In this spectacular follow-up to their beloved Book of Norse Myths, the husband-and-wife team of Ingri and Edgar Parin d’Aulaire explore the uncanny reaches of Norse mythology, an enchanted night-world populated by trolls of all kinds—mountain trolls, forest trolls, trolls who live underwater and trolls who live under bridges, uncouth, unkempt, unbreakable, unforgettable, and invariably unbelievably ugly trolls—who work their wiles and carry on in the most bizarre and entertaining fashions. With their matchless talent as storytellers and illustrators, the d’Aulaires bring to life the weird and wonderful world of Norse mythology.

For centuries, the myths of trolls have fascinated and frightened people young and old. Originating in the time of the Vikings, trolls have been constant figures of mythology since the very first troll story. Their lore has evolved and developed over time, but their representations, especially across Scandinavian culture, have lasted to the present day. This book explains the history of troll lore throughout the ages, examines other troll folktales from around the world, and even explores how the troll persists in today’s society.

Trolls lurk under bridges waiting to eat children, threaten hobbits in Middle-Earth, and invade the dungeons of Hogwarts. Often they are depicted as stupid, slow, and ugly creatures, but they also appear as comforting characters in some children’s stories or as plastic dolls with bright, fuzzy hair. Today, the name of this fantastic being from Scandinavia has found a wider reach: it is the word for the homeless in California and slang for the antagonizing and sometimes cruel people on the Internet. But how did trolls go from folktales to the World Wide Web? To explain why trolls still hold our interest, John Lindow goes back to their first appearances in Scandinavian folklore, where they were beings in nature living beside a preindustrial society of small-scale farming and fishing. He explores reports of actual encounters with trolls—meetings others found plausible in spite of their better judgment—and follows trolls’ natural transition from folktales to other domains in popular culture. Trolls, Lindow argues, would not continue to appeal to our imaginations today if they had not made the jump to illustrations in Nordic books and Scandinavian literature and drama. From the Moomins to Brothers Grimm and Three Billy Goats Gruff to cartoons, fantasy novels, and social media, Lindow considers the panoply of trolls that surround us and their sometimes troubling connotations in the contemporary world. Taking readers into Norwegian music and film and even Yahoo Finance chat rooms, Trolls is a fun and fascinating book about these strange creatures.

The Caldecott medal-winning d'Aulaires once again captivate their young audience with this beautifully illustrated introduction to Norse legends, telling stories of Odin the All-father, Thor the Thunder-god and the theft of his hammer, Loki the mischievous god of the Jotun Race, and Ragnarokk, the destiny of the gods. Children meet Bragi, the god of poetry, and the famous Valkyrie maidens, among other gods, goddesses, heroes, and giants. Illustrations throughout depict the wondrous other world of Norse folklore and its fantastical Northern landscape.

"I doubt I would have grown up to be the writer and artist I became had I not fallen in love with D’Aulaire’s Book of Greek Myths at the age of seven."—R. J. Palacio, author of Wonder Kids can lose themselves in a world of myth and magic while learning important cultural history in this beloved classic collection of Greek mythology. Now updated with a new cover and an afterword featuring never-before-published drawings from the sketchbook of Ingri and Edgar D'Aulaire, plus an essay about their life and work and photos from the family achive. In print for over fifty years, D'Aulaires Book of Greek Myths has introduced generations to Greek mythology—and continues to enthrall young readers. Here are the greats of ancient Greece—gods and goddesses, heroes and monsters—as freshly described in words and pictures as if they were alive today. No other volume of Greek mythology has inspired as many young readers as this timeless classic. Both adults and children alike will find this book a treasure for years to come.

Whether bringing to life the legends of the mightiest Greek and Norse gods in their widely beloved collections of myths, or retelling Chekhov’s tale of a little lost dog as they do in Foxie, the d’Aulaires excelled at the arts of storytelling and illustration. Foxie’s tale, wonderful to look at and delightful to read, is certain to charm both young children and early readers. Poor Foxie! With her “head like a fox and her tail like a cinnamon roll” she is adorable enough to charm anyone. But all her young master wants to do is tease her—and he isn’t very good at remembering mealtime either. One day his pranks go too far when he lures his dog out onto the busy city streets with a tasty bone and loses her. Foxie is soon rescued by a roly-poly circus-animal trainer who spots her fl air for singing and adds her to his act, alongside a piano-playing cat and a strutting rooster. Opening night is full of surprises, though, and Foxie is overjoyed when she hears a familiar voice in the audience, calling out her name.

The little hero of this tale has a shock of blond hair, a devoted dog, and a frisky cat, but today he has a problem, a big problem, in fact: he’s just too big to do the things he wants to do. He’s too big to put on his little hat and coat, too big for his mother to pick up, and too big to ride around on the dog’s back. Luckily he’s not too big to dream of the time when he’ll be big enough to relish the challenges ahead and to set out on bold new adventures of his own. In glowing primary colors, Ingri and Edgar Parin d’Aulaire, famous for their luminous retellings of the Norse and Greek myths, paint a charming portrait of a typical toddler feeling his way into the world. Based on a story that enchanted the d’Aulaires’ own little boy, Too Big is a wise and winning tale of growing up and discovering that though there are some things you just can’t do, that still leaves everything you can.