In God After Darwin, eminent theologian John F. Haught argues that the ongoing debate between Darwinian evolutionists and Christian apologists is fundamentally misdirected: Both sides persist in focusing on an explanation of underlying design and order in the universe. Haught suggests that what is lacking in both of these competing ideologies is the notion of novelty, a necessary component of evolution and the essence of the unfolding of the divine mystery. He argues that Darwin's disturbing picture of life, instead of being hostile to religion-as scientific skeptics and many believers have thought it to be-actually provides a most fertile setting for mature reflection on the idea of God. Solidly grounded in scholarship, Haught's explanation of the relationship between theology and evolution is both accessible and engaging. The second edition of God After Darwin features an entirely new chapter on the ongoing, controversial debate between intelligent design and evolution, including an assessment of Haught's experience as an expert witness in the landmark case of Kitzmiller v. Dover Area School District on teaching evolution and intelligent design in schools.

‘What is emotion?’ pondered the young Charles Darwin in his notebooks. How were the emotions to be placed in an evolutionary framework? And what light might they shed on human-animal continuities? These were among the questions Darwin explored in his research, assisted both by an acute sense of observation and an extraordinary capacity for fellow feeling, not only with humans but with all animal life. After Darwin: Animals, Emotions, and the Mind explores questions of mind, emotion and the moral sense which Darwin opened up through his research on the physical expression of emotions and the human–animal relation. It also examines the extent to which Darwin’s ideas were taken up by Victorian writers and popular culture, from George Eliot to the Daily News. Bringing together scholars from biology, literature, history, psychology, psychiatry and paediatrics, the volume provides an invaluable reassessment of Darwin’s contribution to a new understanding of the moral sense and emotional life, and considers the urgent scientific and ethical implications of his ideas today.

An anthology of essential writings that cover some of the most influential ideas about the philosophical implications of Darwinism, since the publication of "On the Origin of Species".

First, the authors explore how the scriptures were interpreted before the time of Darwin. Part II presents essays on the real history of the Darwin controversies, exploding the myths about this period. The final chapter deals with the rise of creationism in its current social context.

A quorum of scientists offer reviews and results to celebrate the 150th anniversary of 'On The Various Contrivances By Which British And Foreign Orchids Are Fertilised By Insects, And On The Good Effects Of Intercrossing' (1862). Authors of the first ten chapters follow research on the pollination and breeding systems of the same orchid lineages that interested Darwin, including temperate and tropical species. Authors on the last two chapters provide information on the floral attractants and flowering systems of orchids using protocols and technologies unavailable during Darwin's lifetime.

Millie, a director, discusses with her actors, Ian and Tom, how to interpret two famous historical figures from the nineteenth century. It's 1831. The naturalist Charles Darwin is invited to travel with Robert Fitzroy into uncharted waters off the coast of South America aboard 'The Beagle'. Their five year journey is fraught with philosophical and personal tensions. Fitzroy, a staunch Christian, has faith in the unquestionable authority of the Bible; Darwin begins to explore a more radical vision, his theory of natural selection. A meditation on history and human relationships, After Darwin links past and present through these five characters, and raises timeless questions about faith, friendship and how we interpret the past. After Darwin was first performed in July 1998, at Hampstead Theatre, London.