David Jones: A Christian Modernist? is a major reassessment of the work of the poet, artist and essayist David Jones (1895-1974) in light of the complex, ambiguous idea of a ‘Christian modernism’. His richly experimental and palimpsestic poetry, art and thought drew extensively on Christian tradition and symbolism as a key to the future: rejecting a technocratic and utilitarian modernity in favour of a revitalised culture of sign and sacrament. This volume examines historical influences on Jones’s development, his impassioned engagement with the idea of modernity and with modernist literature and art, the theological sources and resonances of his work, and contemporary or late-modern perspectives on his achievement.

Robichaud charts the growth of Jones's medievalism from his earliest Pre-Raphaelite influences, showing how his commitment to modernist aesthetics transformed his vision of the Middle Ages.

The first full biography of a neglected genius and one of the great Modernists, lavishly illustrated in colour throughout ‘I would like to have done anything as good as David Jones has done’ Dylan Thomas As a poet, visual artist and essayist, David Jones is one of the great Modernists. The variety of his gifts reminds us of Blake – though he is a better poet and a greater all-round artist. Jones was an extraordinary engraver, painter and creator of painted inscriptions, but he also belongs in the first rank of twentieth-century poets. Though he was admired by some of the finest cultural figures of the twentieth century, David Jones is not known or celebrated in the way that Eliot, Beckett or Joyce have been. His work was occasionally as difficult as theirs, but it is just as rewarding – and more various. He is overlooked because his best writing is imbedded in two book-length prose-poems – In Parenthesis and The Anathemata, making it difficult to anthologise; the work is informed by his Catholic faith and so may feel unfashionable in this secular age; he was a shy, reclusive man, psychologically damaged by his time in the trenches, and loathed any kind of self-promotion. Mostly, though, he was a complete and original poet-artist – sui generis, impossible to pigeon-hole – and that has led to the neglect of David Jones: a true genius and the great lost Modernist.

What if the religious themes and allusions in modernist poetry are not just metaphors? Following the religious turn in other disciplines, literary critics have emphasized how modernists like Woolf and Joyce were haunted by Christianity’s cultural traces despite their own lack of belief. In Poetry and Theology in the Modernist Period, Anthony Domestico takes a different tack, arguing that modern poets such as T. S. Eliot, W. H. Auden, and David Jones were interested not just in the aesthetic or social implications of religious experience but also in the philosophically rigorous, dogmatic vision put forward by contemporary theology. These poets took seriously the truth claims of Christian theology: for them, religion involved intellectual and emotional assent, doctrinal articulation, and ritual practice. Domestico reveals how an important strand of modern poetry actually understood itself in and through the central theological questions of the modernist era: What is transcendence, and how can we think and write about it? What is the sacramental act, and how does its wedding of the immanent and the transcendent inform the poetic act? How can we relate kairos (holy time) to chronos (clock time)? Seeking answers to these complex questions, Domestico examines both modernist institutions (the Criterion) and specific works of modern poetry (Eliot’s Four Quartets and Jones’s The Anathemata). The book also traces the contours of what it dubs “theological modernism”: a body of poetry that is both theological and modernist. In doing so, this book offers a new literary history of the modernist period, one that attends both to the material circulation of texts and to the broader intellectual currents of the time.

Be faithful in your giving and God will reward you financially. It's not always stated that blatantly but the promises of the Prosperity Gospel--or the name-it-and-claim-it gospel, the health-and-wealth gospel, the word of faith movement, or positive confession theology--are false. Yet its message permeates the preaching of well-known Christian leaders: Joyce Meyer, T. D. Jakes, Joel Osteen, Creflo Dollar, Kenneth and Gloria Copeland, and many more. The appeal of this teaching crosses racial, gender, denominational, and international boundaries. Why are otherwise faithful Christians so easily led astray? Because the Prosperity Gospel contains a grain of biblical truth, greatly distorted. For anyone who knows that Prosperity Gospel theology is wrong but has trouble articulating and refuting the finer points, this concise edition contains all the robust arguments of the hard-hitting original edition in a shorter, more accessible form.

An introductory text explaining the nature, relevancy, coherency, and structure of the moral law as revealed throughout the Bible, with discussion of the Ten Commandments as a moral rubric and a subsequent application of each commandment to Christian living.

Believe it or not… Jesus is coming! David Jones received a vision that changed his life forever. It was as if someone gripped him by the arm and shook him awake. In an instant, he was hovering above the earth. Beautiful clear skies. Mountains and hills adorning the landscape below. People were continuing with business as usual, until... Thick clouds consumed the sky. Darkness fell. Silence covered the earth. Then, a deafening sound broke through the heavens and pierced every ear that heard it. Terror gripped the people, as they realized the Day of the Lord was not a fable. It had come and they had run out of time. As you experience this vision for yourself, Jones’ book will: Empower you to live every moment with eternal significance Teach how to prepare for the end times Show you how to get right with God Learn to live every day ready for His return!