Darius doesn't think he'll ever be enough, in America or in Iran. Hilarious and heartbreaking, this unforgettable debut introduces a brilliant new voice in contemporary YA. Winner of the William C. Morris Debut Award “Heartfelt, tender, and so utterly real. I’d live in this book forever if I could.” —Becky Albertalli, award-winning author of Simon vs. the Homo Sapiens Agenda Darius Kellner speaks better Klingon than Farsi, and he knows more about Hobbit social cues than Persian ones. He’s a Fractional Persian—half, his mom’s side—and his first-ever trip to Iran is about to change his life. Darius has never really fit in at home, and he’s sure things are going to be the same in Iran. His clinical depression doesn’t exactly help matters, and trying to explain his medication to his grandparents only makes things harder. Then Darius meets Sohrab, the boy next door, and everything changes. Soon, they’re spending their days together, playing soccer, eating faludeh, and talking for hours on a secret rooftop overlooking the city’s skyline. Sohrab calls him Darioush—the original Persian version of his name—and Darius has never felt more like himself than he does now that he’s Darioush to Sohrab. Adib Khorram’s brilliant debut is for anyone who’s ever felt not good enough—then met a friend who makes them feel so much better than okay.

In this companion to the award-winning Darius the Great Is Not Okay, Darius suddenly has it all: a boyfriend, an internship, a spot on the soccer team. It's everything he's ever wanted--but what if he deserves better? Darius Kellner is having a bit of a year. Since his trip to Iran, a lot has changed. He's getting along with his dad, and his best friend Sohrab is only a Skype call away. Between his first boyfriend, Landon, varsity soccer practices, and an internship at his favorite tea shop, things are falling into place. Then, of course, everything changes. Darius's grandmothers are in town for a long visit, and Darius can't tell whether they even like him. The internship is not going according to plan, Sohrab isn't answering Darius's calls, and Dad is far away on business. And Darius is sure he really likes Landon . . . but he's also been hanging out with Chip Cusumano, former bully and current soccer teammate--and well, maybe he's not so sure about anything after all. Darius was just starting to feel okay, like he finally knew what it meant to be Darius Kellner. But maybe okay isn't good enough. Maybe Darius deserves better.

Darius I was the third king of the Persian Achaemenid Empire. Also called Darius the Great, he ruled the empire at its peak, when it included much of West Asia, the Caucasus, Central Asia, parts of the Balkans, portions of north and northeast Africa including Egypt, eastern Libya, coastal Sudan, Eritrea, as well as most of Pakistan, the Aegean Islands and northern Greece / Thrace-Macedonia. Darius ascended the throne by overthrowing Gaumata, the alleged magus usurper of Bardiya with the assistance of six other Persian noble families; Darius was crowned the following morning. The new king met with rebellions throughout his kingdom and quelled them each time. A major event in Darius's life was his expedition to punish Athens and Eretria for their aid in the Ionian Revolt and subjugate Greece. Darius expanded his empire by conquering Thrace and Macedon and invading Scythia, home of the Scythians, nomadic tribes who invaded Media and had previously killed Cyrus the Great. Darius organized the empire by dividing it into provinces and placing satraps to govern it. He organized a new uniform monetary system, along with making Aramaic the official language of the empire. Darius also worked on construction projects throughout the empire, focusing on Susa, Pasargadae, Persepolis, Babylon and Egypt. Darius devised a codification of laws for Egypt. He also had the cliff-face Behistun Inscription carved, an autobiography of great modern linguistic significance. Darius also started many massive architectural projects, including magnificent palaces in Persepolis and Susa.

Darius III ruled over the Persian Empire and was the most powerful king of his time, yet he remains obscure. In the first book devoted to the historical memory of Darius III, Pierre Briant describes a man depicted in ancient sources as a decadent Oriental who lacked Western masculine virtues and was in every way the opposite of Alexander the Great.

Around 550 B.C.E. the Persian people—who were previously practically unknown in the annals of history—emerged from their base in southern Iran (Fars) and engaged in a monumental adventure that, under the leadership of Cyrus the Great and his successors, culminated in the creation of an immense Empire that stretched from central Asia to Upper Egypt, from the Indus to the Danube. The Persian (or Achaemenid, named for its reigning dynasty) Empire assimilated an astonishing diversity of lands, peoples, languages, and cultures. This conquest of Near Eastern lands completely altered the history of the world: for the first time, a monolithic State as vast as the future Roman Empire arose, expanded, and matured in the course of more than two centuries (530–330) and endured until the death of Alexander the Great (323), who from a geopolitical perspective was “the last of the Achaemenids.” Even today, the remains of the Empire-the terraces, palaces, reliefs, paintings, and enameled bricks of Pasargadae, Persepolis, and Susa; the impressive royal tombs of Naqsh-i Rustam; the monumental statue of Darius the Great-serve to remind visitors of the power and unprecedented luxury of the Great Kings and their loyal courtiers (the “Faithful Ones”). Though long eclipsed and overshadowed by the towering prestige of the “ancient Orient” and “eternal Greece,” Achaemenid history has emerged into fresh light during the last two decades. Freed from the tattered rags of “Oriental decadence” and “Asiatic stagnation,” research has also benefited from a continually growing number of discoveries that have provided important new evidence-including texts, as well as archaeological, numismatic, and iconographic artifacts. The evidence that this book assembles is voluminous and diverse: the citations of ancient documents and of the archaeological evidence permit the reader to follow the author in his role as a historian who, across space and time, attempts to understand how such an Empire emerged, developed, and faded. Though firmly grounded in the evidence, the author’s discussions do not avoid persistent questions and regularly engages divergent interpretations and alternative hypotheses. This book is without precedent or equivalent, and also offers an exhaustive bibliography and thorough indexes. The French publication of this magisterial work in 1996 was acclaimed in newspapers and literary journals. Now Histoire de l’Empire Perse: De Cyrus a Alexandre is translated in its entirety in a revised edition, with the author himself reviewing the translation, correcting the original edition, and adding new documentation. Pierre Briant, Chaire Histoire et civilisation du monde achémenide et de l’empire d’Alexandre, Collège de France, is a specialist in the history of the Near East during the era of the Persian Empire and the conquests of Alexander. He is the author of numerous books. Peter T. Daniels, the translator, is an independent scholar, editor, and translator who studied at Cornell University and the University of Chicago. He lives and works in New York City.

The palace complex of the Persian King Darius I, the Great (522-486 BCE), provides unique evidence of the sophistication of Achaemenid architecture and construction. This palace, built 2500 years ago in western Iran, lay at the centre of the Persian Empire that stretched from the Nile and the Aegean to the Indus Valley. First rediscovered in 1851, the palace of Darius was partly excavated over the next century. But it was only field research between 1969 and 1979 by the noted French archaeologist Jean Perrot which revealed the site's full dimension and complexity. Its bull-headed capitals, enamel friezes of richly-clad archers holding spears, figures of noble lions and winged monsters, introduced a new iconography into the ancient Persian world. The discovery and excavation of the palace, which this book records, thus casts a new light on the beginnings of the Achaemenid period. Edited by the distinguished scholar of ancient Persia, John Curtis, the lavishly illustrated volume is a work of seminal importance for the understanding of ancient Persia, likely to be radically altered by Perrot's research and findings.