"[Bockie's] description of Kongo culture is vivid, beautifullyclear, and absolutely authentic, as only a native could make it.... I don't know ofanything of its kind that is both as good, ethnographically, and asreadable." -- Wyatt MacGaffey "Simon Bockie haswritten an engaging, often personal account of the views and behaviors surroundingdeath in his own society, the Kongo of Lower Zaire, northern Angola, and theCongo." -- Cahiers d'Etudes africaines ..". excellentbook of Kongo religious life and thought... " --Religion "It is a book that is remarkably well written, bothfor its readability and for its explanatory value.... the book is a superb startingplace for understanding Kongo religion, and will work as an introduction to Africanreligion in general as well." -- International Journal of African HistoricalStudies ..". an excellent introduction for anyone seeking tounderstand Kongo traditional culture and thought." --Oshun Rich in anecdote and case histories, Death and the InvisiblePowers is a personal account of the spiritual life of the Kongo people. It describesthe ancient traditions that nourish a culture whose name symbolizes the heart ofCentral Africa.

Humans--even those who consider themselves secular or atheists--are utterly seduced by supernatural beliefs. Clay Routledge, an experimental social psychologist who grew up in a deeply religious environment, argues that belief or trust in forces beyond our understanding is natural and rooted in our fears of death. In Supernatural: Death, Meaning, and the Power of the Invisible World, Routledge argues that supernatural thinking is adaptive, even healthy, and that it should unite and not divide us.

This version of 'Shadows from the Walls of Death' is a tribute to Robert Clark Kedzie, who produced the originals of which there are now only two left in existence. They are located at the University of Michigan and Michigan State University. The originals are approximately 22 x 30 inches containing a title page and an 8 page preface followed by 86 samples cut from rolls of arsenic impregnated wallpaper. The book is sealed in a protective container and each individual page is encapsulated. This particular edition does not actually contain any arsenic. Further to that the content of this volume including both text and images are for entertainment purposes.

In this brilliant culmination of his seminal Powers Trilogy, now reissued in a twenty-fifth anniversary edition, Walter Wink explores the problem of evil today and how it relates to the New Testament concept of principalities and powers. He asks the question, "How can we oppose evil without creating new evils and being made evil ourselves?" Winner of the Pax Christi Award, the Academy of Parish Clergy Book of the Year, and the Midwest Book Achievement Award for Best Religious Book.

Winner of the Pulitzer Prize in Fiction Winner of the William Dean Howells Medal Shortlisted for the Man Booker Prize Over One Year on the New York Times Bestseller List A New York Times Notable Book and a Washington Post, Time, Oprah Magazine, Newsweek, Chicago Tribune, and Kirkus Reviews Best Book of the Year "The best novel ever written about trees, and really just one of the best novels, period." —Ann Patchett The Overstory, winner of the 2019 Pulitzer Prize in Fiction, is a sweeping, impassioned work of activism and resistance that is also a stunning evocation of—and paean to—the natural world. From the roots to the crown and back to the seeds, Richard Powers’s twelfth novel unfolds in concentric rings of interlocking fables that range from antebellum New York to the late twentieth-century Timber Wars of the Pacific Northwest and beyond. There is a world alongside ours—vast, slow, interconnected, resourceful, magnificently inventive, and almost invisible to us. This is the story of a handful of people who learn how to see that world and who are drawn up into its unfolding catastrophe.