With Chris Trengove and Peter LawrenceIn 1967 Peter 'Dougal' Butler became a roadie for The Who and their mercurial genius drummer Keith Moon. Soon he would be Moon's personal assistant, chauffeur, and all-purpose wingman. The ride lasted a tumultuous ten years, ending just prior to Moon's untimely death in 1978. Full Moon is Butler's memoir of that ride: essential reading for Who fans, and a masterclass in the mayhem caused by rock 'n' roll excess. 'The most candid insight into the Who star's life.' Daily Star 'Written in a wonderful fast, racy style, Runyonesque and full of good jokes.' Girl About Town 'A welcome change from the usual bland rock book reportage... Butler clearly has a deep and lasting affection for Moon.' Andy Gill, NME 'Certainly outrageous, sometimes funny, but mostly a sad account of life with a talented neurotic.' Daily Mirror

Long acknowledged as one of rock music’s most intelligent and literary performers, Pete Townshend—guitarist, songwriter, singer and founding member of The Who—at last tells his wild story in this candid and immersive autobiography. Raised in west London by an eccentric grandmother, while his parents were off living the early post-war, rock ’n’ roll lifestyle, Townshend describes a frenetic childhood of displacement and abuse. Then, in high school, everything changed when he met Roger Daltrey and formed a band that would travel the world, earning fame, fortune and critical acclaim. In Who I Am, Townshend brings us from the inner sanctum of Eric Clapton’s drug-ridden hotel rooms to the feet of Jimi Hendrix and his electric kool-aid guitar; from the first trial performance of Townshend’s rock opera, Tommy, in a London bar to his infamous arrest (and acquittal) on child pornography charges. With his trademark eloquence, fierce intelligence and brutal honesty, Pete Townshend has created a work of literature that stands as a primary source for popular music’s greatest epoch. Readers will be confronted by a man laying bare who he is, an artist who has asked for nearly sixty years: who are you?

Keith Moon was more than just rock's greatest drummer, he was also its greatest character and wildest party animal. Fuelled by vast quantities of drink, drugs, insecurities and confusion, Moon destroyed everything with gleeful abandon: drum kits, houses, cars, hotels, relationships and, finally, himself. In Dear Boy, Tony Fletcher has captured lightning in a bottle – the essence of a totally incorrigible yet uniquely generous boy who never grew up, and who changed the lives of all who knew him. From a life distorted by myths of debauchery and comic anarchy, Fletcher has created a searingly personal portrait of the rock legend. From over 100 first-hand interviews, he traces with deadly accuracy Moon's remarkable journey from his working-class Northwest London childhood, through the Who's glory years to the California high-life and a terrible, premature death. Here too are fascinating insights into the history of the Who and the emergent British pop culture revolution of post-war years. Keith Moon was one of the shock troops of that revolution: the world's greatest rock drummer, a phenomenal character and an extravagant hell-raiser who – in a final, uncharacteristic act of grace – actually did die before he got old.

The frontman of one of the greatest bands of all time tells the story of his rise from nothing to rock 'n' roll megastar, and his wild journey as the voice of The Who. “It’s taken me three years to unpack the events of my life, to remember who did what when and why, to separate the myths from the reality, to unravel what really happened at the Holiday Inn on Keith Moon’s 21st birthday,” says Roger Daltrey, the powerhouse vocalist of The Who. The result of this introspection is a remarkable memoir, instantly captivating, funny and frank, chock-full of well-earned wisdom and one-of-a-kind anecdotes from a raucous life that spans a tumultuous time of change in Britain and America. Born during the air bombing of London in 1944, Daltrey fought his way (literally) through school and poverty and began to assemble the band that would become The Who while working at a sheet metal factory in 1961. In Daltrey’s voice, the familiar stories—how they got into smashing up their kit, the infighting, Keith Moon’s antics—take on a new, intimate life. Also here is the creative journey through the unforgettable hits including My Generation, Substitute, Pinball Wizard, and the great albums, Who’s Next, Tommy, and Quadrophenia. Amidst all the music and mayhem, the drugs, the premature deaths, the ruined hotel rooms, Roger is our perfect narrator, remaining sober (relatively) and observant and determined to make The Who bigger and bigger. Not only his personal story, this is the definitive biography of The Who.

The complete chronicle ... For two turbulent decades, Roger Daltrey, John Entwistle, Keith Moon and Pete Townshend went on a rock and roll rampage that would forever alter the course of rock music history. Anyway Anyhow Anywhere: The Compete Chronicle of The Who 1958-1978 - packed with original, accurate information and an awesome collection of photographs and memorabilia - is the most dynamic and indispensable day-to-day chronicle of the band's wild ride ever completed.

'A definitive tome for both Who fans and newcomers alike’ ***** Q Magazine Pete Townshend was once asked how he prepared himself for The Who’s violent live performances. His answer? ‘Pretend you’re in a war.’ For a band as prone to furious infighting as it was notorious for acts of ‘auto-destructive art’ this could have served as a motto. Between 1964 and 1969 The Who released some of the most dramatic and confrontational music of the decade, including ‘I Can’t Explain’, ‘My Generation’ and ‘I Can See For Miles’. This was a body of work driven by bitter rivalry, black humour and dark childhood secrets, but it also held up a mirror to a society in transition. Now, acclaimed rock biographer Mark Blake goes in search of its inspiration to present a unique perspective on both The Who and the sixties. From their breakthrough as Mod figureheads to the rise and fall of psychedelia, he reveals how The Who, in their explorations of sex, drugs, spirituality and class, refracted the growing turbulence of the time. He also lays bare the colourful but crucial role played by their managers, Kit Lambert and Chris Stamp. And – in the uneasy alliance between art-school experimentation and working-class ambition – he locates the motor of the Swinging Sixties. As the decade closed, with The Who performing Tommy in front of 500,000 people at the Woodstock Festival, the ‘rock opera’ was born. In retrospect, it was the crowning achievement of a band who had already embraced pop art and the concept album; who had pioneered the power chord and the guitar smash; and who had embodied – more so than any of their peers – the guiding spirit of the age: war.