"First published on the occasion of the exhibition 'David Hockney RA: 82 portraits and 1 still-life', Royal Academy of Arts, London, 2 July-2 October 2016"--Title page verso.

David Hockney (b. 1937) is one of the most significant artists exploring and pushing the boundaries of figurative art today. Hockney has been engaged with portraiture since his teenage years, when he painted Portrait of My Father (1955), and his self-portraits and depictions of family, lovers, and friends represent an intimate visual diary of the artist’s life. This beautifully illustrated book examines Hockney’s portraits in all media—painting, drawing, photography, and prints—and has been produced in close collaboration with the artist. Featured subjects include members of Hockney’s family and private circle, as well as portraits of such artists and cultural figures as Lucian Freud, Francesco Clemente, R. B. Kitaj, Helmet Newton, Lawrence Weschler, and W. H. Auden. The authors reveal how Hockney’s creative development and concerns about representation can be traced through his portrait work: from his battle with naturalism to his experimentation with and later rejection of photography, and from his recent camera lucida drawings to his return to painting from life. Featuring more than 250 works from the past fifty years, David Hockney Portraits illustrates not only the fascinating range of Hockney’s creative practice but also the unique and cyclical nature of his artistic concerns.

A major illustrated volume providing new insight into renowned artist David Hockney s oeuvre and illuminating works created over the past ten years"

A compact edition of Hockney and Gayford's brilliantly original book, with updated material and brand-new pieces of art Informed and energized by a lifetime of painting, drawing, and making images with cameras, David Hockney, in collaboration with art critic Martin Gayford, explores how and why pictures have been made across the millennia. Juxtaposing a rich variety of images--a still from a Disney cartoon with a Japanese woodblock print by Hiroshige, a scene from an Eisenstein film with a Velazquez paint-ing--the authors cross the normal boundaries between high culture and popular entertainment, and argue that film, photography, paint-ing, and drawing are deeply interconnected. Featuring a revised final chapter with some of Hockney's latest works, this new, compact edition of A History of Pictures remains a significant contribution to the discussion of how artists represent reality.

"Published in conjunction with the exhibition Calder and Abstraction: From Avant-Garde to Iconic at the Los Angeles County Museum of Art, Los Angeles, California (November 24, 2013-July 6, 2014). This exhibition was organized by the Los Angeles County Museum of Art, in cooperation with the Calder Foundation, New York"--Colophon.

Ever since he made his first portraits and self-portraits at the age of sixteen, David Hockney has been fascinated by people and how they have been represented throughout the history of art. As much as any other artist in recent years he has embraced, invigorated and often subverted traditional portraiture, making it a central concern of his art. Through a careful selection of works both iconic and previously unpublished, this book explores the many ways in which Hockney has depicted the people around him, be they famous names such as Andy Warhol, Christopher Isherwood and W. H. Auden or lifelong friends. It tells the story of the artist’s relationships with family, friends and lovers, illustrated by works ranging from the intimate and frequently moving studies of his parents and partners to his very recent large-scale double portraits in watercolour. Revealing and always touching, 'Hockney’s portraits and people' is both a unique record of the life and loves of one of the world’s best-known artists and a valuable glimpse of the moment when life and art meet.

Accompanying one of the most anticipated exhibitions of the past few years, this catalogue captures the grand scale and vibrant color of Hockney's work of the twenty-first century. Hockney's own insight into this latest chapter of his career is found across the book's pages and is accompanied by thoughtful commentary by renowned critic Lawrence Weschler and art historian Sarah Howgate.