The second book in L.J. Smith’s beloved Night World series is now available as a special collector’s edition! There’s something strange about the new girls in town. Briar Creek, Oregon, has never seen anything like the supernatural grace of Rowan, Kestrel, and Jade, three sisters who move into the dilapidated old house next to Mark and Mary-Lynnette Carter. Mark is obsessed with Jade—but she and her sisters have a secret. And when Mark and Mary-Lynnette follow them into the woods one night, they are plunged into a nightmare beyond their imagination. Because the sisters are fugitives from the Night World, and their brother Ash is hot on the trail behind them. He’s ruthless, gorgeous, and he has orders to bring the girls back at all costs. And when he sees Mary-Lynette, he decides to take her too…

Four authors will each take a different daughter born from the Prince of Darkness, Vlad Montour. (Also known as Vlad the Impaler, an evil villain from history) Blair – Chrissy Peebles Jezebel – Kristen Middleton Victoria – W.J. May Lotus – C.J. Pinard Blair: Half witch and half vampire. She lives with a coven of witches and hasn't had any contact with her vampire heritage. Blair is living the perfect life until one day, everything crashes down around her. She is forced to leave everything she knows and loves, and must go on the run to save her life. Jezebel: A red-haired vampire/succubus with dark appetites. She's also a Private Investigator, living in Sin City, and tracking down cheating spouses is her specialty. Life is good, until one night when Jez is visited by a stranger, named Dorian Hart, who hands her a letter with some shocking revelations. Victoria: Only Death Could Stop Her Now Victoria is a Hunter Vampire, one of the last of her kind. She's the best of the best. When she finds out one of her marks is actually her sister she let's her go, only to end up on the wrong side of the council. Forced to prove herself she hunts her next mark, a werewolf. Injured and hungry, she is forced to do what she must to survive. Her actions upset the ancient council and she finds herself now being the one thing she has always despised -- the Hunted. Lotus: Don't let the pretty name fool you. This daughter is no delicate flower. Lotus grew up orphaned. Having no idea who her real parents were, she's been drifting around the U.S. for over 100 years moving every 15 years or so since she just doesn't seem to age. She'd figured out on her own that she had to be at least part vampire, as she needs to suck on a few blood bags a month to survive. Working as a detective with the Denver P.D., Lotus is searching desperately for a serial killer who is murdering the homeless of the city. Except these are not ritualistic or thrill killings. These victims have been drained of blood and Lotus knows, beyond a shadow of a doubt, that they have been committed by a vampire. Her search will take her to Las Vegas, and that is where the true adventure will begin, when she finds out who has been searching for her.

Harry Kümel's cult classic Daughters of Darkness (1971) is a vampire film like no other. Kat Ellinger explores the film's association with fairy tales, the Gothic and fantastic tradition, as well as delving into aspects of the legend of Countess Bathory, traditional vampire lore, and much more. The book also contains new and exclusive interviews.

Daughters of Darkness is a collection of fine art portraits of women in corpse paint. A nod to black metal and doom album cover art, Daughters of Darkness was photographed over 10+ years, with more than 400 models from all over the world, almost all of which did their own corpse paint and are fans of black metal. Daughters of Darkness features many celebrities, actresses, musicians, and models (some under the cover of corpse painted anonymity) all of whom donned only corpse paint for this book. Photographed by internationally renowned music and fine art photographer Jeremy Saffer, this project combines both his music photography and fine art photography worlds into a single project, which was conceived to capture the memory of flipping though albums in a music store and buying albums based entirely on the albums cover art (which often featured a nude portrait, someone in corpse paint, or both) prior to knowing the music or the band. Like the music that inspired it, Daughters of Darkness shows the duality of finding beauty in dark imagery, and finding darkness within beauty.

The original edition of Planks of Reason was the first academic critical anthology on horror. In retrospect, it appeared as a kind of homage to the "golden age" of the American horror film, as this genre played an increasing role in film culture and American life. This revised edition retains the spirit of the original, but also offers new takes on rediscovered classics and recent developments in the genre.

"Bisexuality is about three centuries overdue . . . nevertheless, here it is: a learned, witty study of how our curious culture has managed to get everything wrong about sex." -Gore Vidal

Bloody Women: Women Directors of Horror is the first book-length exploration of female creators at the cutting edge of contemporary horror, turning out some of its most inspired and twisted offerings.