***Please note: This ebook edition does not contain the photos found in the print edition.*** A stunning actress-model disappears without a word...A frantic search ends in tragedy...A slick photographer accused of her murder... It seemed as if all of Linda Sobek's dreams of stardom were coming true. But on the day the sexy calendar model and former NFL cheerleader missed a fitting for her first TV role, her family knew something terrible had happened to their golden girl. For eight days, police held out little hope of finding the 27-year-old beauty alive. Then the crucial clues came: photographs of Linda along with a crumpled page from her appointment book were discovered in a highway dumpster. Hours later, they were led to Linda's shallow grave deep in California's Angeles Forest. The clues near the crime scene linked the murder to Charles Rathbun, a talented, sought-after commercial photographer, who claimed he'd accidentally run Linda over in a car during a photo shoot. Police speculated that Linda may not have been the first pretty woman the strapping Rathbun had taken into Angeles Forest who didn't come out alive. But he has not been charged in any of those cases. Clifford L. Linedecker's Death of a Model tells the heartbreaking story of a promising young star.

The Nutshell Studies of Unexplained Death offers readers an extraordinary glimpse into the mind of a master criminal investigator. Frances Glessner Lee, a wealthy grandmother, founded the Department of Legal Medicine at Harvard in 1936 and was later appointed captain in the New Hampshire police. In the 1940s and 1950s she built dollhouse crime scenes based on real cases in order to train detectives to assess visual evidence. Still used in forensic training today, the eighteen Nutshell dioramas, on a scale of 1:12, display an astounding level of detail: pencils write, window shades move, whistles blow, and clues to the crimes are revealed to those who study the scenes carefully. Corinne May Botz's lush color photographs lure viewers into every crevice of Frances Lee's models and breathe life into these deadly miniatures, which present the dark side of domestic life, unveiling tales of prostitution, alcoholism, and adultery. The accompanying line drawings, specially prepared for this volume, highlight the noteworthy forensic evidence in each case. Botz's introductory essay, which draws on archival research and interviews with Lee's family and police colleagues, presents a captivating portrait of Lee.

The inspiration behind the Emmy Award–winning HBO film Gia with Angelina Jolie, this “vivid…exhaustive” (The New York Times Book Review) account of the iconic and tragic life, career, and legacy of supermodel Gia Carangi features a new afterword by the author. At seventeen, Gia Carangi was working the counter at her father’s Philadelphia luncheonette. Within a year, she was one of the world’s top models, gracing the covers of Cosmopolitan and Vogue, partying at Studio 54, and redefining the fashion industry’s standard of beauty. But behind the glitz and fame, Gia was a young woman in pain, desperate for her mother’s approval and facing a drug addiction that quickly spun out of control. With dizzying speed, she went from $10,000-a-day fashion shoots to using drugs on the streets of New York and Atlantic City before finally being blackballed from modeling. At twenty-six, Gia once again made history as one of the first famous women to die of AIDS. This “chilling tale” (The Boston Globe), based on hundreds of interviews with friends, family, lovers, and fashionistas (the term author Stephen Fried coined for her industry colleagues), is comprehensively explored in this unputdownable biography that will introduce Gia to a new generation. It is also a powerful exploration of our society’s views of beauty and sexuality, fame and objectification, mothers and daughters, love and death.

This book combines a scholarly edition of Lydgate’s Dance of Death and the French Danse Macabre poem, and discusses their wider context and historical circumstances of their creation, authorship and visualisation.

In this groundbreaking book, Michael Gorman asks why there is no theory or model of the atonement called the "new-covenant" model, since this understanding of the atonement is likely the earliest in the Christian tradition, going back to Jesus himself. Gorman argues that most models of the atonement over-emphasize the penultimate purposes of Jesus' death and the "mechanics" of the atonement, rather than its ultimate purpose: to create a transformed, Spirit-filled people of God. The New Testament's various atonement metaphors are part of a remarkably coherent picture of Jesus' death as that which brings about the new covenant (and thus the new community) promised by the prophets, which is also the covenant of peace. Gorman therefore proposes a new model of the atonement that is really not new at all--the new-covenant model. He argues that this is not merely an ancient model in need of rediscovery, but also a more comprehensive, integrated, participatory, communal, and missional model than any of the major models in the tradition. Life in this new covenant, Gorman argues, is a life of communal and individual participation in Jesus' faithful, loving, peacemaking death. Written for both academics and church leaders, this book will challenge all who read it to re-think and re-articulate the meaning of Christ's death for us.

Estimation of the Time Since Death remains the foremost authoritative book on scientifically calculating the estimated time of death postmortem. Building on the success of previous editions which covered the early postmortem period, this new edition also covers the later postmortem period including putrefactive changes, entomology, and postmortem r