The internationally bestselling, “gorgeously moving, old-fashioned novel” about a woman’s life, loves, and self-discovery on the eve the Great War (O, The Oprah Magazine). Grania O’Neill, the daughter of hardworking Irish hoteliers in small-town Ontario, is five years old when she emerges from a bout of scarlet fever profoundly deaf—suddenly sealed off from the world that was just beginning to open for her. While her guilt-plagued mother cannot accept it, Grania finds allies in her grandmother and her older sister, Tress. It isn’t until she’s enrolled in the Ontario School for the Deaf in Belleville, that Grania truly begins to thrive. In time, she falls for Jim Lloyd, a hearing man with whom Grania creates a new emotional vocabulary that encompasses both sound and silence. But just two weeks after their wedding, Jim leaves to serve as a stretcher bearer on the blood-soaked battlefields of Flanders. During this long war of attrition, Jim and Grania’s letters back and forth—both real and imagined—attempt to sustain their young love in a world as brutal as it is hopeful. Winner of the Commonwealth Book Prize, Frances Itani’s debut novel is a “brilliantly lucid and masterfully sustained” ode to language—how it can console, imprison, and liberate—with “the integrity of an achieved artistic vision, the kind of power that is generally associated with the gracious, crystalline prose of Grace Paley, the flagrantly good, good lines of Robert Lowell and W. H. Auden’s poetry” (Kaye Gibbons, author of A Virtuous Woman).

The surprising science of hearing and the remarkable technologies that can help us hear better Our sense of hearing makes it easy to connect with the world and the people around us. The human system for processing sound is a biological marvel, an intricate assembly of delicate membranes, bones, receptor cells, and neurons. Yet many people take their ears for granted, abusing them with loud restaurants, rock concerts, and Q-tips. And then, eventually, most of us start to go deaf. Millions of Americans suffer from hearing loss. Faced with the cost and stigma of hearing aids, the natural human tendency is to do nothing and hope for the best, usually while pretending that nothing is wrong. In Volume Control, David Owen argues this inaction comes with a huge social cost. He demystifies the science of hearing while encouraging readers to get the treatment they need for hearing loss and protect the hearing they still have. Hearing aids are rapidly improving and becoming more versatile. Inexpensive high-tech substitutes are increasingly available, making it possible for more of us to boost our weakening ears without bankrupting ourselves. Relatively soon, physicians may be able to reverse losses that have always been considered irreversible. Even the insistent buzz of tinnitus may soon yield to relatively simple treatments and techniques. With wit and clarity, Owen explores the incredible possibilities of technologically assisted hearing. And he proves that ears, whether they're working or not, are endlessly interesting.

Deafening Modernism tells the story of modernism from the perspective of Deaf critical insight. Working to develop a critical Deaf theory independent of identity-based discourse, Rebecca Sanchez excavates the intersections between Deaf and modernist studies. She traces the ways that Deaf culture, history, linguistics, and literature provide a vital and largely untapped resource for understanding the history of American language politics and the impact that history has had on modernist aesthetic production. Discussing Deaf and disability studies in these unexpected contexts highlights the contributions the field can make to broader discussions of the intersections between images, bodies, and text. Drawing on a range of methodological approaches, including literary analysis and history, linguistics, ethics, and queer, cultural, and film studies, Sanchez sheds new light on texts by T.S. Eliot, Ezra Pound, Gertrude Stein, William Carlos Williams, Charlie Chaplin, and many others. By approaching modernism through the perspective of Deaf and disability studies, Deafening Modernism reconceptualizes deafness as a critical modality enabling us to freshly engage topics we thought we knew.

This book analyses male violence against women and children, and the mechanisms society develops to push it out of sight.

Nine years she suffered, but no more. Her new name is Mia Harlow, and she is ready to live again.It took a near death experience, but Mia got away. She's rebuilt her life from the ground up, and after three long years, she's found a reason to live again. Everything is going great until her neighbor is attacked, and the past threatens to engulf Mia again. Just when she thinks all is lost, three amazing men waltz into her life. Their complementary personalities and differing strengths bind the broken pieces that her ex-husband left behind.While Mia is healing and learning what love is supposed to be, a serial killer is on the prowl. Molly Manhunter stalks the city looking for rapists. She ensnares them with the one thing they've been accused of abusing - sex, and uses it to extinguish their lives. Molly is determined to fight against the silence that gets swept under the rug of justice, and Mia is caught up in the search for her neighbor's abuser. Will the two women cross paths? When push comes to shove, will Mia's newfound bonds weather the storm? Can one woman break the Deafening Silence, or will she become another victim to the system?Deafening Silence book one in the Manhunter trilogy. It is a dark reverse harem romance about an abuse survivor. The MC will not choose between her love interests. Expect dark elements and explicit scenes. If such scenes will offend or trigger you, please do not buy this book.

"Facts are facts. There have been three major nuclear power disasters to date: Three Mile Island in 1979, Chernobyl in 1986, and now Fukushima Daiichi in 2011 ... and there are many more smaller nuclear accidents and near misses every year. Do we wait for another catastrophic event, or do we act now? Nuclear fallout is a harmful and mysterious tragedy that we can't see, taste, hear, smell or feel. Rather than recoil in fear from Fukushima Daiichi, it really only serves to empower us into further action. This book is a mother's account of dealing with radioactive fallout from the Fukushima Daiichi disaster, the worst in world history. This book speaks to the urgent need for food monitoring, conservation and renewable energy, as radiation from nuclear power is now migrating into our homes and kitchens"--Page 4 of cover

This book is born of a contradiction: on the one hand, there has been a genuine advance in the awareness of violence against women and children and actions to oppose it. On the other, the violence persists and so does the counter-attack against those who seek to expose it. Patrizia Romito's extraordinary book describes the links between discrimination, violence against women and violence against children and, uniquely, uncovers the strategies and tactics used for concealing it. Her analysis, corroborated by a solid theoretical framework as well as up-to-date international research data, powerfully reveals the interconnectedness of what might appear as separate events or measures. The book also demonstrates how the same tactics and strategies are at work in various different countries. Written in a clear and direct style, the book is an essential tool for anyone - professional, researcher or activist - wanting to understand male violence against women and children and to oppose it.