Compilation of Watercolor and Experimental works by graffiti artist and painter David Choe.

Through his highly subversive art Ron English (b. 1959) has bombed the global landscape with striking and often unsettling imagery. He coined the term "POPaganda" to describe his signature and darkly satirical renderings of corporate branding icons. Ranging from superhero mythology to pillars of art history, his work is populated with a vast and constantly growing arsenal of original characters such as MC Supersized, the obese fast-food mascot featured in the hit movie Supersize Me; and Abraham Obama, which fused America's 16th and 44th Presidents, an image that was posited by the media as having directly impacted the 2008 election. His cameo on The Simpsons secured his position as America's premier pop iconoclast. This book is the first complete retrospective of English's work, compiling his paintings, illustrations, toys, sculpture, street art, and "agit-pop." Additionally, it contains a lengthy and comprehensive interview with the artist conducted exclusively for this publication.

"Accompanying a major traveling exhibition, this first-ever survey of the rarely seen notebooks of Basquiat features the artist's handwritten notes, poems, and drawings, along with related works on paper and large-scale paintings. With no formal training, Jean-Michel Basquiat (1960-1988) succeeded in developing a new and expressive style to become one of the most influential artists in the postmodern revival of figurative during the 1980s. In a series of notebooks from the early to mid-1980s, never before exhibited, Basquiat combined text and images reflecting his engagement with the countercultures of graffiti and hip-hop in New York City, as well as pop culture and world events. Filled with handwritten texts, poems, pictograms, and drawings, many of them iconic images that recur throughout his artwork-teepees, crowns, skeleton-like silhouettes, and grimacing masks-and these notebooks reveal much about the artist's creative process and the importance of the written word in his aesthetic. With over 150 notebook pages and numerous drawings and paintings, this important book sheds new light on Basquiat's career and his critical place in contemporary art history."--

Through a close examination of India's policies, economic system, social systems and politics, this study explores the numerous perspectives and debates on India's urbanization. The authors link contemporary urban issues with emerging challenges associated with policies and city management.

Urban Styles chronicles the under the radar phenomenon of Punk Hardcore music blending with Graffiti in the metropolis known as New York City. This tale is told through the eyes of band members that were adept at wielding spray cans and writers that represented New York Hardcore on the streets as well as related iconography that reinforced the connection between these two subcultures. The conventional notion of what a graffiti writer is supposed to look and be into, is challenged, as stated on this quote from the book's jacket: "When you hear the term Graffiti Artist most people think of B-Boys in Kangol hats parachute pants and break dancing. No one thinks shaved heads, Doc Martens and CBGB mosh pits! But there was and is a strong connection between the NYC graffiti scene and the NY Hardcore scene..." Lou Koller from Sick Of It All A vital component of this synthesis was, the native to NYC, inclusion of Hardcore fans within traditional Graffiti crews, sometimes at odd with one another, but always united in spreading the aesthetic of this music onto a wider visual medium. Inside the book you'll find interviews with key crew members as well as the first writers who played in bands; the ones that followed them and the modern day practitioners that are still upholding this tradition. There is also a plethora of iconic images within, culled from record/demo tape covers, flyers, t-shirts and paintings that celebrate the union of these two street cultures, most of them never seen or done specifically for the book. Underground movements, art, music, sociology, urban cultures; all of these disparate yet related topics are a piece of the puzzle. They collectively shine a spotlight on subcultures that have gone on to have a far reaching influence onto the world-at-large and it all can be traced back to this concrete jungle known as the big apple.

Here's your second chance to catch the mini-series critics and fans throughout the industry are talking about...Darkminds: Macropolis! A sadistic serial killer is on the loose and it's up to Agents Nagawa and Nakiko to find him before he kills again. But this killer is as twisted as they come. Before every murder he announces exactly where and when the murder will take place. The question is, can they get there on time! The result is a series of cat and mouse chases unlike any you've ever seen! If you love murder/mysteries, sci-fi and action, then you'll love Darkminds: Macropolis. With stunning art from Jo Chen and suspense-filled writing from Chris (Transformers) Sarracini, this is a series you can't miss! This TPB collects ISSUES 1-4 of the current 8-issue mini-series. A perfect starting point for anyone looking to jump onboard this fantastic series! Detectives Nagawa and Nakiko have seen it all, solving some of the most difficult and horrific cases the city of Macropolis has ever seen. A serial killer would be crazy to tempt fate in their town. Too bad serial killers are crazy. Daarkminds: Macropolis delivers us to a manga-inspired techno-noir future where crime has advanced right alongside technology. Our stalwart detectives will face a challenge like they've never encountered before - a murderer who wants to play with them. But what kind of person has the guts to challenge the best, and how far will he go to prove a point? Written by Chris Sarracini (Transformers G1, Fate of the Blade) and featuring beautifully rendered art by Jo Chen & Christina Chen, Darkminds: Macropolis contains issues #1-4 of the thrilling series. Also covers, and interviews with the creative team.

"She'd noticed immediately that I understood the lure of a good story. Sometimes a world that doesn't exist is the only escape from the one that does." When successful New York editor Jen Gibbs discovers a decaying slush-pile manuscript on her desk, she has no idea that the story of Sarra, a young mixed-race woman trapped in Appalachia at the turn of the twentieth century, will both take her on a journey and change her forever. Happy with her life in the city, and at the top of her career with a new job at Vida House Publishing, Jen has left her Appalachian past and twisted family ties far behind. But the search for the rest of the manuscript, and Jen's suspicions about the identity of its unnamed author, will draw her into a mystery that leads back to the heart of the Blue Ridge Mountains . . . and quite possibly through the doors she thought she had closed forever.