Eisner and Harvey award-winner James Jean showcases his emblematic body of work on cover images from Batgirl, Green Arrow, Batman and his Sandman Overture variant cover. His art defies genres and categories but a fine artist like James Jean strives for excellence in eveything he creates and this DC portfolio collection perfectly captures that. Poster portfolio of 20 James Jean cover images from his artistic contributions to Batgirl, Green Arrow, Batman and Sandman Overture.

As the first book in an all-new DC series, DC Poster Portfolio: Stanley "Artgerm" Lau showcases art of one of most revered artists of our time. DC spotlights top cover artists with the new Poster Portfolio series, starting with superstar cover illustrator Stanley "Artgerm" Lau! This collection includes 20 of Artgerm's most memorable DC covers starring Supergirl, Catwoman, Batman, Wonder Woman and more!

Visitors and locals alike will love this book of whimsical sketches of Vancouver, British Columbia, accompanied by thoughtful observations and snippets of overheard conversations. Take a tour of Vancouver's sights and sidewalks with Emma FitzGerald's hand-drawn impressions of her hometown, a city filled with stories--funny, surprising, and sometimes dark--amidst the cherry blossoms, beaches, and forests. Included are more than 100 sketches completed on location that, together, capture the essence of Vancouver. From Stanley Park's seawall to Kitsilano's salt-water swimming pool, and East Van's first craft brewery to the ferries in Horseshoe Bay, Hand Drawn Vancouver is a love letter to this beautiful and iconic city.

The follow-up to last year's popular poster collection, DC Poster Portfolio: Stanley "Artgerm" Lau showcases a wider selection of art by one of the most revered artists of our time. DC Comics presents the artwork of illustrator Stanley "Artgerm" Lau, featuring 20 of his most stunning pieces starring some of the greatest superheroes and super-villains in comics history. Featuring favorites from Wonder Woman to Supergirl and Harley Quinn, the art collected in this poster book showcase is perfect for framing and display.

A funny, colorful, fascinating tour through the work and life of one of today’s most influential graphic designers. Esquire. Ford Motors. Burton Snowboards. The Obama Administration. While all of these brands are vastly different, they share at least one thing in com­mon: a teeny little bit of Aaron James Draplin. Draplin is one of the new school of influential graphic designers who combine the power of design, social media, entrepreneurship, and DIY aesthetic to create a successful business and way of life. Pretty Much Everything is a mid-career survey of work, case studies, inspiration, road stories, lists, maps, how-tos, and advice. It includes examples of his work—posters, record covers, logos—and presents the process behind his design with projects like Field Notes and the “Things We Love” State Posters. Draplin also offers valuable advice and hilarious commentary that illustrates how much more goes into design than just what appears on the page. With Draplin’s humor and pointed observations on the contemporary design scene, Pretty Much Everything is the complete package.

This collection of over 140 curated posters by the revolutionary graphic artist Seymour Chwast provides context and insight into not only his five-decade career, but the poster genre itself. Since founding Push Pin Studios alongside Milton Glaser and Edward Sorel in the 1950s, Chwast's posters have been widely celebrated for their combination of subversive style and strong political satire. His caustic humor, graphic hand, and visual commentary cleverly synthesize in a way that is both wry and immediately understandable. Posters are arranged by type--Causes, Commerce, Information, Exhibits, and Lectures--rather than chronology, which, along with the large format, invites readers to engage thematically with the designs. Commentary on each poster makes this a valuable resource for students, educators, historians, and all who appreciate the unique ability of posters to subvert notions of popular culture, politics, and design at once. Essays by Shepard Fairey and Steven Heller contextualize Chwast's impact on 20th-century design.