Psychic Sookie Stackhouse has her hands full with an amnesiac vampire in the fourth seductive novel in the #1 New York Times bestselling series—the inspiration for the HBO® original series True Blood. When cocktail waitress Sookie Stackhouse sees a naked man on the side of the road, she doesn’t just drive on by. Turns out the poor thing hasn’t a clue who he is, but Sookie does. It’s the vampire Eric Northman—but now he’s a kinder, gentler Eric. And a scared Eric, because whoever took his memory now wants his life. Sookie’s investigation into why leads straight into a dangerous battle among witches, vampires, and werewolves. But a greater danger could be to Sookie’s heart—because the kinder, gentler Eric is very difficult to resist...

Gina Santiago is a member of an elite tactical team in charge of protecting the world. She’s devoted her life to apprehending the most heinous criminals that prey on society—and now she’s after the worst one yet. On her own, with no backup, the trail takes her to a dusty, tight-knit town on the fringes of society, where everyone’s a suspect. Even the sexy sheriff, Morgan Hunter, isn’t telling her everything. Gina knows he’s trouble, but she’s inexorably drawn to him. The closer Gina comes to finding out the secret of this sleepy little town and its big bad sheriff; the closer she comes to catching the predator, the more scared she gets—because she’s beginning to realize that she has a secret too. A secret that will change Gina’s life… and make her the killer’s prey.

A young woman suffers a mental breakdown because of her repressive and religious mother. A group of children is fascinated by the sudden death of a friend. A drug trafficking couple visits Paris at the same time as a psychopathic cannibal. A mysterious wave travels through a university campus, driving students to suicide. A photographer witnesses a family’s surface composure shatter during a portrait session. A worker on Mars sees ghostly animals in the desert and longs for an impossible return to Earth. A plastic surgeon botches an operation and hides on a sugar cane plantation where indigenous slavery is practiced. Horror and the fantastic mark the unstable realism of Our Dead World, in which altered states of consciousness, marginalized peoples, animal bodies, and tensions between tradition and modernity are recurring themes. Liliana Colanzi’s stories explore those moments when the civilized voice of the ego gives way to the buzzing of the subconscious, and repressed indigenous history destabilizes the colonial legacy still present in contemporary Latin America. Colanzi is considered by critics to be one of the most promising voices of the new Latin American narrative, and this book is an ambitious formal and thematic leap.

"A world that has suffered the unleashing of a supernatural holocaust as the dead have risen to walk the earth ... Isolated pockets of humanity struggle to survive against the mindless hordes of zombies and something far more sinister and evil ... Is the darkness that sweeps over the world too heavy to keep man from plunging into extinction, or will the persistance and ingenuity of mankind win out in the end?"--P. [4] of cover.

A novel set in a near-future world of hunger and hibernation: “[An] intriguing and timely premise . . . executed with verve.” —Alison Moore, Man Booker Prize finalist and author of Missing The Earth’s resources are dwindling. The solution is The Sleep. Inside a hibernating city, Ben struggles with his limited waking time and the disease stealing his wife from him. Watching over the sleepers, lonely janitor Peruzzi craves the family he never knew. Everywhere, dissatisfaction is growing. And the city is about to wake . . . “A haunting vision of the near-future with expert world-building and rich complex characters.” —Temi Oh, Alex Award–winning author of More Perfect “A challenging dystopia for our time.” —Aliya Whiteley, Arthur C. Clarke Award finalist and author of Skyward Inn

Eliza turned to Tomas "This is the end...he is no longer alive in a dead world."

Locked away in refrigerated vaults, sanitized by gas chambers, and secured within bombproof caverns deep under mountains are America's most prized materials: the ever-expanding collection of records that now accompany each of us from birth to death. This data complex backs up and protects our most vital information against decay and destruction, and yet it binds us to corporate and government institutions whose power is also preserved in its bunkers, infrastructures, and sterilized spaces. We the Dead traces the emergence of the data complex in the early twentieth century and guides readers through its expansion in a series of moments when Americans thought they were living just before the end of the world. Depression-era eugenicists feared racial contamination and the downfall of the white American family, while contemporary technologists seek ever denser and more durable materials for storing data, from microetched metal discs to cryptocurrency keys encoded in synthetic DNA. Artfully written and packed with provocative ideas, this haunting book illuminates the dark places of the data complex and the ways it increasingly blurs the lines between human and machine, biological body and data body, life and digital afterlife.