Once upon a time, fairies were the stuff of bedtime stories and sweet dreams. Then came the mutations, and the dre-ams became nightmares. Mosquito-size fairies now indulge their taste for human blood—and for most humans, a fairy bite means insanity or death. Luckily, Annabelle Lee isn’t most humans. The hard-drinking, smart-mouthed, bicycle-riding redhead is immune to fairy venom, and able to do the dirty work most humans can’t. Including helping law enforcement— and Cane Cooper, the bayou’s sexiest detective—collect evidence when a body is discovered outside the fairy-proof barricades of her Louisiana town. But Annabelle isn’t equipped to deal with the murder of a sixyear- old girl or a former lover-turned-FBI snob taking an interest in the case. Suddenly her already bumpy relationship with Cane turns even rockier, and even the most trust-worthy friends become suspects. Annabelle’s life is imploding: between relationship drama, a heartbreaking murder investigation, Breeze-crazed drug runners, and a few too many rum and Cokes, Annabelle is a woman on the run—from her past, toward her future, and into the arms of a darkness waiting just for her. . . .

When Alexa Williams agrees to spend four months doing lion research with boyfriend Reese, she looks forward to witnessing the elemental life and death struggle of the African wild. But she never imagines she'll become one of the hunted on the famed Okavango Delta. In the latest Alexa Williams suspense novel, the kick-ass lawyer tangles with elephant poachers and conservation politics on the African continent.

A TONIGHT SHOW SUMMER READS FINALIST An electrifying first novel from "a riveting new voice in American fiction" (George Saunders): A young woman returns to her childhood home in the American South and uncovers secrets about her father's life and death Billie James' inheritance isn't much: a little money and a shack in the Mississippi Delta. The house once belonged to her father, a renowned black poet who died unexpectedly when Billie was four years old. Though Billie was there when the accident happened, she has no memory of that day—and she hasn't been back to the South since. Thirty years later, Billie returns but her father's home is unnervingly secluded: her only neighbors are the McGees, the family whose history has been entangled with hers since the days of slavery. As Billie encounters the locals, she hears a strange rumor: that she herself went missing on the day her father died. As the mystery intensifies, she finds out that this forgotten piece of her past could put her in danger. Inventive, gritty, and openhearted, The Gone Dead is an astonishing debut novel about race, justice, and memory that lays bare the long-concealed wounds of a family and a country.

A hilarious guide to the intricate rituals, customs, and etiquette surrounding death in the South-and a practical collection of recipes for the final send-off. As author Gayden Metcalfe asserts, people in the Delta have a strong sense of community, and being dead is no impediment to belonging to it. Down south, they don't forget you when you've up and died-they may even like you better and visit you more often! But just as there is an appropriate way to live your life in the South, there is an equally essentially tasteful way of departing it-and the funeral is the final social event of your existence so it must be handled flawlessly. Metcalfe portrays this slice of American culture from the manners, customs, and the tomato aspic with mayonnaise that characterize the Delta way of death. Southerners love to swap tales, and Gayden Metcalfe, native of Greenville, MS, founder of the Greenville Arts Council and chairman of the St. James Episcopal Church Bazaar, is steeped in the stories and traditions of this rich region. She reminisces about the prominent family that drank too much and got the munchies the night before the big event-and left not a crumb for the funeral (Naturally some early rising, quick-witted ladies from the church saved the day, so the story demonstrates some solutions to potential entertaining disasters!). Then there was the lady who allocated money to have "Home on the Range" sung at the service, and the family that insisted on a portrait of their mother in her casket, only to refuse to pay for it on the grounds that "Mama looks so sad." Each chapter ends with an authentic southern recipe that will come in handy if you "plan to die tastefully", including Boiled Bourbon Custard; Aunt Hebe's Coconut Cake; Pickled Shrimp; Homemade Mayonnaise; and Homemade Rolls.

A rumination on survival, queer aging, and estrangement that was a finalist for the Republic of Consciousness Prize. My dead friends are back. I lie in bed at night and see them. Haunted by insomnia and the past as he approaches his fiftieth birthday, the narrator of My Dead Book flips through scenes of his youth and memories of dozens of friends who are no longer with him. Living alone and working odd jobs in Wisconsin, he ruminates on survival, queer aging, his years as a teenage throwaway, and estrangement, wondering whether he has outlived his place in the world. First published in 2021, Lippens’s debut novel was hailed as “a brutally acerbic novel of queer pessimism” (Donna Marcus, AnOther Magazine). As Lindsay Lerman observed in Southwest Review, “My Dead Book is not transgressive because it follows a gay man as he struggles to survive on the fringes of multiple worlds. … It is continually transgressing. It’s a living book (a living dead book), moving around in time, making tangential connections.” This new edition includes an introduction by LAMBDA Literary Award-winning American poet and writer, Eileen Myles.

Growing up, Molly Walling could not fathom the source of the dark and intense discomfort in her family home. Then in 2006 she discovered her father's complicity in the murder of two black men on December 12, 1946, in Anguilla, deep in the Mississippi Delta. Death in the Delta tells the story of one woman's search for the truth behind a closely held, sixty-year old family secret. Though the author's mother and father decided that they would protect their three children from that past, its effect was profound. When the story of a fatal shoot-out surfaced, apprehension turned into a devouring need to know. Each of Walling's trips from North Carolina to the Delta brought unsettling and unexpected clues. After a hearing before an all-white grand jury, her father's case was not prosecuted. Indeed, it appeared as if the incident never occurred, and he resumed his life as a small-town newspaper editor. Yet family members of one of the victims tell her their stories. A ninety-three-year-old black historian and witness gives context and advice. A county attorney suggests her family's history of commingling with black women was at the heart of the deadly confrontation. Firsthand the author recognizes how privilege, entitlement, and racial bias in a wealthy, landed southern family resulted in a deadly abuse of power followed by a stifling, decades-long cover up. Death in the Delta is a deeply personal account of a quest to confront a terrible legacy. Against the advice and warnings of family, Walling exposes her father's guilty agency in the deaths of Simon Toombs and David Jones. She also exposes his gift as a writer and creative thinker. The author, grappling with wrenching issues of family and honor, was long conflicted about making this story public. But her mission became one of hope that confronting the truth might somehow move others toward healing and reconciliation.

Who wants Lucy Kendall dead? After savvy undercover work leads her to an underground sex trafficking ring, Lucy is hell bent on bringing the operation down. But when her best lead is found dead, Lucy becomes the prime suspect in a murder she didn't commit-and finds herself on the run. As she races against the clock to find the real killer, Lucy struggles to control the growing darkness within her. Is a monster from the past Lucy's worst enemy, or will the blossoming evil in her own heart be her ultimate destruction?