From the award-winning author of The Truth of Right Now comes a “lyrical” (PopSugar), grounded fantasy in the vein of Dread Nation that follows a black teen as she finds her place among a family of women gifted with magical abilities. In the Jim Crow South, white supremacy reigns and tensions are high. But Evalene Deschamps has other things to worry about. She has two little sisters to look after, an overworked single mother, and a longtime crush who is finally making a move. On top of all that, Evvie’s magic abilities are growing stronger by the day. Her family calls it jubilation—a gift passed down from generations of black women since the time of slavery. And as Evvie’s talents waken, something dark comes loose and threatens to resurface… ​And when the demons of Evvie’s past finally shake free, she must embrace her mighty lineage, and summon the power that lies within her.

Two isolated teens struggle against their complicated lives to find a true connection in this “timely and timeless” (Kirkus Reviews, starred review) debut novel about first love and the wreckage of growing up. Lily is returning to her privileged Manhattan high school after a harrowing end to her sophomore year and it’s not pretty. She hates chemistry and her spiteful lab partner, her friends are either not speaking to her or suffocating her with concerned glances, and nothing seems to give her joy anymore. Worst of all, she can’t escape her own thoughts about what drove her away from everyone in the first place. Enter Dari (short for Dariomauritius), the artistic and mysterious transfer student, adept at cutting class. Not that he’d rather be at home with his domineering Trinidadian father. Dari is everything that Lily needs: bright, creative, honest, and unpredictable. And in a school where no one really stands out, Dari finds Lily’s sensitivity and openness magnetic. Their attraction ignites immediately, and for the first time in what feels like forever, Lily and Dari find happiness in each other. In twenty-first-century New York City, the fact that Lily is white and Dari is black shouldn’t matter that much, but nothing’s as simple as it seems. When tragedy becomes reality, can friendship survive even if romance cannot?

Trauma recovery and healing get a lot of attention these days, but in situations of war and violence trauma is also a social experience set within the larger conflict context. The authors examine an ancient biblical story full of violence and trauma that makes most readers turn the page quickly. The reader is invited instead to sit with the story, listen to the voices of the characters, and feel the full range of their emotions. There is much to be learned through the story that offers insight for trauma healing and reconciliation, and motivation for deep and abiding social change. The biblical story becomes a doorway into a journey of discovery about traumatized people, specifically women, who choose not to remain as victims. Instead, they rise up in transformative nonviolent action. The authors lift up the Rizpah story and contemporary stories of “Daughters of Rizpah” from around the world to inspire hope amid the traumatizing turmoil of the twenty-first century.

“The Holy Roman Empire is the setting for [this] historical romance . . . focusing on the Byzantine princess who ruled as regent for her son, Otto III.”—Kirkus Reviews The powerful story of the tenth-century Byzantine princess Theophano, who was sent to be the wife and Empress of Otto II, son of Otto the Great, the Holy Roman Emperor. It is a long journey from the surviving Roman Empire in the East to the devastated Empire in the West. Theophano must apply all her Byzantine skills to truly become the Empress of the West, winning first her new husband’s devotion, and then the love of her new people. But when Otto II dies unexpectedly, leaving the empire to his four-year-old son, the Empress Theophano must fight one of the greatest wars of succession of the Dark Ages. For Otto II’s cousin, Henry of Burgundy, would have the Regency for himself and the Throne as well—if he can take them. Brimming with suspenseful battles and seductive court politics, the second book in Judith Tarr’s Three Queens series is perfect for fans of Bernard Cornwell and Kate Quinn.

In 1987, more than a decade before the dawn of queer theory, Ifi Amadiume wrote Male Daughters, Female Husbands, to critical acclaim. This compelling and highly original book frees the subject position of 'husband' from its affiliation with men, and goes on to do the same for other masculine attributes, dislocating sex, gender and sexual orientation. Boldly arguing that the notion of gender, as constructed in Western feminist discourse, did not exist in Africa before the colonial imposition of a dichotomous understanding of sexual difference, Male Daughters, Female Husbands examines the structures in African society that enabled people to achieve power, showing that roles were not rigidly masculinized nor feminized. At a time when gender and queer theory are viewed by some as being stuck in an identity-politics rut, this outstanding study not only warns against the danger of projecting a very specific, Western notion of difference onto other cultures, but calls us to question the very concept of gender itself.