It is January 1961 and Margaret Spencer and Nat Southby are relaxing on a ski holiday when their vacation takes a bone-chilling turn. While cross-country skiing the couple comes across the frozen body of Maurice Dubois, a man who went missing from a fishing resort the month before. When Maurice’s wife is also found murdered, the two Vancouver detectives are hired by the victims’ children to investigate. An energetic hunt begins, as Maggie and Nat find themselves involved in clandestine visits to a clothing factory on East Hastings Street, encounters at horse-breeding stables in Langley, a car chase to Lulu Island and eventually a pilgrimage to the fishing resort at St. Clare’s Cove in Pender Harbour. In Death As a Last Resort, the fourth book in the popular Margaret Spencer Mystery series, our favourite Vancouver female sleuth Maggie Spencer and her partner Nat Southby continue their escapades as they track down the unlawful and dangerous.

A captivating exploration of beach resort culture—from its roots in fashionable society to its undervalued role in today’s world economy—as the travel industry approaches a climate reckoning With its promise of escape from the strains of everyday life, the beach has a hold on the popular imagination as the ultimate paradise. In The Last Resort, Sarah Stodola dives into the psyche of the beachgoer and gets to the heart of what drives humans to seek out the sand. At the same time, she grapples with the darker realities of resort culture: strangleholds on local economies, reckless construction, erosion of beaches, weighty carbon footprints, and the inevitable overdevelopment and decline that comes with a soaring demand for popular shorelines. The Last Resort weaves Stodola’s firsthand travel notes with her exacting journalism in an enthralling report on the past, present, and future of coastal travel. She takes us from Monte Carlo, where the pursuit of pleasure first became part of the beach resort experience, to a village in Fiji that was changed irrevocably by the opening of a single resort; from the overdevelopment that stripped Acapulco of its reputation for exclusivity to Miami Beach, where extreme measures are underway to prevent the barrier island from vanishing into the ocean. In the twenty-first century, beach travel has become central to our globalized world—its culture, economy, and interconnectedness. But with sea levels likely to rise at least 1.5 to 3 feet by the end of this century, beaches will become increasingly difficult to preserve, and many will disappear altogether. What will our last resort be when water begins to fill the lobbies?

In his blazing debut novel, Andrew Lipstein blurs the lines of fact and fiction with a thrilling story of fame, fortune, and impossible choices. Caleb Horowitz is twenty-seven, and his wildest dreams are about to come true. His manuscript has caught the attention of the agent, who offers him money, acclaim, and a taste of the literary life. He can’t wait for his book to be shopped to every editor in New York, except one: Avi Deitsch, an old college rival and the novel’s “inspiration.” When Avi gets his hands on it, he sees nothing but theft—and opportunity. Caleb is forced to make a Faustian bargain, one that tests his theories of success, ambition, and the limits of art. Last Resort is the razor-edged account of a young man’s reckless journey into authenticity. As Caleb fights to right his mistakes and reclaim his name, he must burn every bridge, confront his deepest desires, and finally see his work from the perspectives of characters he’d imagined were his own.

Named a Top 10 Book of the Year by Slate Named a Best Book of 2022 by The New Yorker Named a Best Book of 2022 by Vulture A New York Times Editors’ Choice Shortlisted for the Bollinger Everyman Wodehouse Prize for Comic Fiction In his blazing debut novel, Andrew Lipstein blurs the lines of fact and fiction with a thrilling story of fame, fortune, and impossible choices. Caleb Horowitz is twenty-seven, and his wildest dreams are about to come true. His manuscript has caught the attention of the agent, who offers him money, acclaim, and a taste of the literary life. He can’t wait for his book to be shopped to every editor in New York, except one: Avi Deitsch, an old college rival and the novel’s “inspiration.” When Avi gets his hands on it, he sees nothing but theft—and opportunity. Caleb is forced to make a Faustian bargain, one that tests his theories of success, ambition, and the limits of art. Last Resort is the razor-edged account of a young man’s reckless journey into authenticity. As Caleb fights to right his mistakes and reclaim his name, he must burn every bridge, confront his deepest desires, and finally see his work from the perspectives of characters he’d imagined were his own.

Edgar Award Winner: True stories of miscarriages of justice, legal battles, and landmark reversals, by the creator of Perry Mason. In 1945, Erle Stanley Gardner, noted attorney and author of the popular Perry Mason mysteries, was contacted by an overwhelmed California public defender who believed his doomed client was innocent. William Marvin Lindley had been convicted of the rape and murder of a young girl along the banks of the Yuba River, and was awaiting execution at San Quentin. After reviewing the case, Gardner agreed to help—it seemed the fate of the “Red-Headed Killer” hinged on the testimony of a colorblind witness. Gardner’s intervention sparked the Court of Last Resort. The Innocence Project of its day, this ambitious and ultimately successful undertaking was devoted to investigating, reviewing, and reversing wrongful convictions owing to poor legal representation, prosecutorial abuses, biased police activity, bench corruption, unreliable witnesses, and careless forensic-evidence testimony. The crimes: rape, murder, kidnapping, and manslaughter. The prisoners: underprivileged and vulnerable men wrongly convicted and condemned to life sentences or death row with only one hope—the devotion of Erle Stanley Gardner and the Court of Last Resort. Featuring Gardner’s most damning cases of injustice from across the country, The Court of Last Resort won the Edgar Award for Best Fact Crime. Originating as a monthly column in Argosy magazine, it was produced as a dramatized court TV show for NBC.