Fred Baldwin's life took a turn in the direction of the extraordinary when he decided to interview and photograph Pablo Picasso. In his last year of college, he delivered a letter with own drawings to the artist. This made Picasso laugh and open the door. Baldwin's life changed. He followed his dream, used his imagination, overcame fear, and acted - now he could accomplish anything. What followed were picture stories about reindeer migrations, a day and a night with the Ku Klux Klan, Nobel Prize coverage, cod fishing in Arctic Norway, polar bear expeditions. Then underwater images of the fight of hooked Marlin in Mexico - an homage to Hemingway. In 1963, Baldwin joined the Civil Rights Movement, photographing Martin Luther King. A two-year stint as Peace Corps director in Borneo was followed by more photojournalism in India and Afghanistan. This account takes the reader to high adventure worldwide, but also to disaster and failure. This illustrated love affair with freedom shows how a camera became a passport to the world.0Fred Baldwin was born in 1928 in Switzerland. After earning his B.A. degree from Columbia College, New York in 1956, he began a freelance photography career which continued until 1987. Baldwin worked for LIFE, National Geographic, GEO, STERN, Esquire, Sports Illustrated, Smithsonian Magazine, Newsweek, the New York Times and others.

A photographic memoir of photographer and FotoFest photo festival founder Fred Baldwin’s extraordinary life: how he followed his dream, used his imagination, overcame fear, and acted to accomplish anything. This account takes the reader to high adventure worldwide, but also to disaster and failure. This illustrated love affair with freedom shows how a camera became a passport to the world. The son of an American diplomat, who died when Baldwin was five, the book describes a string of disasters associated with six elite boarding schools and one university led to his exile to work in a factory where he joined low-paid black and white workers in his uncle’s factory in Savannah, Georgia. Baldwin escaped by joining the Marines and was immediately shipped to North Korea in 1950. Wounded and decorated twice, Baldwin also learned from the brutal, 35 below zero weather at the Chosin Reservoir where his unit was surrounded and outnumbered by the Chinese. After Korea, Baldwin moved to Paris, then returned to a junior college in Georgia, won a scholarship to Harvard and transferred to Columbia. Baldwin taught himself photography by visiting MoMa and every photo gallery in New York. Baldwin wanted to be a photojournalist. “I discovered the Civil Rights Movement by chance as I was walking the streets of Savannah planning a book on the city’s architecture. I met change marching toward me in the form of Benjamin Van Clark, a seventeen-year-old student leading his troops chanting into battle. The deep rumblings of the Civil Rights Movement in Georgia and elsewhere somehow had never reached me in Europe. As I wrote, ‘the polar bears I was photographing in the Arctic didn’t tell me about what was happening with Black folks in the South. They were just too white.’” The stories in this book are often laced with self-deprecating humour, a mechanism that Baldwin had developed early as a survival tool.

Documenting the devastating effects of global warming and climate change, Warm Waters is a multi-year photographic documentary across the Pacific and Arctic Oceans, from Northern Alaska to the remote outposts of New Zealand. The journey started in 2013 in Papua New Guinea, where photographer Vlad Sokhin documented illegal logging and deforestation. In 2014, Sokhin covered the rise of sea levels, coastal erosion and the effects of El Niño in Papua New Guinea, Kiribati, Nauru, the Marshall Islands and Niue. In 2015, 2016 and 2018, he extensively covered the aftermath of tropical cyclones across Pacific island nations and delved deeper into documenting struggles of the affected communities, their resilience and adaptation to the realities of global warming. In 2019, he documented severe drought in Timor-Leste, caused by the weather anomalies. Warm Waters also looks at other environmental issues our planet is facing, such as climate migrants and their resettlement, permafrost melting, coral bleaching, and the need for renewable energy. The book shows the evidence of fight, adaptation, and hope of remote island and coastal communities. It takes you right into the lives of Inupiat and Yupik people in Alaska, and to the towns and villages that are being destroyed by the sea and coastal erosion on the Russian Kamchatka Peninsula. You will see how scientists work in the field, studying the effects of climate change, and how the people, affected by extreme weather conditions, are trying to survive and rebuild their lives after catastrophic events have ruined their land and homes. Warm Waters not only shows tragedy however; it shows the beauty of our planet, communities living in harmony with nature, and people that are tirelessly working to protect their fragile shores from the biggest environmental threat ever they have ever faced.

Françoise Gilot's candid memoir remains the most revealing portrait of Picasso written, and gives fascinating insight into the intense and creative life shared by two modern artists. Françoise Gilot was in her early twenties when she met the sixty-one-year-old Pablo Picasso in 1943. Brought up in a well-to-do upper-middle-class family, who had sent her to Cambridge and the Sorbonne and hoped that she would go into law, the young woman defied their wishes and set her sights on being an artist. Her introduction to Picasso led to a friendship, a love affair, and a relationship of ten years, during which Gilot gave birth to Picasso’s two children, Paloma and Claude. Gilot was one of Picasso’s muses; she was also very much her own woman, determined to make herself into the remarkable painter she did indeed become. Life with Picasso, written with Carlton Lake and published in 1961, is about Picasso the artist and Picasso the man. We hear him talking about painting and sculpture, his life, his career, as well as other artists, both contemporaries and old masters. We glimpse Picasso in his many and volatile moods, dismissing his work, exultant over his work, entertaining his various superstitions, being an anxious father. But Life with Picasso is not only a portrait of a great artist at the height of his fame; it is also a picture of a talented young woman of exacting intelligence at the outset of her own notable career.

The author sets out to capture Picasso's early life in this biography, exploring the originality of his art and ambition. At the heart of the interpretation is Picasso's first great love, Fernande Olivier, with whom the artist lived for seven years - a period which included his most revolutionary works. Fernande is given her own voice by way of excerpts from her candid memoirs. Including the artist's friendships with Apollonaire and Gertrude Stein, the book evokes the atmosphere of bohemian life in Paris in the early 1900s.

After her parents get divorced, Emily finds comfort in making and learning about art.

A collection of weekly letters written between 1949 and 1961 from an unmarried woman, Frances Woodsford working at the Public Baths in Bournemouth, to a wealthy American widower, Paul Bigelow in New York. It follows Frances' trials with her ghastly boss Mr Bond; and the hilarious weekly Civil Defence Classes as the Cold War advances.