It was in the month of July, 1842, that I was released, by order of Pope Gregory, from my first imprisonment in the dungeons of the Inquisition. On this occasion, one of the Dominican monks who serve the office of Inquisitor, inquired of me, with a malicious look, whether I, also, intended, one day, to write an account of the Inquisition, as a well-known author had done before me, with respect to Spielberg, in his celebrated work, "Le mie prigioni." Perceiving at once the object of this deceitful interrogation, which was only to afford a pretext for renewing my incarceration, at the very moment when liberty was before me, I smiled at my interlocutor...

"Dealings with the Inquisition; Or, Papal Rome, Her Priests, and Her Jesuits" by Giacinto Achilli Giovanni Giacinto Achilli was an Italian Roman Catholic Dominican friar and anti-Jesuit. n this book, he tackles his religious beliefs and his opinions of what he felt were the shortcomings of the Catholic church after his sudden conversion to the Protestand faith. This pivot and his prior knowledge of the inner workings of the church allowed him to craft an insightful and controversial book that captured millions.

This book is on the Inquisition, particularly the Spanish Inquisition as opposed to the Roman Inquisition in the years following the Spanish Reconquista. Walsh delves into the Inquisition, its practice, purpose, history and personalities. The Inquisition was not a bloodthirsty BDSM fest gone wild. It was a reasoned response to infiltration of the Catholic Church by enemies of the Christian Faith who pretended to be Christians in order to pervert worship, doctrine and weaken Christendom. Anyone wishing to understand the Inquisition would to well to read Characters and learn of the heroes of the Faith, Cardinal Ximenes, Torquemada, and others who fought the good fight for Jesus Christ and his Church, After reading Characters, you will never look at the Inquisition in the same way.

A narrative history of the Inquisition, and an examination of the influence it exerted on contemporary society, by the author of ARE WE ROME?

On July 21, 1578, the Mexican town of Tecamachalco awoke to news of a scandal. A doll-like effigy hung from the door of the town's church. Its two-faced head had black chicken feathers instead of hair. Each mouth had a tongue sewn onto it, one with a forked end, the other with a gag tied around it. Signs and symbols adorned the effigy, including a sambenito, the garment that the Inquisition imposed on heretics. Below the effigy lay a pile of firewood. Taken together, the effigy, signs, and symbols conveyed a deadly message: the victim of the scandal was a Jew who should burn at the stake. Over the course of four years, inquisitors conducted nine trials and interrogated dozens of witnesses, whose testimonials revealed a vivid portrait of friendship, love, hatred, and the power of rumor in a Mexican colonial town. A story of dishonor and revenge, Death by Effigy also reveals the power of the Inquisition's symbols, their susceptibility to theft and misuse, and the terrible consequences of doing so in the New World. Recently established and anxious to assert its authority, the Mexican Inquisition relentlessly pursued the perpetrators. Lying, forgery, defamation, rape, theft, and physical aggression did not concern the Inquisition as much as the misuse of the Holy Office's name, whose political mission required defending its symbols. Drawing on inquisitorial papers from the Mexican Inquisition's archive, Luis R. Corteguera weaves a rich narrative that leads readers into a world vastly different from our own, one in which symbols were as powerful as the sword.