This book focuses on the identity and public personae of the dogaressa, wives of the elected doges of medieval and early modern Venice. The study traces the evolution of the public functions of the group of quasi-royal wives, rare for their visibility, during Venice's development into a regional economic and political power.

An historical sketch of eminent wives of the doges.

The Nobel Prize winner and one of today's most prominent contemporary Turkish writers delivers a novel that is a fiendishly devious mystery, a beguiling love story, a brilliant symposium on the power of art, and a “modern classic … rich and essential” (Los Angeles Times Book Review)—set amid the splendor and religious intrigue of sixteenth-century Istanbul. The Sultan has commissioned a cadre of the most acclaimed artists in the land to create a great book celebrating the glories of his realm. Their task: to illuminate the work in the European style. But because figurative art can be deemed an affront to Islam, this commission is a dangerous proposition indeed. The ruling elite therefore mustn’t know the full scope or nature of the project, and panic erupts when one of the chosen miniaturists disappears. The only clue to the mystery—or crime?—lies in the half-finished illuminations themselves. Part fantasy and part philosophical puzzle, My Name is Red is a kaleidoscopic journey to the intersection of art, religion, love, sex and power. Translated from the Turkish by Erda M Göknar

This major study is a comprehensive scholarly work on a key moment in the history of Europe, the fall of Constantinople to the Ottoman Turks in 1453. The result of years of research, it presents all available sources along with critical evaluations of these narratives. The authors have consulted texts in all relevant languages, both those that remain only in manuscript and others that have been printed, often in careless and inferior editions. Attention is also given to 'folk history' as it evolved over centuries, producing prominent myths and folktales in Greek, medieval Russian, Italian, and Turkish folklore. Part I, The Pen, addresses the complex questions introduced by this myriad of original literature and secondary sources.

Constantine XI’s last moments in life, as he stood before the walls of Constantinople in 1453, have bestowed a heroic status on him. This book produces a more balanced portrait of an intriguing individual: the last emperor of Constantinople. To be sure, the last of the Greek Caesars was a fascinating figure, not so much because he was a great statesman, as he was not, and not because of his military prowess, as he was neither a notable tactician nor a soldier of exceptional merit. This monarch may have formulated grandiose plans but his hopes and ambitions were ultimately doomed, because he failed to inspire his own subjects, who did not rally to his cause. Constantine lacked the skills to create, restore, or maintain harmony in his troubled realm. In addition, he was ineffective on the diplomatic front, as he proved unable to stimulate Latin Christendom to mount an expedition and come to the aid of south-eastern Orthodox Europe. Yet in sharp contrast to his numerous shortcomings, his military defeats, and the various disappointments during his reign, posterity still fondly remembers the last Constantine.

Narrating the spectacular story of her rise to the pinnacle of imperial power, Queen Mother Nurbanu, on her sickbed, is determined to understand how her bond with the greatest of all Ottoman sultans, Suleiman the Magnificent, shaped her destiny – not only as the wife of his successor but as the appointed enforcer of one of the Empire’s most crucial and shocking laws. Nurbanu spares nothing as she dissects the desires and motives that have propelled and harmed her; as she considers her role as devoted and manipulative mother; as she reckons her relations with the women of the Harem; and as she details the fate of the most sophisticated observatory in the world. Nurbanu sets out to “see” the causes and effects of her loves and choices, and she succeeds by means of unflinching candor – right up to the last shattering revelation.