Winner of the 2014 Dean Batchelor Award, Motor Press Guild "Book of the Year" Short-listed for 2015 PEN / ESPN Literary Award for Sports Writing Before noon on May 30th, 1964, the Indy 500 was stopped for the first time in history by an accident. Seven cars had crashed in a fiery wreck, killing two drivers, and threatening the very future of the 500. Black Noon chronicles one of the darkest and most important days in auto-racing history. As rookie Dave MacDonald came out of the fourth turn and onto the front stretch at the end of the second lap, he found his rear-engine car lifted by the turbulence kicked up from two cars he was attempting to pass. With limited steering input, MacDonald lost control of his car and careened off the inside wall of the track, exploding into a huge fireball and sliding back into oncoming traffic. Closing fast was affable fan favorite Eddie Sachs. "The Clown Prince of Racing" hit MacDonald's sliding car broadside, setting off a second explosion that killed Sachs instantly. MacDonald, pulled from the wreckage, died two hours later. After the track was cleared and the race restarted, it was legend A. J. Foyt who raced to a decisive, if hollow, victory. Torn between elation and horror, Foyt, along with others, championed stricter safety regulations, including mandatory pit stops, limiting the amount a fuel a car could carry, and minimum-weight standards. In this tight, fast-paced narrative, Art Garner brings to life the bygone era when drivers lived hard, raced hard, and at times died hard. Drawing from interviews, Garner expertly reconstructs the fateful events and decisions leading up to the sport's blackest day, and the incriminating aftermath that forever altered the sport. Black Noon remembers the race that changed everything and the men that paved the way for the Golden Age of Indy car racing.

Homer defends a crazed poet accused of using an eclipse as cover for murder For all her life, poet Kitty Clark has waited to see a total eclipse of the sun. News of an impending eclipse thrills her until she learns it will be visible only from Nantucket, where one year ago her ex-lover Joe Green moved with his new wife. Unable to resist the astronomical lure, she flies in from Boston, and makes her way to an isolated lighthouse, hoping to avoid seeing Joe. The eclipse itself is overwhelming; Kitty screams when the sun vanishes behind the dark blot of the moon. When the sun returns a few minutes later, Kitty stands over the bloodied body of Mrs. Joe Green, claiming “the moon did it.” Transcendentalist scholar and former detective Homer Kelly agrees to defend the troubled young poet, but the more Kitty insists she is innocent, the crazier she appears. To clear her name he must discover who set her up, and what happened during the two minutes when the Nantucket sun disappeared.

Dark Noon is the mesmerizing re-creation of a fateful day at sea. It is also a story of the postwar American dream as experienced in the fishing village of Montauk, Long Island, where fish were money and where optimism and success went hand in hand. And it’s a story of the end of an era, when one terrible disaster changed the fishing culture of a prosperous port forever. “Meticulously researched. A fascinating story.”--Distinction “A first-rate reportorial job that builds to a taut and suspenseful climax of incredible detail. The harrowing description of men gaff-hooked out of the churning swells is unforgettable.”--The Independent

A showdown between saints and sinners—the basis for the TV moviefrom the Owen Wister Award-winning author of the classic western Chisum starring John Wayne. When their wagon breaks down in the desert, Reverend Jon Keyes and his ailing wife Lorna find themselves at the mercy of blistering heat, punishing thirst, and circling buzzards. On the brink of death, they are rescued by Caleb Hobbs and his beguiling daughter Deliverance, who take them to their home in San Melas. It’s a strange little town, built to resemble the New England village they left behind. Everyone in the community is convinced that Jon’s been sent from heaven—that he’s capable of healing their sick and saving their flock. But can he save these God-fearing folk from the gunslinger Moon who descends on the town like a blood-thirsty vulture? Can he explain the robed figures who gather and chant after midnight? And finally, can a good man wage war with evil itself . . . without losing his life . . . or his soul? Praise for the novels of Andrew J. Fenaday “Crackling with the fury of a desert storm.”—True West on The Rebel: Johnny Yuma “A good, rousing story with well-defined, involving characters and plenty of action.”—Variety on Tom Horn and the Apache Kid “A satisfying variation of a familiar theme in an unfamiliar locale.”—True West on Double Eagles

A broken-winged angel trying to get home. Her escort a nocturnal huntress with a bloody past. It will be a dangerous journey - monsters are everywhere and the truly dangerous ones hide in plain sight. Alone since her father's brutal murder, Aurora has spent years hunting his killers. Battle-weary she's ready to start over where no one knows who or what she is - she just has one last mission. Everything is going to plan until she discovers the beautiful winged girl caged underground. Her decision to rescue Evie and to help her get home safely, despite avians being infamous for selling out shapeshifters like Aurora to cutters and black-market flesh dealers, will put her on a perilous path. As the women travel together their attraction grows but Aurora is guarding her lonely heart almost as much as her dangerous secrets and Evie is struggling to accept how important Aurora has become to her. When their enemies conspire to kill them, they may be each other's only hope. Aurora is powerful but she's also emotionally scarred and it will be up to Evie to save her from herself and to fight for them - or innocent people will die along with the guilty ones and Aurora will disappear from Evie's life forever.

Scholar and former detective Homer Kelly defends a poet accused of committing murder during an eclipse—from the “delightful and always beguiling” author (The Boston Globe). For all her life, poet Kitty Clark has waited to see a total eclipse of the sun. News of an impending eclipse thrills her until she learns it will be visible only from Nantucket, where one year ago her ex-lover Joe Green moved with his new wife. Unable to resist the astronomical lure, she flies in from Boston, and makes her way to an isolated lighthouse, hoping to avoid seeing Joe. The eclipse itself is overwhelming; Kitty screams when the sun vanishes behind the dark blot of the moon. When the sun returns a few minutes later, Kitty stands over the bloodied body of Mrs. Joe Green, claiming “the moon did it.” Transcendentalist scholar and former detective Homer Kelly agrees to defend the troubled young poet, but the more Kitty insists she is innocent, the crazier she appears. To clear her name he must discover who set her up, and what happened during the two minutes when the Nantucket sun disappeared.