OVER THE LAST decade or more we have become increasingly aware of how our materialistic, energy-intensive civilization has been destroying the fragile balance of the web of life that has sustained humanity and all living beings for millennia. Yet, while spiritual teachings tell us that the events in the outer world are a reflection of changes taking place in the inner worlds, we appear to have little awareness of how this outer darkening is reflected within. This book, written between 2004 and the winter of 2012, tells the story of these inner changes that belong to our spiritual destiny and the fate of our planet. It is a witness to the darkening of the light of the sacred, reflected in our continued ecological destruction, and what this might mean to our shared destiny. With this darkening comes the danger that we may lose the opportunity for the global awakening that was possible at the beginning of the new millennium. This story of our collective destiny, however painful, needs to be heard if we are to take responsibility for the Earth and reclaim our sacred role as guardians of the planet. "I bow to the courage in this book. Here Llewellyn Vaughan-Lee has allowed himself to hear the cry of the Earth. He has been brave enough to face and to feel the immensity of the loss. He has dared to share that with us and to hope we can wake up to save what's left of our world and our souls." —JOANNA MACY, Co-author, Active Hope: How to Face the Mess We're in Without Going Crazy "I was very moved by Llewellyn Vaughan-Lee's reflections." —MARY EVELYN TUCKER, Co-director, Yale Forum on Religion and Ecology "... insightfully calls us to action now to avoid further devastation of our planet—of the Earth which is our home. We can no longer afford to remain in a collective trance ignoring how the Earth is responding to our behavior. Llewellyn inspires us to turn within and engage in the work needed to transform our world. This book is a gem!" —SANDRA INGERMAN, MA, author Soul Retrieval and Medicine for the Earth,

In the land of darkness lives a shaggy but lovable creature. He is pining away because he has lost his home and has lived in the dark ever since. One day, the shaggy creature is overcome with curiosity and ventures out to the edge of the darkness. There, bathed in sunlight and bright colors, lives a very different and gentle creature. The two inhabitants of these different world become friends, and with his new friend, the shaggy creature overcomes his loss and finds his way back to the world of color. A quietly poetic story, told by Kerstin Hau, which gives hope and courage in difficult times. With contrasting imagery by Julie Völk, this book shows that life can be light, colorful, black, grey, and everything in between.

What will become of us in these trying times? How will we pass the time that we have on earth? In gorgeously rendered graphic form, Light in Dark Times invites readers to consider these questions by exploring the political catastrophes and moral disasters of the past and present, revealing issues that beg to be studied, understood, confronted, and resisted. A profound work of anthropology and art, this book is for anyone yearning to understand the darkness and hoping to hold onto the light. It is a powerful story of encounters with writers, philosophers, activists, and anthropologists whose words are as meaningful today as they were during the times in which they were written. This book is at once a lament over the darkness of our times, an affirmation of the value of knowledge and introspection, and a consideration of truth, lies, and the dangers of the trivial. In a time when many of us struggle with the feeling that we cannot do enough to change the course of the future, this book is a call to action, asking us to envision and create an alternative world from the one in which we now live. Light in Dark Times is beautiful to look at and to hold – an exquisite work of art that is lively, informative, enlightening, deeply moving, and inspiring.

As the sun sets, three siblings discover nature’s nighttime beauty in this soothingly rhythmic and gorgeously illustrated bedtime picture book from the acclaimed author-illustrator team behind Green on Green. Gentle the evening. Sweeping the skies. Dark the shadows as twilight arrives. Rose the horizon, gleaming and bright. Twilight and evening and dark on light. When the family dog trots away from the house at sunset, three siblings tumble out the door to go find him. Soon they find themselves immersed in the luminous colors, shades, and shadows of nature at night—both dark and light. They wander through moonlit lavender meadows, past a timid fawn, beneath a snowy white owl, and much, much more as the night deepens until, at last, they find their sneaky pup. With beautiful illustrations by Felicita Sala and lyrical text by Dianne White that’s perfect for reading aloud, this book invites young readers to step into the wondrous, colorful nighttime natural world.

