**SHORTLISTED FOR ADVENTURE TRAVEL BOOK OF THE YEAR, 2018 EDWARD STANFORD AWARD** A thrilling and dangerous adventure through Arunachal Pradesh, one of the world's least explored places. 'A fabulously thrilling journey through a beguiling land' Joanna Lumley 'With tremendous verve and determination Antonia plunges through an extraordinary world. Thank heavens she survived to tell this vivid and thoughtful tale' Ted Simon, author of Jupiter's Travels 'A tale of delight and exuberance - and one I'd thoroughly recommend. Bolingbroke-Kent proves a great travelling companion - compassionate, spirited and with a sharp eye for human oddity' Benedict Allen, author of Edge of Blue Heaven and Into the Abyss 'A transformative journey that gripped me from the very first page' Alastair Humphreys, author of The Boy Who Biked the World and Microadventures 'Remote, mountainous and forbidding, here shamans still fly through the night, hidden valleys conceal portals to other worlds, yetis leave footprints in the snow, spirits and demons abound, and the gods are appeased by the blood of sacrificed beasts' A mountainous state clinging to the far north-eastern corner of India, Arunachal Pradesh - meaning 'land of the dawn-lit mountains' - has remained uniquely isolated. Steeped in myth and mystery, not since pith-helmeted explorers went in search of the fabled 'Falls of the Brahmaputra' has an outsider dared to traverse it. Antonia Bolingbroke-Kent sets out to chronicle this forgotten corner of Asia. Travelling some 2,000 miles she encounters shamans, lamas, hunters, opium farmers, fantastic tribal festivals and little-known stories from the Second World War. In the process, she discovers a world and a way of living that are on the cusp of changing forever. 'A beautifully written, exciting and revealing book that harks back to a golden age of travel writing' Lois Pryce, author of Revolutionary Ride

Dawnland Voices calls attention to the little-known but extraordinarily rich literary traditions of New England’s Native Americans. This pathbreaking anthology includes both classic and contemporary literary works from ten New England indigenous nations: the Abenaki, Maliseet, Mi’kmaq, Mohegan, Narragansett, Nipmuc, Passamaquoddy, Penobscot, Schaghticoke, and Wampanoag. Through literary collaboration and recovery, Siobhan Senier and Native tribal historians and scholars have crafted a unique volume covering a variety of genres and historical periods. From the earliest petroglyphs and petitions to contemporary stories and hip-hop poetry, this volume highlights the diversity and strength of New England Native literary traditions. Dawnland Voices introduces readers to the compelling and unique literary heritage in New England, banishing the misconception that “real” Indians and their traditions vanished from that region centuries ago.

FREE How far will a person go to gain freedom? When Samuel Bellamy, an enigmatic Englishman on the run from the Crown, seeks refuge in Eastham, Massachusetts, the life of Maria Hallett begins to tragically unravel. Stepping outside the boundaries of her pious and unforgiving Puritan community, she faces censure and judgement from her family and church. Eventually Maria is pushed to the limits of her sanity when a trusted, childhood friend betrays her in the most heinous and violent of ways. Based on the true story of pirate “Black Sam” Bellamy, The Hummingbird and the Sea is a powerful tale of love, faith, hidden passions and the eternal search for freedom. Perfect for fans of Outlander and Hour of the Witch.

The time is ten thousand years ago and the place is the shores of Lake Champlain, a land inhabited by Abenaki communities who hunt, gather, and follow the cycles of their unspoiled natural world in relative harmony. Joseph Bruchac, a nationally renowned storyteller and writer of Native American tales, uses this setting not just to spin a compelling adventure yarn but also to re-create with grace, fullness, and clarity the cultural, social, and spiritual systems of these pre-contact Native Americans. In this third novel of his trilogy about the "people of the dawnland," the lake they call Petonbowk -- "the waters between" Vermont's Green Mountains and New York's Adirondacks -- holds both sustenance and danger, and Young Hunter, the "young, broad-shouldered man whose heart was good for all the people," is called upon to confront a dual menace. A "deepseer" or shaman, he must use his full powers first to comprehend the threats and then to defeat them. The lake, it seems, holds a huge water-snake monster that makes it impossible to reap the waters' bountiful harvest of fish and game. And, worse, a tortured outcast, Watches Darkness, has turned against his tribe and is using his deepseer's knowledge to perpetrate horrible acts of senseless evil: he destroys whole villages out of sheer malevolence; he literally eats his victims' hearts to absorb their powers; he kills his own grandmother without remorse. As the tension between hunter and hunted mounts, Bruchac seamlessly weaves stories within the story, the lore that connects the people to each other and to their heritage, so that the novel becomes not just an archetypal battle of good versus evil but a vivid depiction of traditional New England Indian culture in pre-Columbian times. Richly atmospheric, resonant with Native American spirituality, melodious with the rhythms of the Abenaki language, The Waters Between paints both an epic quest and a colorful portrait of "the lives of people living as human beings were told to live by the Talker. Never perfect, often failing, but always growing, always part of something larger than themselves, their varied heartbeats meshing together to make the one great, healthy heartbeat which was the Only People."

"Examination of the post-WWII international phenomenon of governments legally taking indigenous children away from their primary families and placing them with adoptive parents in the U.S., Canada, and Australia"--