I never thought I'd be singing happy birthday to myself in a dungeon. And yet when a sinfully sexy demon crashes happy hour, that's exactly what happens. He's known as the Lord of Chaos, and he's mistaken me for my succubus doppelgänger. Happy birthday to me. When he tastes my blood, he finally understands I'm mortal. And I realize we have something in common: we both crave revenge. So we make a deal: I can stay in the forbidden city to hunt for my mom's killer. In return, I'll help him get the vengeance he craves. I just have to pose as a sexy succubus. One problem--he's my number one suspect. And that's increasingly hard to remember as he teaches me my role: seduction. With each heated touch I drift further into peril. And if I fall under his seductive spell, death awaits me. "I flew through this book... Hot demon lord-check. Action-check. Romance-check. And there's spice! If you love my books, you definitely want to read this one." -Laura Thalassa

Here is the Cape Town underworld laid bare, explored through the characters who control the "protection" industry – the bouncers and security at nightclubs and strip clubs. At the centre of this turf war is Nafiz Modack, the latest kingpin to have seized control of the industry, a man often in court on various charges, including extortion. Investigative journalist Caryn Dolley has followed Modack and his predecessors for six years as power has shifted in the nightclub security industry, and she focuses on how closely connected the criminal underworld is with the police services. In this suspenseful page-turner of an investigation, she writes about the overlapping of the state with the underworld, the underworld with the 'upperworld', and how the associated violence is not confined to specific areas of Cape Town, but is happening inside hospitals, airports, clubs and restaurants and putting residents at risk. A book that lays bare the myth that violence and gangsterism in Cape Town is confined to the ganglands of the Cape Flats – wherever you find yourself, you're only a hair's breadth away from the enforcers.

Too seldom do we see so well credentialed an academician make so wide a leap from science to worldliness and romance, as Dr. Levin does in Exclamations Part I and Part II. His work moves from Ben Franklin Bon Mot to lengthy Whitmanesque verbal tourism. And then in Part II on to social policy and social change. When questioned about the mix he says, "Truth is beauty and poetry is the ultimate verbal beauty."