an American in Dublin, limo driver Megan Malone will need the luck of the Irish to avoid a head-on collision—with a killer . . . Life has been non-stop excitement for American Army veteran Megan Malone ever since she moved to Ireland and became a driver for Dublin’s Leprechaun Limousine Service. She’s solved a murder and adopted two lovable Jack Russell puppies. Currently, she’s driving world-class champion golfer Martin Walsh, and he’s invited her to join him while he plays in a tournament at a prestigious Irish locale. Unfortunately, there’s a surprise waiting for her on the course—a body floating in a water hazard. Everyone loved golfer Lou MacDonald, yet he clearly teed off someone enough to be murdered. Martin seems to be the only one with a motive. However, he also has an alibi: Megan and hundreds of his fans were watching him play. Now, with a clubhouse at a historical lodge full of secrets and a dashing Irish detective by her side, Megan must hurry to uncover the links to the truth before the real killer takes a swing at someone else . . .

Death and Dying in Ireland, Britain, and Europe provides a unique new perspective on Irish history and is a truly multi-disciplinary and dynamic approach to an emerging style called the 'new social history.' It is a pioneering book that presents a history of death and dying in Ireland and Europe, from pre-history to the 20th century, focusing on virtually every era and from a diverse and broad range of perspectives. Martyrdom is examined through the phenomenon of the hunger strike and its impact on Irish life, and in particular, the Cork and Brixton hunger strikes of 1920.

NAMED A BEST BOOK OF THE YEAR BY THE WASHINGTON POST and REAL SIMPLE A profound and enchanting new novel from Booker Prize-longlisted author Niall Williams about the loves of our lives and the joys of reminiscing. You don't see rain stop, but you sense it. You sense something has changed in the frequency you've been living and you hear the quietness you thought was silence get quieter still, and you raise your head so your eyes can make sense of what your ears have already told you, which at first is only: something has changed. The rain is stopping. Nobody in the small, forgotten village of Faha remembers when it started; rain on the western seaboard was a condition of living. Now--just as Father Coffey proclaims the coming of electricity--it is stopping. Seventeen-year-old Noel Crowe is standing outside his grandparents' house shortly after the rain has stopped when he encounters Christy for the first time. Though he can't explain it, Noel knows right then: something has changed. This is the story of all that was to follow: Christy's long-lost love and why he had come to Faha, Noel's own experiences falling in and out of love, and the endlessly postponed arrival of electricity--a development that, once complete, would leave behind a world that had not changed for centuries. Niall Williams' latest novel is an intricately observed portrait of a community, its idiosyncrasies and its traditions, its paradoxes and its inanities, its failures and its triumphs. Luminous and otherworldly, and yet anchored with deep-running roots into the earthy and the everyday, This Is Happiness is about stories as the very stuff of life: the ways they make the texture and matter of our world, and the ways they write and rewrite us.

"A memoir about childhood, relilience, and the trumphant power of storytelling."--From back cover.