Acclaimed historian Gerald Horne troubles America's settler colonialism's "creation myth" August 2019 saw numerous commemorations of the year 1619, when what was said to be the first arrival of enslaved Africans occurred in North America. Yet in the 1520s, the Spanish, from their imperial perch in Santo Domingo, had already brought enslaved Africans to what was to become South Carolina. The enslaved people here quickly defected to local Indigenous populations, and compelled their captors to flee. Deploying such illuminating research, The Dawning of the Apocalypse is a riveting revision of the “creation myth” of settler colonialism and how the United States was formed. Here, Gerald Horne argues forcefully that, in order to understand the arrival of colonists from the British Isles in the early seventeenth century, one must first understand the “long sixteenth century”– from 1492 until the arrival of settlers in Virginia in 1607. During this prolonged century, Horne contends, “whiteness” morphed into “white supremacy,” and allowed England to co-opt not only religious minorities but also various nationalities throughout Europe, thus forging a muscular bloc that was needed to confront rambunctious Indigenes and Africans. In retelling the bloodthirsty story of the invasion of the Americas, Horne recounts how the fierce resistance by Africans and their Indigenous allies weakened Spain and enabled London to dispatch settlers to Virginia in 1607. These settlers laid the groundwork for the British Empire and its revolting spawn that became the United States of America.

2004 Christy Award finalist! From the decks of U.S. Navy carriers patrolling the Mediterranean to Fort Benning, Georgia, and the dusty sands of the Turkish-Syrian border, this new suspense thriller runs side by side with the phenomenal series that has sold more than 50 million copies. New characters and situations are added to those from the already explosive Left Behind series to raise the tension to a fever pitch. With technical accuracy from the same people who create best-selling military thrillers, this new series will satisfy the fans of the original Left Behind series who are looking for more.

Chaos' latest game is positively epic. Just look at the trailer: the hero Bastion Axestone striding through the city streets, fireballs exploding around him and zombies staggering in his wake. Seb can't wait to play it. He downloads the works. Explosive effects, 3D upgrade, heavy metal soundtrack and a subliminal quotient--whatever that is. But the next day, Seb and his friends wake up to an apocalypse. Their teachers are missing in action, coach doesn't come to practice, and Seb's dad spends all day in his pyjamas. Even worse, not only has Mum not been in to work, she hasn't bothered to brush her teeth. It's beginning to look as if every grown-up in Bridgetown--possibly the entire world--has been zombified. They're obsessed with their personal electronic devices and it's all Seb's fault because he's the one who downloaded the game in the first place. Now, he has to fix it. But how? It's not as if he can un-download the game. Along with his best mate, Darren, and Talia, The Prettiest Girl in School, Seb has to figure out how to reverse the effect of the computer virus. But in the meantime, the zombies need feeding, Seb's little sister, Ava, needs minding, and someone has to walk the dog...

In challenging both traditional and contemporary notions of the nature and history of the Biblical apocalyptic literature, Professor Hanson begins by saying that the origins of apocalyptic cannot be explained by a method which juxtaposes seventh and second century compositions and then proceeds to account for the features of the latter by reference to its immediate environment. "The apocalyptic literature of the second century and after is the result of a long development reaching back to pre-exilic times and beyond, and not the new baby of second century foreign parents. Not only the sources of origin, but the intrinsic nature of late apocalyptic compositions can be understood only by tracing the centuries-long development through which the apocalptic eschatology developed from prophetic and other even more archaic native roots."In this ground breaking study, Professor Hanson focuses on one strand which can be seen running through the heart of many of the so-called apocalyptic works, the strand of apocalyptic eschatology. He seeks to demonstrate that the rise of apocalyptic eschatology is neither sudden nor anomalous, but follows the pattern of an unbroken development from preexilic and exilic prophecy.

" ... Across the globe the final bastions of humanity hang on by a thread. In Europe the last great fortified town is besieged by the largest zombie horde that has been seen since the outbreak ... In the United States, after being forced from their homes many years before, the survivors of the town of Babylon lead a nomadic lifestyle and have reached Mexico ... In the southern hemisphere the Flotilla has fought and struggled for ten years but it is now time for them to settle down. After making contact with a new community they decide to risk it all in one last gamble ..."--Page 4 of cover.

DAWN OF THE APOCALYPSE gathers the pinnacle of speculative fiction to explore end times across diverse landscapes, from the desolate to the dystopian. It stitches a rich tapestry of literary approaches, ranging from the classic gothic horror of Edgar Allan Poe to the socio-political dystopias envisioned by Ayn Rand and H.G. Wells, and the unique utopian perspective of Edward Bellamy. The anthology thrives on its variety, not just in the cataclysmic events it portrays but also in the myriad ways these events are perceived and interpreted by its characters. Key pieces within this collection stand as milestones in the science fiction genre, framing apocalyptic and post-apocalyptic narratives as lenses through which we critique and comprehend contemporary societal fears. The authors, both pioneers, and craftsmen of their time, come from a broad spectrum of backgrounds, each contributing to the anthology's overarching theme with their unique flavor of apocalypse. These writers are not just storytellers but visionaries who collectively paint a multifaceted picture of humanity at the brink. They belonged to and were influenced by a range of historical, cultural, and literary movements, from the romanticism and transcendentalism of the 19th century to the early 20th century's modernism and the budding science fiction genre. Their combined works offer a historical capsule of societal anxieties and hopes, reflecting on themes of human resilience, the abuse of technology, and the moral dilemmas of progress. DAWN OF THE APOCALYPSE is an essential collection for readers eager to dive into the depths of human imagination faced with its own end. It offers an unparalleled opportunity to traverse the vast landscapes of apocalyptic fiction through the eyes of some of the most influential authors in literary history. This anthology not only serves as an academic goldmine for those studying the evolution of speculative fiction and its impact on society but also provides a timeless reflection on humanity's perennial concerns with its own survival and legacy. Readers are invited to witness the end of worlds not just as an exercise in literary exploration but as a mirror to our collective psyche across generations.

What would you do if you were seemingly the last survivor on earth?When everyone around him inexplicably collapses as they go about their day, Mike Proctor is faced with this very question. Driven by a desire to push on in the memory of his wife and daughter, he has a vision. A vision to build a safe haven for the thousands of survivors he hopes are out there, but when they fail to materialise, he must re-evaluate his own existence.As time moves on, a small band of survivors build what they think is a future, but unforeseen events only serve to hinder their progress. One mans obsession threatens to derail their efforts before their journey has really begun, and when disaster strikes, all their lives are at risk.Is it really possible to find something resembling happiness when life as you knew it has crumbled?