This complete box set contains 10 books of spicy billionaire romance, mystery and suspense with the Blackstone twins Maximillian and Jonas, and the woman of their dreams Alexandre Blackstone.

A shocking murder. A woman sentenced to hang. And the young lawyer determined to discover the truth. Award-winning debut author Anna Mazzola brings London alive in her haunting and enthralling novel of human frailty and fear—and of the terrible consequences of jealousy and misunderstanding. Sentenced to hang for her alleged role in a shocking murder, Sarah confronts the young lawyer asked to examine her guilty verdict. She says she is innocent, but she refuses to explain the evidence given in court—the evidence that convicted her. Battling his own demons, Edmund Fleetwood is determined to find the truth—and to uncover why Sarah won't talk. As the day of execution draws closer, Edmund struggles to discover whether she is the victim of a wrongful conviction, or a dangerous and devious criminal. Based on the real case of Sarah Gale—fans of Alias Grace and The Suspicions of Mr. Whicher won't want to miss this Edgar Award-winning novel of gothic suspense and murder.

In the 1960s Jerry Cornelius was the coolest assassin on the Ladbroke Grove block. By the 1970s The Condition of Muzak had won the Guardian Fiction Prize and The Final Programme was a feature film starring Jon Finch, Jenny Runacre, Hugh Griffith and Sterling Hayden. In the 1980s the world s first cyberpunk continued to inspire a generation of writers including William Gibson, Alan Moore, Neil Gaiman, and bands like the Human League. By the 1990s he was up and running towards the guns again in stories like The Spencer Inheritance , The Camus Referendum and Cheering for the Rockets , which dealt with the icons and key events of the day. At turn of the millennium, in Firing the Cathedral, he responded to the attacks on America of September 2001 and their consequences, to the realities of global warming and global terrorism. Now, in Pegging the President, Jerry Cornelius is back; the ambiguous, amoral, androgynous English Assassin, cooler, sharper, his fingers still firmly on the pulse of the twenty-first century, counting names and taking heads, showing once again that colonialism and despotism the roots of empire gone sour do not change. The apocalypse has never seemed more terrifying, never been more fun, and modern life will never feel the same to you again -- Provided by the publisher.

Satisfactory evidence, though not all the evidence, of what the Common Law trial by jury really is'

In this groundbreaking book, Scalia and Garner systematically explain all the most important principles of constitutional, statutory, and contractual interpretation in an engaging and informative style with hundreds of illustrations from actual cases. Is a burrito a sandwich? Is a corporation entitled to personal privacy? If you trade a gun for drugs, are you using a gun in a drug transaction? The authors grapple with these and dozens of equally curious questions while explaining the most principled, lucid, and reliable techniques for deriving meaning from authoritative texts. Meanwhile, the book takes up some of the most controversial issues in modern jurisprudence. What, exactly, is textualism? Why is strict construction a bad thing? What is the true doctrine of originalism? And which is more important: the spirit of the law, or the letter? The authors write with a well-argued point of view that is definitive yet nuanced, straightforward yet sophisticated.

What is the nature of the modern state? How did it come into being and what are the characteristics of this distinctive field of power that has come to play such a central role in the shaping of all spheres of social, political and economic life? In this major work the great sociologist Pierre Bourdieu addresses these fundamental questions. Modifying Max Weber’s famous definition, Bourdieu defines the state in terms of the monopoly of legitimate physical and symbolic violence, where the monopoly of symbolic violence is the condition for the possession and exercise of physical violence. The state can be reduced neither to an apparatus of power in the service of dominant groups nor to a neutral site where conflicting interests are played out: rather, it constitutes the form of collective belief that structures the whole of social life. The ‘collective fiction’ of the state Ð a fiction with very real effects - is at the same time the product of all struggles between different interests, what is at stake in these struggles, and their very foundation. While the question of the state runs through the whole of Bourdieu’s work, it was never the subject of a book designed to offer a unified theory. The lecture course presented here, to which Bourdieu devoted three years of his teaching at the Collège de France, fills this gap and provides the key that brings together the whole of his research in this field. This text also shows ‘another Bourdieu’, both more concrete and more pedagogic in that he presents his thinking in the process of its development. While revealing the illusions of ‘state thought’ designed to maintain belief in government being oriented in principle to the common good, he shows himself equally critical of an ‘anti-institutional mood’ that is all too ready to reduce the construction of the bureaucratic apparatus to the function of maintaining social order. At a time when financial crisis is facilitating the hasty dismantling of public services, with little regard for any notion of popular sovereignty, this book offers the critical instruments needed for a more lucid understanding of the wellsprings of domination.