The true story of a woman’s fight for her brother’s life—and her own: “Essential for those interested in the U.S. justice system” (Library Journal). On September 21, 2011, Troy Anthony Davis was put to death by the State of Georgia. Davis’s execution was protested by hundreds of thousands of people across the globe, and Pope Benedict XVI, Pres. Jimmy Carter, and fifty-one members of Congress all appealed for clemency. Davis’s older sister, Martina, a former Army flight nurse who had served in the Gulf War, was one of Davis’s strongest advocates—despite the fact that she was battling liver and metastatic breast cancer and died just weeks after her brother’s death by lethal injection. This book, coauthored by Martina and writer Jen Marlowe, tells the intimate story of an ordinary man caught up in an inexorable tragedy. From his childhood in racially charged Savannah; to the confused events that led to the 1989 shooting of a police officer; to Davis’s sudden arrest, conviction, and two-decade fight to prove his innocence, I Am Troy Davis takes us inside a broken legal system where life and death hang in the balance. It is also an inspiring testament to the unbreakable bond of family and the resilience of love, and reminds us that even when you reach the end of justice, voices from across the world can rise together in chorus and proclaim, “I am Troy Davis.” “Martina Correia’s heroic fight to save her brother’s life while battling for her own serves as a powerful testament for activists.” —The Nation “Should be read and cherished.” —Maya Angelou, author and civil rights activist

Mushfik is a young man growing up in Turkey, first in Sarikum, a small coastal village, and later in urban Istanbul. He comes of age in an atmosphere of sublimated, disoriented eroticism, his impulses restrained by religious and sexual taboos, rigid gender roles, stifling maternal love, and the enforced silences of social decorum. Unable to adapt easily to society's unspoken rules, he is driven to the point of insanity from which he must slowly and painfully return. Told from several points of view and structured in a series of intersecting flashbacks and interior monologues, Death in Troy describes the difficult geography of male intimacy from multiple perspectives-adolescent friendship, homosexual desire, mother-son bonds, and the relationships between men and women. In a complex chorus of styles and voices, Karasu evokes states of exaltation, humiliation, passion, and despair to create a jarring disharmony of one boy's growth into manhood. "[Karasu's] refusal to be bound by the formal constraints of "The Novel" is meant to reflect his characters' refusal to be bound by the moral constraints of society as they confront their sexualities in a country that, though secular in government, is still largely Muslim in culture." --East Bay Express "Death in Troy is a teeming, elliptical examination of repressed homosexuality by popular Turkish writer Bilge Karasu...Sin, madness and guilt are all balanced by flashes of beautiful imagery and poetic language." --Publishers Weekly Bilge Karasu (1930-1995) was born in Istanbul. Often referred to as "the sage of Turkish literature," during his lifetime he published collections of stories, novels, and two books of essays. Karasu is an influential reference point in the progress of Turkish fiction writing. A perfectionist, a philosopher, and a master of literary arts, he left behind a body of work, which, although intricately woven and at times obscure, skillfully outlines a world unmatched in its crystal clear transparency. Karasu's novel, Night, was published in English translation by Louisiana State University Press in 1994 and was awarded the Pegasus Prize for Literature. Death In Troy is the second of his works translated in English and was published by City Lights in 2002. Karasu's The Garden of Departed Cats, was published by New Directions in 2004. In 2012, City Lights once again published another one of his novels A Long Day's Evening which was shortlisted for 2013 PEN Award for Translation.

Thom Bierdz is currently on a recurring role on CBS' The Young and the Restless—with seven million daily viewers—reprising his role from twenty years ago. He is a fan favorite and his book opens all of the doors and windows into his personal life of tragedy and redemption, the murder of his mother, familial mental illness, and Thom's now openly gay and proud lifestyle. Thom has forgiven his schizophrenic brother, Troy, who will spend the rest of his life in a Wisconsin state prison.

From legendary playwright August Wilson comes the powerful, stunning dramatic bestseller that won him critical acclaim, including the Tony Award for Best Play and the Pulitzer Prize. Troy Maxson is a strong man, a hard man. He has had to be to survive. Troy Maxson has gone through life in an America where to be proud and black is to face pressures that could crush a man, body and soul. But the 1950s are yielding to the new spirit of liberation in the 1960s, a spirit that is changing the world Troy Maxson has learned to deal with the only way he can, a spirit that is making him a stranger, angry and afraid, in a world he never knew and to a wife and son he understands less and less. This is a modern classic, a book that deals with the impossibly difficult themes of race in America, set during the Civil Rights Movement of the 1950s and 60s. Now an Academy Award-winning film directed by and starring Denzel Washington, along with Academy Award and Golden Globe winner Viola Davis.

DISCONNECTED FROM DEATHTHE EVOLUTION OF FUNERAL CUSTOMS AND THE UNMASKING OF DEATH IN AMERICA BY APRIL SLAUGHTER AND TROY TAYLORAmericans have a complicated history with death - that final darkness at the end of life. Our ancestors dealt with death on a daily basis, dreaming up countless traditions and rituals to try and understand it. Society today, however, has disconnected from death. In years past, Americans died at home. Bodies were prepared for burial in our kitchens and funerals were held for our dead in the parlor. Now, we die under the sterile conditions of a hospital, far removed from the people who love us, and our death has become a business. From the God-fearing Puritans to the aftermath of the Civil War, the Victorian descent into mourning to modern day funeral traditions, authors April Slaughter and Troy Taylor take the reader along on a journey through America's history with death, dying, and how they've shaped our society today. This is not a book about religion, or what happens to us after we die. This is a book that tries to connect our modern lives to the lives of those who had more than a passing acquaintance with death. Far too often, the traditions and rituals of the past have been presented as "spooky" or "strange" and, while some of them were unusual, all of them served a purpose. No matter how bizarre they might seem, they managed to present a vivid portrait of how we are all connected to death. Death is - and always will be - a part of life and we hope this book will shed some light on the funeral customs, practices, and traditions of the past and how they have been changed, softened, and sterilized to make death seem like a distant stranger. Death was once a familial responsibility - a reality modern day American funeral directors would have you forget - but how did we become a nation so heavily dependent on them? What other options do we have? The answer is far more than you might have expected. We may not be as close to death as our ancestors were, but we can assure you that it's still with us, waiting to take us by the hand and lead us into the unknown

In 1963, Scotland Yard's Chief Inspector Troy is called back to active duty from his medical leave on the eve of the verdict in a case involving a physician acquaintance to deal with a curious double suicide.