Winner of the 2020 Kingdoms in the Wild Annual Poetry PrizeYves Olade on Dark When It Gets Dark- is about desire, about gentleness and grief. The collection also speaks to something of honesty, of truth, to the absence of duplicity. What would it mean for something to just be what it was, and nothing else? What if a storm is just a storm, and nothing else? What if it's finally dark when it gets dark?

Adeptly navigating between elegy and celebration, fear and determination, confusion and clarity, DeBaggio delivers an exquisitely moving and inspiring book that will resonate with all those who have grappled with their own or their loved ones' memory loss and with death. With his first memoir, Losing My Mind, Thomas DeBaggio stunned readers by laying bare his faltering mind in a haunting and beautiful meditation on the centrality of memory to human life, and on his loss of it to early-onset Alzheimer's disease. In this second extraordinary narrative, he confronts the ultimate loss: that of life. And as only DeBaggio could, he treats death as something to honor, to marvel at, to learn from. Charting the progression of his disease with breathtaking honesty, DeBaggio deftly describes the frustration, grief, and terror of grappling with his deteriorating intellectual faculties. Even more affecting, the prose itself masterfully represents the mental vicissitudes of his disease—DeBaggio's fragments of memory, observation, and rumination surface and subside in the reader's experience much as they might in his own mind. His frank, lilting voice and abundant sense of wonder bind these fragments into a fluid and poetic portrait of life and loss. Over the course of the book, DeBaggio revisits many of the people, places, and events of his life, both in his memory and in fact. In a sense, he is saying goodbye, paying his respects to the world as it recedes from him—and it is a poignant irony that even as this happens, he is at the height of his remarkable descriptive powers. In his moments of clarity, his love for life's details only grows deeper and richer: the limestone creek where he has fished for years; his satisfying and lonely herb farming days; the goldfish pond his son designed and built in his backyard in honor of DeBaggio's passion for "any hole in the ground with some liquid in it"; the thirty years in his beloved home in Arlington, Virginia; his early career as a muckraker; the innumerable precious moments spent with his wife and son; his belated grief over his parents' deaths.

A new story collection from “one of Europe’s most exciting writers” (New York Times Book Review) deftly evokes and explores the shifts that occur when the world grows dark. Snowed in at a remote artists’ residency in Vermont, Peter recalls another Christmas some thirty years earlier, when he met Marcia by chance on a trip to New York City. Only now, in this eerie, isolated place, does he begin to see the consequences of their brief affair through a series of connections. When Hubert asks Sabrina to model for a sculpture, she’s flattered and happy to help. But facing the finished product, looking at herself from previously hidden angles, disturbs her, and she becomes determined to follow her double after it’s sold to a collector. Uneasy in his own skin and with the humdrum life set out for him, David decides to rob a bank. He already has a mask for the purpose, but won’t be using it today. He’s heard that bank robbers often study the scene for weeks before they strike. So he’s started to lurk. We think we know our world, but then the familiar suddenly turns strange, and even frightening. In these powerfully affecting, minutely constructed stories, Peter Stamm illustrates how fragile our reality really is, how susceptible to tricks of the heart and mind.

Lazlo is afraid of the dark. It hides in closets and sometimes sits behind the shower curtain, but mostly it lives in the basement. One night, when Lazlo’s nightlight burns out, the dark comes to visit him in his room. “Lazlo,” the Dark says. “I want to show you something.” And so Lazlo descends the basement stairs to face his fears and discover a few comforting facts about the mysterious presence with whom all children must learn to live. Beautifully rendered with sympathy and wit, this first collaboration between Snicket and Klassen offers a fresh take on a universal childhood experience.

Encouraging readers to dream the impossible, The Darkest Dark follows a young boy intrigued by space, but afraid of the dark, inspired by the childhood of real-life astronaut Chris Hadfield and brought to life by Terry and Eric Fan's lush, evocative illustrations. Chris loves rockets and planets and pretending he's a brave astronaut, exploring the universe. Only one problem. At night, Chris doesn't feel so brave. He's afraid of the dark. When he watches the groundbreaking moon landing on TV, Chris learns that space is the darkest dark there is, and through that lesson discovers that the dark isn't just scary, but beautiful and exciting—especially when you have big dreams to keep you company.

It’s night. It’s dark. It’s time to go indoors—or is it? The outdoors at night can be a scary place, but this book will help young readers investigate the mysterious nature of night. To explore the night, it would be great to have eyes like an owl, the sensitive nose of a deer, and feet that can move as silently as a fox. Humans aren’t quite as good as nocturnal animals at navigating the darkness, but we can come surprisingly close. Our senses are much sharper than we realize, if we learn how to use them. Some scientists are even researching the sensory abilities of human hair! Each chapter of the book spotlights a different nocturnal creature. And while learning about animals’ adaptations for navigating the world of night, young readers discover their own surprising abilities. Years of teaching children in the outdoors has given the author, renowned environrmental educator Anita Sanchez, firsthand experience in introducing students to the terrors and joys of nature at night. She has led kids on night walks in a variety of habitats, including urban settings. Based on these experiences, the book describes night-time landscapes and the nocturnal animals that inhabit them, from desert coyotes to the frog chorus in a backyard pond—and a corner of the bathroom at midnight where a spider lurks. Readers will encounter: --The great horned owl, who can spot the twitch of a mouse’s tail in almost total darkness. --The Gila monster, who prowls the desert night using its tongue to locate prey. --The super-sensitive ears of a bullfrog (yes, frogs have ears!) --The delicate sense of touch of a spider, capturing its prey by feeling the slightest vibrations of its web. Sidebars called “You Can Do It!” offer fun and active ways for kids to explore their own senses—learning more about their own eyes, ears, nose, and senses of touch and taste. --While using crayons at night, can your eyes tell red from green? --Can you hold completely still for an entire minute, like a fox stalking its prey? --Could you follow the scent trail of an onion across the back yard? --Can you find sounds in the dark? Learn to use the “big ears” technique to locate sounds with accuracy.

The Stoker Award-winning chilling anthology of 18 short stories in tribute to the genius of Shirley Jackson, collecting today’s best horror writers. Featuring Joyce Carol Oates, Josh Malerman, Paul Tremblay, Richard Kadrey, Stephen Graham Jones, Elizabeth Hand and more. A collection of new and exclusive short stories inspired by, and in tribute to, Shirley Jackson. Shirley Jackson is a seminal writer of horror and mystery fiction, whose legacy resonates globally today. Chilling, human, poignant and strange, her stories have inspired a generation of writers and readers. This anthology, edited by legendary horror editor Ellen Datlow, will bring together today’s leading horror writers to offer their own personal tribute to the work of Shirley Jackson. Featuring Joyce Carol Oates, Josh Malerman, Carmen Maria Machado, Paul Tremblay, Richard Kadrey, Stephen Graham Jones, Elizabeth Hand, Kelly Link, Cassandra Khaw, Karen Heuler, Benjamin Percy, John Langan, Laird Barron, Jeffrey Ford, M. Rickert, Seanan McGuire, Gemma Files, and Genevieve Valentine.