Just when you thought you knew what was going on in your community, here comes a story that just may shatter the security of your American Dream. This is a story about abuse, survival, false religion and dubious court systems in a state that may be advanced on some levels, but sometimes proves to be a miserable failure in terms of equity and fairness and conventional thinking. – Tim King, Editor/Salem-News.com, War Correspondent, Author, “BETRAYAL: Toxic Exposure of U.S. Marines, Murder and Cover-Up” BONSHEÁ pierces through the darkness that hides the legal system’s routine abuse of mothers and children. It is a work of immense courage, a true tale of heartbreak and salvation. Not a single particle of the wisdom Coral shares misses the mark. - Maureen T. Hannah, Ph.D., Chair, Battered Mother’s Custody Conference, Albany, New York BONSHEÁ illustrates the degree to which the legal system can also be used as a vehicle to further perpetuate abuse even after the victim has chosen to take a stand against the abuse. – John Haroldson, District Attorney, Benton County District Attorney’s Office, Corvallis, Oregon Coral Theill’s BONSHEÁ is intense in its effort to “open the doors” behind which many domestic violence perpetrators have stood for so long in the name of “privacy.” At every level, family and friends, key people in her community, the health care system, the legal and judicial system, and the culture which socializes us all, she met with adversity and re-victimization. In the telling of her recovery, which is truly remarkable given her circumstances, the reader gets a vivid sense of the indominability of her spirit and light. I recommend this book for health care providers, those in the criminal justice system, and volunteers or helpers of any kind to get insights and clarity about the complex dynamics of domestic violence and its toxic effects to individuals and society---and what needs to be done to eradicate this pandemic problem.” – Barbara A. May, PhD, RN, Professor Emerita of Nursing, Linfield College, Portland, Oregon

My first memory was of a slap, hard across the face: the sting on my cheek and the jarring of my bones as I slammed back into my bed. It was my dad who had hit me. I had been four. Most of my memories were much of the same and no one ever saw, no one ever fought to help, no one ever cared. Then we moved. My new neighbor cared, rescued the twelve-year-old I had been from a beating. Always thought I'd suffer the nightmare alone, I was wrong. Mace Donati saved me that day in all the ways a person could be saved. And his daughter, Mia, she became the friend I had always wanted, my conscience when my own faltered, the light that led me home when I had lost my way. The girl who grew into the only woman I would ever love. But when you realize you're more like your father than the good people who took you in and gave you a home, the only way to return their kindness is to let them go. I let them go, got so far lost in the shadows I couldn't remember who I was anymore. Mia never gave up on me. She fought for me, kept the light on so I'd find my way back. And when I did, life threw us a curveball. I had to hurt Mia in order to save her. But when my past comes back to haunt me and I almost lose her, I'm ready to fight for her...fight to find a way back into her heart while keeping the demons from my past from finishing what they started. Cole Campbell

The New School for Social Research opened in 1919 as an act of protest. Founded in the name of academic freedom, it quickly emerged as a pioneer in adult education—providing what its first president, Alvin Johnson, liked to call “the continuing education of the educated.” By the mid-1920s, the New School had become the place to go to hear leading figures lecture on politics and the arts and recent developments in new fields of inquiry, such as anthropology and psychoanalysis. Then in 1933, after Hitler rose to power, Johnson created the University in Exile within the New School. Welcoming nearly two hundred refugees, Johnson, together with these exiled scholars, defiantly maintained the great traditions of Europe’s imperiled universities. Judith Friedlander reconstructs the history of the New School in the context of ongoing debates over academic freedom and the role of education in liberal democracies. Against the backdrop of World War I and the first red scare, the rise of fascism and McCarthyism, the student uprisings during the Vietnam War and the downfall of communism in Eastern Europe, Friedlander tells a dramatic story of intellectual, political, and financial struggle through illuminating sketches of internationally renowned scholars and artists. These include, among others, Charles A. Beard, John Dewey, José Clemente Orozco, Robert Heilbroner, Hannah Arendt, and Ágnes Heller. Featured prominently as well are New School students, trustees, and academic leaders. As the New School prepares to celebrate its one-hundredth anniversary, A Light in Dark Times offers a timely reflection on the legacy of this unique institution, which has boldly defended dissident intellectuals and artists in the United States and overseas.