Baal's Kryptonian army has invaded Themyscira. Wonder Woman and the Amazons will show them why that was a deadly mistake.

Batman and Superman are back together again-but is their reunion too late?

The unforgettable world of Frank Miller’s Dark Knight saga—reimagined by the comics industry’s greatest artists with a collection of variant cover art—is brought to life in this hardcover title, BATMAN: THE ART OF THE DARK KNIGHT: MASTER RACE. No comic has shaped the future of superhero storytelling like Frank Miller’s THE DARK KNIGHT RETURNS. Even 30 years later, the iconic story of an aged Batman in a strange dystopian future still sets the gold standard for what a comic book can be. So when Miller’s highly anticipated third installment of the series, BATMAN: THE DARK KNIGHT: MASTER RACE, hit comics shops, it was accompanied by DC’s most ambitious variant cover program ever—over 150 variant covers produced by an all-star roster of artists, from veteran industry legends to the hottest rising stars. This special edition collects all the covers, variant covers and mini-comic covers from MASTER RACE, along with never-before-seen sketch material and an introduction by longtime Miller collaborator and Dark Knight saga inker, Klaus Janson. FEATURING STUNNING ARTWORK BY Frank Miller, Andy Kubert, Klaus Janson, Jim Lee, Rafael Albuquerque, Neal Adams, Michael Allred, John Cassaday, J. Scott Campbell, Greg Capullo, Darwyn Cooke, Tim Sale, Brian Bolland, Gary Frank, Ivan Reis, Francis Manapul, David Finch and many more!

The deluxe edition of Frank Miller’s return to the Dark Knight Universe! It’s been three years since the events of Dark Knight III: The Master Race. Lara has spent the time learning to be more human, and Carrie Kelley has been growing into her new role as Batwoman. But a terrifying evil has returned to Gotham City, and Lara and Carrie must team up to stop this growing threat-and they have a secret weapon. Young Jonathan Kent, “the golden child,” has a power inside of him unlike anything the world has ever seen, and it’s about to be unleashed… Dark Knight Returns: The Golden Child is Frank Miller’s triumphant return to the world of the Dark Knight and joining him is the superstar artist Rafael Grampá, the mastermind behind the groundbreaking Mesmo Delivery. Following work in advertising and film, this incredible collaboration marks Grampá’s first comics work in six years, bringing his extraordinary detail and storytelling to the Dark Knight saga, resulting in a Dark Knight story like nothing you’ve ever seen before.

In a dark dystopian future, Gotham City has descended into lawlessness in the ten years since the Dark Knight retired. When his city cries out for help, Batman returns to save the city he had dedicated his life to protecting. Joined by Carrie Kelly, a teenaged female Robin, Batman takes to the streets to end the threat of the mutant gangs that have overrun the city. And after facing off against his two greatest enemies, the Joker and Two-Face, for the final time, Batman finds himself in mortal combat with his former ally, Superman, in a battle that only one of them will survive. Frank Miller's THE DARK KNIGHT RETURNS and THE DARK KNIGHT STRIKES AGAIN are considered two of the most influential superhero graphic novels of all time, cementing Miller's status as one of his generation's greatest graphic storytellers. Collected here are both parts of Miller's DARK KNIGHT saga, including THE DARK KNIGHT RETURNS #1-4, THE DARK KNIGHT STRIKES AGAIN #1-3, with additional character sketch and script pages.

For use in schools and libraries only. After ten years away from the public eye, a wave of violence in Gotham City brings Batman back as a vigilante.

This book illustrates the importance of conflicting narratives in understanding and dealing with crime, based on a variety of cutting-edge research. Offenders tell stories about crime and punishment, as do policemen, judges and defence lawyers, but so do politicians and the media. Each tells them very differently and only some stories are believed, while others are rejected as implausible leading to conflict. This book explores how these conflicts are carried out and what relationships exist between (often unquestioned) master narratives and (sometimes loud, sometimes silent) counter-narratives? These are questions of central importance for criminology which have thus far received little attention. This edited collection is international and interdisciplinary in scope, providing empirical insights from such diverse contexts as (social) media, newspapers, comics, police interrogations, social and criminal justice settings, and museum exhibitions. By including contributions from a wide spectrum of academic disciplines and using different methodological approaches, it is of particular interest to students and researchers in criminology and sociology, as well as to scholars of socio-legal studies.