Cathal Kinnery is an arrogant, overeducated jerk, and Damon Eglamore is not afraid to tell him so. But Damon married Cathal's best friend, so they have an uneasy truce. Then she passes away. Now they're stuck together in close quarters, trying to honor her memory without shouting at each other all the time. At first, they have no idea how to move forward. Damon is a chef, but all his favorite recipes remind him of his late wife. Cathal would love to start tomcatting around town again, except for that annoying promise he made to his best friend about looking after Damon. Then Damon's son comes to them for help, convinced the only way to win over his first crush is a gender-bending Shakespeare production. After that, Cathal talks Damon into taking up baking as a new way to use his talents. Next thing they know, they've begun a new life working as a team instead of jumping at each other's throats. But can they trust each other long enough to make it last, or will they fall into old bad habits again?

In The Death of the Actor Martin Buzacott launches an all-out attack on contemporary theatrical practice and performance theory which identifies the actor, rather than the director, as the key creative force in the performance of Shakespeare. Because actors are absent from the site of Shakespearean meaning, he argues, the illusion of their centrality is sustained only by a rhetoric of heroism, violence and imperialism.

A Bachelor's Establishment tackles various social themes such as the education of children by a single mother, the diminishing of a parent's power over their children, and the power of the institution of marriage.