What’s a rock star to do when his talent fails him and his career has withered and died? Fed up with never-ending humiliations, Dave Masters fakes his own death in an attempt to boost his record sales, walking away from an industry that turned its back on him. But what’s a dead rock star to do when he realises too late that he can’t live without the stage? Dave decides to set up as his own tribute act, and starts all over, soon discovering that building a new life isn’t as easy as he might have thought. Dead Man Singing is a rollercoaster ride through Dave’s posthumous life; his brushes with fans, lovers, rivals, stalkers, gangsters, the law and the most dangerous enemy of all – himself. Can he come out of the other side of death alive?

#1 NATIONAL BESTSELLER • A profoundly moving spiritual journey through our system of capital punishment and an unprecedented look at the human consequences of the death penalty • "Stunning moral clarity.” —The Washington Post Book World • Basis for the award-winning major motion picture starring Susan Sarandon and Sean Penn "Sister Prejean is an excellent writer, direct and honest and unsentimental. . . . She almost palpably extends a hand to her readers.” —The New York Times Book Review In 1982, Sister Helen Prejean became the spiritual advisor to Patrick Sonnier, the convicted killer of two teenagers who was sentenced to die in the electric chair of Louisiana’s Angola State Prison. In the months before Sonnier’s death, the Roman Catholic nun came to know a man who was as terrified as he had once been terrifying. She also came to know the families of the victims and the men whose job it was to execute—men who often harbored doubts about the rightness of what they were doing. Out of that dreadful intimacy comes a profoundly moving spiritual journey through our system of capital punishment. Here Sister Helen confronts both the plight of the condemned and the rage of the bereaved, the fears of a society shattered by violence and the Christian imperative of love. On its original publication in 1993, Dead Man Walking emerged as an unprecedented look at the human consequences of the death penalty. Now, some two decades later, this story—which has inspired a film, a stage play, an opera and a musical album—is more gut-wrenching than ever, stirring deep and life-changing reflection in all who encounter it.

Dead Men Singing – Remember the Alamo! H. Bedford-Jones turns his massive story-telling talents to the Texas Revolution and the Battle of the Alamo. One hundred years after the Texas Revolution, Henry Bedford-Jones penned this paean to the heroes of Texas Freedom, the defenders of the Alamo. The stories of Jim Bowie, Ben Milam and Davy Crockett are featured, along with James Fannin, William B. Travis and Sam Houston. Dead Men Singing – (1936) The Men Who Fought For Texas A Hundred Years Ago I. The Buffalo Hunter II. The Seventh Child III. The Jailbird IV. The Rifleman The Men Who Fought For Texas

Making it in Hell, says Bruce Jackson, is the spirit behind the sixty-five work songs gathered in this eloquent dispatch from a brutal era of prison life in the Deep South. Through engagingly documented song arrangements and profiles of their singers, Jackson shows how such pieces as "Hammer Ring," "Ration Blues," "Yellow Gal," and "Jody's Got My Wife and Gone" are like no other folk music forms: they are distinctly African in heritage, diminished in power and meaning outside their prison context, and used exclusively by black convicts. The songs helped workers through the rigors of cane cutting, logging, and cotton picking. Perhaps most important, they helped resolve the men's hopes and longings and allowed them a subtle outlet for grievances they could never voice when face-to-face with their jailers.

What's a rock star to do when his talent fails him and his career has withered and died? Fed up with never-ending humiliations, Dave Masters fakes his own death in an attempt to boost his record sales, walking away from an industry that turned its back on him.

An incessantly ringing cell phone in a quiet caf. A stranger at the next table who has had enough. And a dead man - with a lot of loose ends. So begins Dead Man's Cell Phone, a wildly imaginative new comedy by playwright Sarah Ruhl, recipient of a MacArthur ''Genius'' Grant and Pulitzer Prize finalist for her play The Clean House. A work about how we memorialize the dead - and how that remembering changes us - it is the odyssey of a woman forced to confront her own assumptions about morality, redemption, and the need to connect in a technologically obsessed world. Sarah Ruhl's plays have been produced at theaters around the country, including Lincoln Center Theater, the Goodman Theatre, Arena Stage, South Coast Repertory, Yale Repertory Theatre, Berkeley Repertory Theatre, among others, and internationally. She is the recipient of the Susan Smith Blackburn Prize (for The Clean House, 2004), the Helen Merrill Emerging Playwrights Award, and the Whiting Writers' Award. The Clean House was a Pulitzer Prize finalist in 2005. She is a member of 13P and New Dramatists.