A retired detective investigates a cold case of child murder in Colorado in this “darkly engrossing” mystery thriller (New York Times–bestselling author Anne Hillerman). Former detective Woodrow Bell left his big-city homicide beat for a quiet life in a small Colorado mountain town. Having failed in so many ways—as a father, husband, friend, and cop—all he wants out of retirement is to fade away. But when he stumbles across a long-forgotten child murder, he can’t just let it go. Suspecting that the killer may still be near, Woodrow is drawn into the macabre cold case. With local cops taking no interest, Bell must rely on the end-of-the-road codgers he meets for coffee every morning—a club of old guys with unique skills who call themselves Deaf Row. Soon, this motley crew finds itself on a collision course with a serial butcher.

"Mindhunter crossed with American Gothic. This chilling story has the ghostly unease of a nightmare."—Michael Cannell, author of Incendiary: The Psychiatrist, the Mad Bomber and the Invention of Criminal Profiling The pulse-pounding account of the first time in history that the FBI’s Behavioral Science Unit created a psychological profile to catch a serial killer On June 25, 1973, a seven-year-old girl went missing from the Montana campground where her family was vacationing. Somebody had slit open the back of their tent and snatched her from under their noses. None of them saw or heard anything. Susie Jaeger had vanished into thin air, plucked by a shadow. The largest manhunt in Montana’s history ensued, led by the FBI. As days stretched into weeks, and weeks into months, Special Agent Pete Dunbar attended a workshop at FBI Headquarters in Quantico, Virgina, led by two agents who had hatched a radical new idea: What if criminals left a psychological trail that would lead us to them? Patrick Mullany, a trained psychologist, and Howard Teten, a veteran criminologist, had created the Behavioral Science Unit to explore this new "voodoo" they called “criminal profiling.” At Dunbar’s request, Mullany and Teten built the FBI’s first profile of an unknown subject: the UnSub who had snatched Susie Jaeger and, a few months later, a nineteen-year-old waitress. When a suspect was finally arrested, the profile fit him to a T...

"Ron Franscell's 'Deaf Row' tells a darkly engrossing story with masterful, easy-flowingprose and a cleverinfusion of humor. The tension builds incrementally to a chilling five-star climax in which Franscellputshis well-honed skill as a true crime author to gooduse. It gave me goosebumps big time." -ANNE HILLERMAN, bestselling author of the Leaphorn, Chee, Manuelito mysteries Retired from a big-city homicide beat to a small Colorado mountain town, ex-detective Woodrow "Mountain" Bell yearns only to fade away. He's failed in so many ways as a father, a husband, friend, and cop that it might be too late for a meaningful life. When he stumbles across a long-forgotten, unsolved child murder, his first impulse is to let it lie ... but he can't. He's drawn into the macabre mystery when he realizes the killer might still be near. Without help from ambivalent local cops, Bell must overcome the obstacles of time, age, and a lack of police resources by calling upon the unique skills of the end-of-the-road codgers he meets for coffee every morning-a club of old guys who call themselves Deaf Row. Soon, this motley crew finds itself on a collision course with a serial butcher. "...an undisputed gift for storytelling." -GREGG OLSEN, #1 New York Times bestselling author of IF YOU TELL DEAF ROW is more than a tense mystery novel, more than an unnerving psychological thriller drawn from Ron Franscell's career as a bestselling true-crime writer and journalist. It is also a novel of men pushing back against time and death, trying not to disappear entirely. DEAF ROW is a moving, occasionally humorous, portrait of flawed people caught in a web of pain and regret. And although you might think you know where this ghastly case is headed, the climax will blindside you.

A 12-year-old boy cowers in his closet while a lunatic killer slaughters his family . . . a nursing student unwittingly opens her home to the serial killer on her front porch . . . an 11-year-old girl drifts alone at sea on a flimsy cork raft for almost four days after a mass murderer kills her vacationing family aboard a chartered yacht . . . a brave firefighter suddenly finds himself in the crosshairs of a racist sniper almost nine stories above the ground . . . And, astonishingly, they all survived. From Howard Unruh’s 1949 shooting rampage through a quiet New Jersey neighborhood to Louisiana serial killer Derrick Todd Lee’s reign of terror in 2002, the corpses piled up and few lived to tell the horror. Now, award-winning journalist Ron Franscell explores the wounded hearts and minds of the ordinary people these monsters couldn’t kill. His mesmerizing accounts crackle with gritty details that put the reader in the midst of the carnage—and offer a front-row seat on the complex, painful process of surviving the rest of their haunted lives. In intimate, gripping prose, Franscell takes the reader on a pulse-pounding dash through the murky intersection of pure evil and the potency of the human spirit. This journey into the darkest corners of the American crime-scape is a penetrating work of literary journalism by a writer hailed as one of the most powerful new voices in true crime.

From the #1 New York Times bestselling author, an extraordinary story of redemption in the darkest of places.

A bold, incisive look at race and reparative writing in American fiction, by the author of Your Face in Mine White Flights is a meditation on whiteness in American fiction and culture from the end of the civil rights movement to the present. At the heart of the book, Jess Row ties “white flight”—the movement of white Americans into segregated communities, whether in suburbs or newly gentrified downtowns—to white writers setting their stories in isolated or emotionally insulated landscapes, from the mountains of Idaho in Marilynne Robinson’s Housekeeping to the claustrophobic households in Jonathan Franzen’s The Corrections. Row uses brilliant close readings of work from well-known writers such as Don DeLillo, Annie Dillard, Richard Ford, and David Foster Wallace to examine the ways these and other writers have sought imaginative space for themselves at the expense of engaging with race. White Flights aims to move fiction to a more inclusive place, and Row looks beyond criticism to consider writing as a reparative act. What would it mean, he asks, if writers used fiction “to approach each other again”? Row turns to the work of James Baldwin, Dorothy Allison, and James Alan McPherson to discuss interracial love in fiction, while also examining his own family heritage as a way to interrogate his position. A moving and provocative book that includes music, film, and literature in its arguments, White Flights is an essential work of cultural and literary criticism.

The subject of enthusiastic and widespread reviews, David Lodge's fourteenth work of fiction displays the humor and shrewd observations that have made him a much-loved icon. Deaf Sentence tells the story of Desmond Bates, a recently retired linguistics professor in his mid-sixties. Vexed by his encroaching deafness and at loose ends in his personal life, Desmond inadvertently gets involved with a seemingly personable young American female student who seeks his support in matters academic and not so academic, who finally threatens to destabilize his life completely with her unpredictable-and wayward-behavior. What emerges is a funny, moving account of one man's effort to come to terms with aging and mortality-a classic meditation on modern middle age that fans of David Lodge will love.