“Litt is a funny and skillful storyteller… While the first half of the book is enjoyable, the second half is masterly, rising to a crescendo that is as rousing as, well, a particularly inspiring campaign speech.” — New York Times Book Review “Graceful, instructive, wry speechwriter memoirs like Litt’s are the exception rather than the norm. . . . Thanks, Obama will join the ranks of lasting works about the texture of political life, and of coming-of-age accounts by staffers who grow up personally and politically at the same time.” — The Atlantic “His time [in the White House] was as ‘hopey changey’ as advertised—with a little bit of absurdity and humor added into the mix.” — Elle, Best of the Month “Serve[s] as a more devastating indictment of the current administration than a campaign-style book ever could . . . limber, funny and illuminating.” — New Republic “Highly entertaining . . . much more than a scrapbook of Beltway gossip and Obama idolatry.” — Pacific Standard “Irresistibly charming . . . Litt minted his star converting world affairs into jokes. The translation of satire back to sincerity is trickier to pull off, and lands with its own undeniable grace.” — Slate “Litt is a skilled storyteller with a keen sense of humor and unique experiences and insight to draw upon.” — Bustle “Litt also offers both humor and optimism, two things many of us sorely need these days.” — Bustle, Best of the Month “What Litt understands and what Thanks, Obama makes clear may very soon be forgotten: The finest presidential speeches can heal the nation.” — Paste Magazine “A thoughtful and funny account of life as a minnow surrounded by Washington’s self-important whales . . . ranks with other classics from former White House speechwriters, such as Peggy Noonan’s What I Saw at the Revolution.” — USA Today, *** 1/2 “Funny and unexpectedly moving . . . a powerful reminder that true fulfillment can come from wielding even the smallest bit of influence on behalf of those who have none.” — Washington Monthly “A fast, funny ride through the halls of power.” — Kirkus “Veering between tragedy and comedy, between self-doubt and hubris, Litt vividly recreates a period during which he saw his words sometimes become the words of a nation.” — Publishers Weekly “By turns moving and hilarious, David Litt’s rollicking account of his journey from campaign field grunt to presidential speechwriter is an irresistible read.” — David Axelrod, former Senior Advisor to Barack Obama and author of Believer: My Forty Years in Politics “David Litt has done the impossible: written a smart, insightful, and funny White House memoir you don’t have to be a political junkie to love. Even better, he takes us back to a saner more compassionate time when our president liked to read.” — Judd Apatow “Terrific—part first-hand story about being inspired by a cultural icon, part how-to manual for getting involved in politics and making change. Thanks, Obama is a hysterical, pithy, and heartfelt trip down memory lane. And boy, do we need it.” — Keegan-Michael Key “David Litt is brilliant. I’ve gotten to witness firsthand some of the work he did for President Obama at past White House Correspondents Dinners and it’s always intelligent, razor sharp and hilarious.” — Billy Eichner “An outstanding, hilarious, and precise memoir . . . I laughed again and again. This is an excellent account of what it felt like to work for the Second to Last President of The United States.” — John Mulaney, co-creator and star of Oh, Hello “Don’t be fooled by the self-deprecating narrator, this portrait of a young speechwriter is filled with wit, wisdom, and a loving touch. David’s labors remind of us a not-so-distant past when words mattered. If I was a simpleton and a book critic, I’d say thumbs up.” — Matt Walsh, HBO’s Veep “David Litt is a natural storyteller and an absolute joy.” — Tig Notaro, author of I’m Just a Person “Thanks, Obama is a wonderful book for the same reasons David Litt’s speeches for the White House were wonderful: it’s well-written, it’s funny, it tells us exactly what we’re curious about, and. . . it reminds us that a great president galvanizes not only his staff but his country.” — Anne Fadiman, author of Ex Libris “Funny and warm, David Litt knows how to make people laugh regardless of their political affiliation.” — Mike Birbiglia, author of Sleepwalk With Me: And Other Painfully True Stories “A magnificent memoir on the Obama presidency. You’ll walk away with another kind of hope that’s needed now more than ever: the belief that a government can actually do some good.” — Adam Grant, author of Originals and coauthor of Option B “A talented (and very funny) speechwriter, David will make you laugh. He’ll make you miss Obama more than you do already. Most of all, he’ll renew your faith in the politics of hope.” — Stephanie Cutter, former deputy campaign manager for Barack Obama

Anyone can play an important part in creating a more welcoming work environment. If you work in a male-dominated workplace, then use this book to learn how to better welcome and recruit women coworkers. Outcomes:After reading this book, you will be able to... Minimize gender-specific communication issues. Identify what to do today to attract and retain female hires in the upcoming weeks. Recognize, reduce, and prevent inappropriate behavior by men on your team. Develop a list of specific actions to make your organization an amazing place for women to work. Relate better to women's experiences at work, which will help you become a well-respected leader of men and women alike. Book Contents: Part One provides an overview of challenges women have faced - and continue to face - in the US workforce. This section includes research about the history of women in the US workforce. It also includes scenarios, transcripts, and quotes derived from interviews with engineers and academic research. Part Twoprovides ten specific lessons about how you can improve your workplace for women. These action-based lessons (e.g. Maintain Appropriate Intimacy) will help you build a checklist of things you can do this week to improve.

