In this first special collection celebrating TV phenomenon Buffy the Vampire Slayer, delve deep into the mythology of the Slayers, the Watchers, and those who have supported them throughout their dangerous calling. Featuring cast interviews, behind-the-scenes secrets from the writers, plus a host of enthralling features, this is an essential read for Buffy fans old and new. (Features content previously published in the official Buffy the Vampire Slayer Magazine.)

For the uninitiated the author has obligingly supplied a definition for the slasher/splatter film: "Any motion picture which contains scenes of extreme violence in graphic and grisly detail...." For those film viewers who think this is a good thing and are more likely to select The Texas Chainsaw Massacre than The Remains of the Day, or for those who are not quite sure but are nevertheless drawn to the phantasmagoric, or for those horrified by gratuitous violence and blood for blood's sake but are researching this filmic phenomenon, this reference book provides all the gory details. From At Midnight I'll Take Your Soul Away to Zombie 2: The Dead Are Among Us, this book is an exhaustive study of the splatter films of the 1960s and 1970s. After a history of the development of the genre, the main meat of the book is a filmography. Each entry includes extensive credits, alternate names and foreign release titles; availability of the film on videocassette; availability of soundtracks and film novelization; and reviews. Extensive cross-referencing is also included.

This book will explain why the earth we live on very well could be the actual location of hell. Wouldn’t it be frustrating to get to heaven and find out that the earth was the location of hell all along? Think of all the things we could do to better enjoy our time here if we had only known. By accepting that earth is the real hell, many people might find it emotionally liberating. Now you know why you’ve had to suffer through so much as an occupant of this planet. Now you know why years of positive thinking and optimism has still also lead to a surprising amount of pain, sadness and disappointment. What activities can you involve yourself in to make your time here in hell more constructive? Two bonus ebooks are included in this ebook. In this ebook you also get: 1. The Ultimate Collection of Resurrections and Rebirths This easy to read book could be the largest list of famous historical religious (and other) figures that throughout mankind's recorded history, are said to also have had resurrections and/or rebirths. Most of these figures were famous in some part of the world prior to the time of Jesus Christ. Concise refresher information on Christianity is included. 2. The Ultimate Collection of Famous Virgin Births This easy to read book is likely the largest list of famous historical religious (and other) figures that throughout mankind's recorded history, are said to also have had virgin/miraculous births. Most of these figures were famous in some part of the world prior to the time of Jesus Christ. A list is also presented of famous and noteworthy religious and mythical figures that are said to share the December 25th birthday. All your ebooks are presented in this order: 1) Hell is Actually Life Here on Earth: Arguments for and Reasons Why 2) 100+ Famous Figures with Virgin Births and/or December 25th Birthdays Prior to Jesus Christ 3) The Big List of Famous Resurrections and Rebirths

In the 1980s a group of entrepreneurs in Ghana created small-scale, mobile film-distribution empires, hitting the road with videocassettes, television monitors, portable gas-powered generators and rolled-up, hand-painted, artist-signed canvas posters. This new medium created the first opportunity for some of the best young painters in Ghana to express themselves on a public scale. In the frequent absence of an original image upon which to base the work they had been commissioned to produce, the artists inevitably created cinematic paintings that were largely interpretive and imagination-driven. In the book's four major essays, author Ernie Wolfe III recounts the rise and fall of the mobile cinema tradition, while noted African art scholar Roy Sieber follows two-dimensional art in Africa from rock paintings in the Sahara to contemporary manuals, wall paintings, and barber board paintings as well as the canvas movie posters themselves; Paul Hayes Tucker compares the phenomenon to 19th century European utility-based painting; and poet and art critic John Yau contributes the perspective of an American art historian. In addition, Hollywood film notables such as horror auteur Clive Barker, actor LeVar Burton, actress Anjelica Huston, and director Gus Van Sant contribute chapter introductions.

Through a set of vibrant case studies, this collection investigates rebooting as a practice that seeks to remake an entire film series or franchise, with ambitions that are at once respectful and revisionary.

Ever since horror leapt from popular fiction to the silver screen in the late 1890s, viewers have experienced fear and pleasure in exquisite combination. Wheeler Winston Dixon's fully revised and updated A History of Horror is still the only book to offer a comprehensive survey of this ever-popular film genre. Arranged by decades, with outliers and franchise films overlapping some years, this one-stop sourcebook unearths the historical origins of characters such as Dracula, Frankenstein, and the Wolfman and their various incarnations in film from the silent era to comedic sequels. In covering the last decade, this new edition includes coverage of the resurgence of the genre, covering the swath of new groundbreaking horror films directed by women, Black and queer horror films, and a new international wave in body horror films. A History of Horror explores how the horror film fits into the Hollywood studio system, how the distribution and exhibition of horror films have changed in a post-COVID world, and how its enormous success in American and European culture expanded globally over time. Dixon examines key periods in the horror film-in which the basic precepts of the genre were established, then banished into conveniently reliable and malleable forms, and then, after collapsing into parody, rose again and again to create new levels of intensity and menace. A History of Horror, supported by rare stills from classic films, brings over sixty timeless horror films into frightfully clear focus, zooms in on today's top horror Web sites, and champions the stars, directors, and subgenres that make the horror film so exciting and popular with contemporary audiences.

In 1968, George Romero's film Night of the Living Dead premiered, launching a growing preoccupation with zombies within mass and literary fiction, film, television, and video games. Romero's creativity and enduring influence make him a worthy object of inquiry in his own right, and his long career helps us take stock of the shifting interest in zombies since the 1960s. Examining his work promotes a better understanding of the current state of the zombie and where it is going amidst the political and social turmoil of the twenty-first century. These new essays document, interpret, and explain the meaning of the still-budding Romero legacy, drawing cross-disciplinary perspectives from such fields as literature, political science, philosophy, and comparative film studies. Essays consider some of the sources of Romero's inspiration (including comics, science fiction, and Westerns), chart his influence as a storyteller and a social critic, and consider the legacy he leaves for viewers, artists, and those studying the living dead.