Thirty-seven year old journalist, Connor Westphal, has relocated from San Francisco to Flat Skunk, a mining-turned-tourist town in the foothills of the Sierras, to start up her own weekly paper. Suddenly, dead bodies begin turning up in the most unusual places, setting Connor on a hunt for a killer. You might say Connor has a sixth sense when it comes to investigating...but she only has four of the usual five senses. Connor Westphal is deaf. But being hearing impaired doesn't stop Connor from pursuing the murderer. Without sound to distract her, she attends to subtleties that others overlook and ultimately unravels the mystery. From the Paperback edition.

For fans of Tess Gerritsen, Patricia Cornwell and Kathy Reichs comes a gripping debut thriller introducing Camden's most exciting new forensic investigator. **DON'T MISS CASSIE RAVEN'S NEWEST MYSTERY, DEAD FALL, AVAILABLE TO PRE-ORDER NOW!** 'SPELLBINDING STORYTELLING' VAL MCDERMID 'A FIRST-RATE CRIME NOVEL ... I LOVED IT' ELLY GRIFFITHS 'LIKE SILENT WITNESS BUT MUCH MORE BELIEVABLE' SUSI HOLLIDAY When the dead are silent, she will be their voice Mortuary technician Cassie Raven feels a special bond with the bodies in her care, but when somebody she loved turns up on her autopsy table, her job suddenly gets personal. Cassie's instincts are screaming foul play, but the police say it was an accident - and uptight detective Phyllida Flyte has no time for a tattooed morgue girl with attitude. But when Cassie is proved right, she and Flyte must work together to find a murderer - before Cassie ends up on the mortuary slab herself. Praise for Body Language: 'Blackly humorous, with a fabulously one-of-a-kind protagonist' Heat Magazine 'Ingenious and sardonically written' Financial Times '[A] gritty novel with an engaging heroine' Sunday Times 'A terrific, well-placed plot' Spectator 'Cassie Raven is a lot of fun to spend time with' Big Issue 'Excellent fun, compulsive and Cassie Raven is a protagonist I want to meet again soon' James Oswald 'Cassie Raven is a blast of fresh air, striding onto the crime scene like a punk superstar' Sarah Hilary 'Move over Silent Witness - Cassie Raven is an utterly compelling contemporary forensic heroine' Isabelle Grey 'A fresh and exciting new series' Claire McGowan 'One of the best series openers I've read in years' Jane Casey

Digte. Addresses race, class, sexuality, faith, social justice, mortality, and the challenges of living HIV positive at the intersection of black and queer identity

Speaking for the Dead is an incisive examination of the highly topical and often controversial issues surrounding the use of human cadavers in scientific research. Fully revised and updated to include recent developments in this area, this new edition incorporates the repeated organ scandals in the UK, body parts scandals in the United States, and the abuses of bodies in China. The book provides new material on neuroimaging, neuroethics and Alzheimer's disease and the major ethical issues they raise for society, in addition to discussing plastination in the form of BodyWorlds types of exhibitions. As human anatomists and bioethicists, the authors offer a unique perspective on these issues, crossing the boundaries between clinical, medical, legal and ethical concerns. Their exploration of both historical and contemporary data results in a clear and comprehensive examination of issues at the forefront of bioethics. With its clear writing style and use of non-technical language Speaking for the Dead will be an essential book for all those interested in bioethics, an area which continues to increase in significance with the development of new techniques for the manipulation of human cadavers. As human anatomists and bioethicists, the authors offer a unique perspective on these issues, crossing the boundaries between clinical, medical, legal and ethical concerns. Their exploration of historical developments as well as their analyses of recent case studies result in a pertinent and comprehensive examination of issues at the forefront of bioethics.

In this delightfully infectious novel of love and intrigue, Leslie Glass puts a sly and sexy spin on two of life’s most devastating certainties: death and taxes. Cassandra Sales is a woman with a gift for nurturing things—her husband, the successful wine importer; her two adult children; the fabulous flowers in her garden. After twenty-six years of marriage, however, Cassie’s husband, Mitch, is spending more time skipping abroad than remaining at home with her. Tired of being a modest Long Island housewife who can’t even remember what it’s like to be kissed, Cassie has a face-lift to recapture her youthful allure. The surprise for her husband goes awry when Mitch returns home early from a business trip. When he sees the post-op horror show, he collapses on the spot. The resulting coma may spare Mitch from the tax audit he’s facing, but Cassie is forced to step in and research the facts of her own life. What she discovers about Mitch and the family business shocks her to the core: her “loving” husband was preparing to divorce her, swindle her out of tons of money, and run off with another woman. As Cassie recuperates, she realizes what she’s after is revenge. Big time. But she soon learns that the road to retribution can lead to unforeseen and often deadly complications. In Over His Dead Body, Leslie Glass blends supreme suspense and warm-hearted romantic comedy into a perfect mélange that is as inevitable as. . . death and taxes.

New York Times bestselling author Dan Wells continues his popular John Wayne Cleaver series in Over Your Dead Body. John and Brooke are on their own, hitchhiking from town to town as they hunt the last of the Withered through the midwest--but the Withered are hunting them back, and the FBI is close behind. With each new town, each new truck stop, each new highway, they get closer to a vicious killer who defies every principle of profiling and prediction John knows how to use, and meanwhile Brooke's fractured psyche teeters on the edge of oblivion, overwhelmed by the hundreds of thousands of dead personalities sharing her mind. She flips in and out of lucidity, manifesting new names and thoughts and memories every day, until at last the one personality pops up that John never expected and has no idea how to deal with. The last of Nobody's victims, trapped forever in the body of his last remaining friend. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

In 1846, Edgar Allen Poe wrote that 'the death of a beautiful woman is, unquestionably, the most poetic topic in the world'. The conjuction of death, art and femininity forms a rich and disturbing strata of Western culture, explored here in fascinating detail by Elisabeth Bronfen. Her examples range from Carmen to Little Nell, from Wuthering Heights to Vertigo, from Snow White to Frankenstein. The text is richly illustrated throughout with thirty-seven paintings and photographs. The argument that this book presents is that narrative and visual representations of death can be read as symptoms of our culture and because the feminine body is culturally constructed as the superlative site of "other" and "not me", culture uses art to dream the deaths of beautiful women.