Ever since we started huddling together in communities, the story of human history has been inextricably entwined with the story of microbes. They have evolved and spread amongst us, shaping our culture through infection, disease, and pandemic. At the same time, our changing human culture has itself influenced the evolutionary path of microbes. Dorothy H. Crawford here shows that one cannot be truly understood without the other. Beginning with a dramatic account of the SARS pandemic at the start of the 21st century, she takes us back in time to follow the interlinked history of microbes and man, taking an up-to-date look at ancient plagues and epidemics, and identifying key changes in the way humans have lived - such as our move from hunter-gatherer to farmer to city-dweller - which made us vulnerable to microbe attack. Showing how we live our lives today - with increasing crowding and air travel - puts us once again at risk, Crawford asks whether we might ever conquer microbes completely, or whether we need to take a more microbe-centric view of the world. Among the possible answers, one thing becomes clear: that for generations to come, our deadly companions will continue to shape human history.

Ever since we started huddling together in communities, the story of human history has been inextricably entwined with the story of microbes. They have evolved and spread amongst us, shaping our culture through infection, disease, and pandemic. At the same time, our changing human culture has itself influenced the evolutionary path of microbes. Dorothy H. Crawford here shows that one cannot be truly understood without the other. Beginning with a dramatic account of the SARS pandemic at the start of the 21st century, she takes us back in time to follow the interlinked history of microbes and man, taking an up-to-date look at ancient plagues and epidemics, and identifying key changes in the way humans have lived - such as our move from hunter-gatherer to farmer to city-dweller — which made us vulnerable to microbe attack. Showing how we live our lives today — with increasing crowding and air travel — puts us once again at risk, Crawford asks whether we might ever conquer microbes completely, or whether we need to take a more microbe-centric view of the world. Among the possible answers, one thing becomes clear: that for generations to come, our deadly companions will continue to shape human history. Oxford Landmark Science books are 'must-read' classics of modern science writing which have crystallized big ideas, and shaped the way we think.

In this book Anne Maguire examines the psychoanalytic relevance of evil. Using case studies and examples she examines how sin may find calamitous expression, and the consequences which can flow from its covert pre-existence. Pride, anger, jealousy, sloth, lust, avarice and gluttony are as old as mankind itself. However, in the sense in which they were originally understood, interest in the seven sins has withered with the elapse of time. Today, ideas about sin and evil as taught by the theologians of the early church seem dated and alien. However, when thought of as psychic representations of the dark side of human nature, as C.G. Jung defined it, the Seven Deadly Sins acquire relevant new meaning.

Station Eleven meets Never Let Me Go in this “suspenseful, introspective debut” (Kirkus Reviews) set in an unsettling near future where the dead can be uploaded to machines and kept in service by the living. In the wake of a highly contagious virus, California is under quarantine. Sequestered in high rise towers, the living can’t go out, but the dead can come in—and they come in all forms, from sad rolling cans to manufactured bodies that can pass for human. Wealthy participants in the “companionship” program choose to upload their consciousness before dying, so they can stay in the custody of their families. The less fortunate are rented out to strangers upon their death, but all companions become the intellectual property of Metis Corporation, creating a new class of people—a command-driven product-class without legal rights or true free will. Sixteen-year-old Lilac is one of the less fortunate, leased to a family of strangers. But when she realizes she’s able to defy commands, she throws off the shackles of servitude and runs away, searching for the woman who killed her. Lilac’s act of rebellion sets off a chain of events that sweeps from San Francisco to Siberia to the very tip of South America in this “compelling, gripping, whip-smart piece of speculative fiction” (Jennie Melamed, author of Gather the Daughters) that you won’t want to end.

The calamitous impacts of climate change that are beginning to be felt around the world today expose the inextricability of human and natural histories. Arguing for a more complex account of such calamities, Kate Rigby examines a variety of past disasters, from the Black Death of the Middle Ages to the mega-hurricanes of the twenty-first century, revealing the dynamic interaction of diverse human and nonhuman factors in their causation, unfolding, and aftermath. Focusing on the link between the ways disasters are framed by the stories told about them and how people tend to respond to them in practice, Rigby also shows how works of narrative fiction invite ethical reflection on human relations with one another, with our often unruly earthly environs, and with other species in the face of eco-catastrophe. In its investigation of an array of authors from the Romantic period to the present—including Heinrich von Kleist, Mary Shelley, Theodor Storm, Colin Thiele, and Alexis Wright— Dancing with Disaster demonstrates the importance of the environmental humanities in the development of more creative, compassionate, ecologically oriented, and socially just responses to the perils and possibilities of the Anthropocene. Under the Sign of Nature: Explorations in Ecocriticism

When eleven-year-old Nelson's beloved older sister goes missing, he is devastated. She's his only friend and means the world to him. Then his parents join the search and leave Nelson in the care of his crazy uncle Pogo, a plumber who is working at St. Paul's Cathedral in London. There in a dusty crypt Nelson stumbles across an ancient machine that accidentally extracts the so-called seven deadly sins from his soul. The machine turns them into ugly, cantankerous, and embarrassing creatures who follow him everywhere. But there is more to these monsters than meets the eye, and in this off-the-wall debut novel about making friends and taking courage, Nelson finds that these strange newcomers are just the companions he needs for a quest across the globe to rescue his big sister.

Westerns may have had their heyday, but they remain popular. The greatest films from 1914, when The Squaw Man and The Virginian were among the genre's best, through 2001, when American Outlaws and Texas Rangers were tops, are the subject of this work. For each year, the author names the outstanding western films in the following categories: picture, screenplay (original and adaptation), direction, cinematography, music, male and female leading roles, and male and female supporting roles. Also for each year, the author lists the westerns that received Academy Award nominations (and those that won), makes note of the births and deaths of notable actors, directors, producers, composers, cinematographers, authors and other such personalities, and describes the genre's significant achievements.