STORIES FROM THE FIRST NAME IN SCIENCE FICTION AND FANTASY! Fifteen stories spanning the SF/F genres—all by a David. Includes stories by David Drake, David Weber, Gregory Benford & David Brin, D.J. Butler—and more! Science Fiction and Fantasy with Maximum Dave The history of science fiction and fantasy is littered with stories by Davids of distinction. Now, for the first time, an anthology by people named David, for everyone. Read along as editor David Afsharirad guides you through the strange, wonderous imaginations of the great Davids of the field, past and present. Fifteen tales by David Weber, David Drake, Gregory Benford & David Brin, David B. Coe, D.J. Butler, Avram Davidson, David H. Keller, and many more. Herein you will find: a Depression-era magic man who comes face-to-face with an ancient evil. A once-promising filmmaker whose fate depends on a movie-producing AI. A shape-shifting detective on the trail of a pack of werewolves. A sentient tank who must confront one of its own. And a diner regular who gets more than he bargained for when he orders the soup du jour. Featuring David-inspired cover art by celebrated artist David Mattingly, The Chronicles of Davids delivers maximum Dave! Remember: with a name like David, it has to be good! Contributors: David Weber David Drake D.J. Butler Gregory Benford & David Brin David B. Coe Barry N. Malzberg Dave Freer Avram Davidson D.L. Young David Boop Hank Davis Dave Bara David H. Keller David Carrico David Hardy At the publisher's request, this title is sold without DRM (Digital Rights Management). About The Chronicles of Davids: “Afsharirad brings together some of the genre's most beloved authors with David as their first name in a collection that covers time travel…space opera…AI trouble.. and military sf…a fun collection of imaginative Davids.”—Booklist About The Year’s Best Military and Adventure Science Fiction series, edited by David Afsharirad: “Baen’s fan-guided anthology series roars into its second year with a collection of stories just as eclectic as the first. . . . Afsharirad has put together a refreshing military and SF anthology that will be enjoyed by a wide range of readers.”—Publishers Weekly (starred review) “This intriguing anthology explores the human race’s violent potential [but] also bends toward exploration and the triumph of the human spirit, with brave tales [that] take the reader on a fascinating, thought-provoking, enjoyable journey . . . ”—Publishers Weekly (starred review) “[A] nice eclectic mix of magazines—hardcopy and digital—and original anthologies. Afsharirad seems to have cast his nets admirably wide. . . . The variety of styles and topics and themes, and the high level of craft in this assemblage, prove that this subgenre is flourishing. . . . [The collection] should be welcome by raw recruits and veterans alike.”—Locus

David Sedaris, the “champion storyteller,” (Los Angeles Times) returns with his first new collection of personal essays since the bestselling Calypso Back when restaurant menus were still printed on paper, and wearing a mask—or not—was a decision made mostly on Halloween, David Sedaris spent his time doing normal things. As Happy-Go-Lucky opens, he is learning to shoot guns with his sister, visiting muddy flea markets in Serbia, buying gummy worms to feed to ants, and telling his nonagenarian father wheelchair jokes. But then the pandemic hits, and like so many others, he’s stuck in lockdown, unable to tour and read for audiences, the part of his work he loves most. To cope, he walks for miles through a nearly deserted city, smelling only his own breath. He vacuums his apartment twice a day, fails to hoard anything, and contemplates how sex workers and acupuncturists might be getting by during quarantine. As the world gradually settles into a new reality, Sedaris too finds himself changed. His offer to fix a stranger’s teeth rebuffed, he straightens his own, and ventures into the world with new confidence. Newly orphaned, he considers what it means, in his seventh decade, no longer to be someone’s son. And back on the road, he discovers a battle-scarred America: people weary, storefronts empty or festooned with Help Wanted signs, walls painted with graffiti reflecting the contradictory messages of our time: Eat the Rich. Trump 2024. Black Lives Matter. In Happy-Go-Lucky, David Sedaris once again captures what is most unexpected, hilarious, and poignant about these recent upheavals, personal and public, and expresses in precise language both the misanthropy and desire for connection that drive us all. If we must live in interesting times, there is no one better to chronicle them than the incomparable David Sedaris.

From the show's modest beginnings to its massive Emmy sweep, You Are My Happy Ending tells the story of how Schitt’s Creek became the surprise hit that changed the way we think about LGBTQ relationships. Cultural analyst Emily Garside shows how this series fused classic romcom and sitcom tropes to create a world with a queer love story at its core, starting with Daniel Levy, the co-creator who plays David. She examines the show’s Canadian identity and its diverse incorporation of references from literature (Brideshead Revisited) to cinema (Hitchcock’s The Birds), as well as numerous romantic comedy texts. Schitt’s Creek is an homage to all these elements of the past literary and cinematic canon while also creating an important contemporary narrative of its own. Most importantly, Garside delves into the references to queer icons and culture—from Cabaret to drag. How did this supposedly light comedy embrace an activist perspective? And how does it use (and subvert) its romantic-comedy genre in order to make that activism even more powerful? Combining a fan's affection with a scholar's insight, Garside explains how this “little show that could” is the product of a long history of queer activism, breaking down barriers and marking a turning point in future representation of LGBTQ stories.