A Silent Place: Death in Mycenaean Lakonia is the first book-length systematic study of the Late Bronze Age (LBA) burial tradition in south-eastern Peloponnese, Greece, and the first to comprehensively present and discuss all Mycenaean tombs and funerary contexts excavated and/or simply reported in the region from the 19th century to present day. The book will discuss and reconstruct the emergence and development of the Mycenaean mortuary tradition in Lakonia by examining the landscape of death, the burial architecture, the funerary and post-funerary customs and rituals, and offering patterns over a longue durée. The author proposes patterns of continuity from the Middle Bronze Age (even the Early Bronze Age in terms of burial architecture) to the LBA and, equally important, from the Late Bronze Age to the Early Iron Age,and reconstructs diachronic processes of invention of tradition and identity in Mycenaean communities, on the basis of tomb types and their material culture. The text highlights the social, political and economic history of Late Bronze Age Lakonia from the evolution of the Mycenaean civilisation and the establishment of palatial administration in the Spartan vale, to the demise of Mycenaean culture and the turbulent post–collapse centuries, as reflected by the burial offerings. The book also brings to publication the chamber tombs at Epidavros Limera that remained largely unpublished since their excavation in the 1930s and 1950s. Epidavros Limera was one of the most important prehistoric coastal sites in prehistoric southern Greece (early 3rd–late 4th millennium BC), and one of the main harbour towns of the Mycenaean administrative centres of central Lakonia. It is one of very few Mycenaean sites that flourished uninterruptedly from the emergence of the Mycenaean civilisation until after the collapse of the palatial administration and into the transition to the Early Iron Age. The present study of the funerary architecture and of the pottery from the tombs suggests that the site was responsible for the introduction of the chamber tomb type on the Greek mainland in the latest phase of the Middle Bronze Age (definitely no later than the transitional Middle Bronze Age/Late Bronze Age period), and not in the early phase of the Late Bronze Age (Late Helladic I) as previously assumed.

This book sets out the evidence for burial practices in the southern and western Peloponnese of Greece during the middle Helladic and early Mycenaean periods (c. 2000-1400 BC), and to interpret the evidence in terms of human action. In the first section, the book details the scope of the research, whereas the remaining chapters present an analysis of the evidence to answer a range of generic questions on mortuary practices. The conclusions are interpreted in terms of the use of burial practices in the study of 'Mycenaean civilisation', confirming that variations in time and space suggest that a closer study of local and regional archaeologies should be a priority in future research aims. The Appendices contain detailed information on the sites that form the basis of the study. (This book will also appeal to those non-specialists with a serious interest in the region as a fascinating, archaeological reference work or 'guide'.)

31 essays on the Bronze Age Aegean which cover a wide range of topics. They are grouped under the following headings: cult and death; Bronze Age material culture; gender; approaches to art; themes of ancient and modern identity; Homer once again; landscape and survey; ancient geography and regional studies; Sparta and Laconia.

"Mycenaean Greece (c. 1600 BC? c. 1100 BC) was a cultural period of Bronze Age Greece taking its name from the archaeological site of Mycenae in northeastern Argolis, in the Peloponnese of southern Greece. Athens, Pylos, Thebes, and Tiryns are also important sites of this period. The last phase of the Bronze Age in Ancient Greece, it is the historical setting of much ancient Greek literature and myth, including the epics of Homer."--Wikipedia.

A Companion that examines together two pivotal periods of Greek archaeology and offers a rich analysis of early Greek culture A Companion to the Archaeology of Early Greece and the Mediterranean offers an original and inclusive review of two key periods of Greek archaeology, which are typically treated separately—the Late Bronze Age and the Early Iron Age. It presents an in-depth exploration of the society and material culture of Greece and the Mediterranean, from the 14th to the early 7th centuries BC. The two-volume companion sets Aegean developments within their broader geographic and cultural context, and presents the wide-ranging interactions with the Mediterranean. The companion bridges the gap that typically exists between Prehistoric and Classical Archaeology and examines material culture and social practice across Greece and the Mediterranean. A number of specialists examine the environment and demography, and analyze a range of textual and archaeological evidence to shed light on socio-political and cultural developments. The companion also emphasizes regionalism in the archaeology of early Greece and examines the responses of different regions to major phenomena such as state formation, literacy, migration and colonization. Comprehensive in scope, this important companion: Outlines major developments in the two key phases of early Greece, the Late Bronze Age and the Early Iron Age Includes studies of the geography, chronology and demography of early Greece Explores the development of early Greek state and society and examines economy, religion, art and material culture Sets Aegean developments within their Mediterranean context Written for students, and scholars interested in the material culture of the era, ACompanion to the Archaeology of Early Greece and the Mediterranean offers a comprehensive and authoritative guide that bridges the gap between the Late Bronze Age and the Early Iron Age. 2020 CHOICE Outstanding Academic Title Winner!

The collapse of palatial society at the end of the Greek Bronze Age in c.1200 BC has long been a subject of fascination and contention.

Mycenaean Art: A Psychological Approach